Alfredo Jaar






Alfredo Jaar, Oswalde Andrade VOLTA!, 2017
Alfredo Jaar, O Som do Silêncio, 2006
Alfredo Jaar, Um milhão de pontos de luz, 2005
Alfredo Jaar, Procurando África na LIFE, 1996
Intervenções públicas (Estudos sobre felicidade: 1979 - 1981), 1981
Intervenções públicas (Estudos sobre felicidade: 1979 - 1981), 1981

Nascido em 1956, Santiago, Chile.
Vive e trabalha em Nova York, Estados Unidos.

Educação

     

    AWARDS.

    2013

  • National Art Prize – Chile.
  • 2006

  • Spain's Premio Extremadura a la Creacion.
  • 2000

  • MacArthur Foundation, MacArthur Fellowship.
  • 1987

  • Louis Comfort Tiffany Foundation Award.
  • 1985

  • John Simon Guggenheim Memorial Foundation Fellowship.
  • New York State Council of the Arts Grant.

Exposições Individuais

    2017

  • The Garden of Good and Evil, Yorkshire Sculpture Park, Yorkshire, Inglaterra.
  • Shadows, Carpintarias São Lázaro, Lisboa, Portugal.
  • A Logo for America, The Clevenland Musem of Art, Clevenland, EUA.
  • A Política das Imagens, Galeria Luisa Strina, São Paulo, Brasil.
  • 2016/2017

  • Shadows, Galerie Thomas Schulte, Berlim, Alemanha.
  • 2016

  • The Politics of Images, Fundação Joaquim Nabuco, Recife, Brasil.
  • 2015

  • Alfredo Jaar: May 1, 2011, Centro Cultural Matucana 100, Santiago, Chile.
  • Nous l’avons tant aimée, la revolution, Musée d’Art Contemporain, Marseille, France.
  • Alfredo Jaar: Gold in the Morning, Galeria Luisa Strina, São Paulo, Brazil.
  • Shadows, Galerie Lelong, New York, New York.
  • 2014

  • A Logo for America, Spectacolor Lightboard, One Times Square, New York, EUA.
  • 22 Women: An Installation by Alfredo Jaar, SKMU Sørlandets Kunstmuseum, Kristiansand, Norway.
  • Alfredo Jaar: The Sound of Silence, Center of Contemporary Art, Torun, Poland.
  • Alfredo Jaar: The Sound of Silence, Galeria Patricia Ready, Santiago, Chile.
  • Alfredo Jaar: El Silencio, Parque de la Memoria, Buenos Aires, Argentina.
  • Alfredo Jaar: Tonight No Poetry Will Serve, KIASMA Museum of Contemporary Art, Helsinki, Finland.
  • Shadows, Savannah College of Art and Design Museum of Art, Savannah, Georgia.
  • 2013

  • Abbiamo amato tanto la rivoluzione, Fondazione Merz, Turin, Italy.
  • Music (Everything I know I learned the day my son was born), Nasher Sculpture Center, Dallas.
  • The Politics of Images, Les Rencontres Arles Photographie, Arles, France.
  • Venezia, Venezia, Chilean Pavilion, 55th Venice Biennale, Venice, Italy.
  • Alredo Jaar: Culture = Capital, Marseille – Provence 2013, Capitale Européene de la Culture, France.
  • Alfredo Jaar: The Politics of Images, Ryerson University Image Centre, Toronto, Canada.
  • Alfredo Jaar: The Sound of Silence, Nederlands Fotomuseum, Rotterdam, The Netherlands. Travelled to Malmö Konsthall, Malmö, Sweden.
  • 2012

  • Alfredo Jaar / Gold in the Morning, Goodman Gallery, Johannesburg, South Africa.
  • Alfredo Jaar: Cultura = Capital, Guimarães 2012 European Capital of Culture, Portugal.
  • Alfredo Jaar, Kultur = Kapital, Galerie Thomas Schulte, Berlin, Germany.
  • Alfredo Jaar: The Way it is. An Aesthetics of Resistance, Berlinische Galerie, Neue Gesellschaft für Bildende Kunst e. V., and Alte Nationagalerie, Berlin Germany.
  • 2011

  • Alfredo Jaar: The Ashes of Pasolini, Musée d’art de Joliette, Joliette, Canada.
  • May 1, 2011, SCAD Museum of Art, Savannah, Georgia.
  • Muxima, The Art Institute of Chicago, Chicago, Illinois.
  • One Hundred Times Nguyen, Berardo Collection Museum, Lisbon, Portugal.
  • Alfredo Jaar: Marx Lounge, Stedelijk Museum, Amsterdam, The Netherlands.
  • Alfredo Jaar: Marx Lounge, El Centro Andaluz de Arte Contemporáneo, Seville, Spain.
  • The Sound of Silence, École nationale supérieure des beaux-arts de Paris, Paris, France.
  • Three Women, Kamel Mennour, Paris, France.
  • 2010

  • The Sound of Silence, Galería Oliva Arauna, Madrid, Spain.
  • We Wish To Inform You That We Didn't Know, Contemporary Art Galleries, University of Connecticut, Storrs, Connecticut.
  • 2009

  • The Sound of Silence, Galerie Lelong, New York, New York.
  • 2008

  • It Is Difficult, Hangar Bicocca, Milan, Italy.
  • Politics of the Image, South London Gallery, London, United Kingdom.
  • 2007

  • Ezra and Cecile Zilkha Gallery, Center for the Arts at Wesleyan University, Middletown, Connecticut.
  • La Politique des Images, Musée Cantonal des Beaux-Arts Lausanne, Lausanne, Switzerland.
  • 2006

  • Galeria Gabriela Mistral, Santiago, Chile.
  • Jaar SCL 2006, Sala de Arte Fundación Telefónica, Santiago, Chile.
  • Muxima, Galerie Lelong, New York, New York.
  • The Eyes of Gutete Emerita, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire.
  • The Sound of Silence, Fabrica, Brighton, United Kingdom, presented in association with the Brighton Photo Biennial, Brighton, United Kingdom.
  • 2005

  • Let One Hundred Flowers Bloom, Museo d’Arte Contemporanea Roma, Rome, Italy.
  • Muxima, Grand Arts Gallery, Kansas City, Missouri.
  • The Ashes of Gramsci, Studio Stefania Miscetti, Rome, Italy.
  • The Eyes of Gutete Emerita, Museum of Fine Arts, Houston, Texas.
  • 2004

  • Todo el Dolor del Mundo, Centro Portugues de Fotographia, Porto, Portugal.
  • 2003

  • The Desire of the Cartographer, Kunstverein, Hanover, Germany.
  • Six Seconds – It is Difficult, Galerie Thomas Schulte, Berlin, Germany.
  • 2002

  • Lament of the Images, Galerie Lelong, New York, New York.
  • 2001

  • Clouds/Recent Projects, Badischer Kunstverein, Karlsruhe, Germany.
  • Let There Be Light: The Rwanda Project, Badischer Kunstverein, Karlsruhe, Germany.
  • The Silence: The Rwanda Project 1994-2000, International Museum of the Red Cross, Geneva, Switzerland.
  • 2000

  • Art + Public, Geneva, Switzerland.
  • Emergencia, Public Library, Umea, Denmark.
  • It is difficult, Todd Hosfelt Gallery, San Francisco, California.
  • Kalmar Konstmuseum, Kalmar, Sweden.
  • Kenji Taki Gallery, Nagoya Japan and Tokyo, Japan.
  • Waiting, University Art Gallery, San Diego State University, San Diego, California.
  • 1999

  • Lament of the Images, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Massachusetts. Traveled to Museum of Art, Fort Lauderdale, Florida.
  • 1998

  • Let there be Light: The Rwanda Project, Centre d'Art Santa Monica, Barcelona, Spain. Traveled to Koldo Mitxelena, San Sebastian, Spain; Stedelijk Museum Het Domein, Sittard, The Netherlands.
  • The Rwanda Project, 1994-1998, Galerie Lelong, New York, New York.
  • 1997

  • Galeria Oliva Arauna, Madrid, Spain.
  • Galerie Franck + Schulte, Berlin, Germany.
  • Galerie Grita Insam, Vienna, Austria.
  • Johannesburg Biennale, Newtown, Johannesburg, South Africa.
  • The Light Factory, Charlotte, North Carolina.
  • Todd Hosfelt Gallery, San Francisco, California.
  • 1996

  • City Gallery of Contemporary Art, Raleigh, North Carolina.
  • 1995

  • Contemporary Art Museum, University of South Florida, Tampa, Florida.
  • Galerie Lelong, New York, New York.
  • Museum of Contemporary Photography, Chicago, Illinois.
  • 1994

  • Fotografiska Museet and Moderna Museet, Stockholm, Sweden.
  • Frankfurter Kunstverein, Frankfurt, Germany.
  • Galerie Tilman, Brussels, Belgium.
  • Galeria Oliva Arauna, Madrid, Spain.
  • Institut fur Auslandsbeziehungen, Stuttgart, Germany.
  • 1993

  • Galerie Franck + Schulte, Berlin, Germany.
  • Gesellschaft fur Aktuelle Kunst, Bremen, Germany.
  • Miami Center for the Fine Arts, Miami. Traveled to Contemporary Art Museum, University of.
  • South Florida, Tampa, Florida.
  • Ruth Bloom Gallery, Santa Monica, California.
  • Tramway, Glasgow, Scotland, United Kingdom.
  • 1992

  • Kunstnernes Hus, Oslo, Norway.
  • Meyers/Bloom Gallery, Santa Monica, California.
  • Pergamon Museum, Berlin, Germany.
  • The Museum of Contemporary Art, Chicago, Illinois.
  • The New Museum of Contemporary Art, New York, New York.
  • Torre de la Santa Cruz, Cadiz and Pabellon de Andalucia, Expo 92, Seville, Spain.
  • Whitechapel Art Gallery, London, England.
  • 1991

  • Galeria Benet Costa, Barcelona, Spain.
  • Galeria Oliva Arauna, Madrid, Spain.
  • Galerie Barbara Farber, Amsterdam, The Netherlands.
  • Galerie Gabrielle Maubrie, Paris, France.
  • Hirshhorn Museum and Sculpture Garden, Washington, D.C.
  • Virginia Museum of Fine Arts and the Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia.
  • 1990

  • Diane Brown Gallery, New York, New York.
  • Insam Gleicher Gallery, Chicago, Illinois.
  • London Regional and Historical Museums, London, Ontario, Canada.
  • Meyers/Bloom Gallery, Los Angeles, California.
  • San Diego Museum of Contemporary Art, California. Traveled to San José Museum of Art, San Jose, California; Seattle Art Museum, Seattle, Washington; Carnegie Mellon Art Gallery, Pittsburgh, Pennsylvania; Laumeier Sculpture Park, St.Louis, Missouri.
  • 1989

  • Colorado University Art Galleries, Boulder, Colorado.
  • Galerie Barbara Farber, Amsterdam, The Netherlands.
  • L'Arche de la Fraternité, La Défense, Paris, France.
  • University Art Galleries, Wright State University, Dayton, Ohio.
  • Robert B. Menschel Photography Gallery, Syracuse University, Syracuse, New York.
  • The Brooklyn Museum, Brooklyn, New York.
  • University Art Museum, University of California, Berkeley, California.
  • 1988

  • Diane Brown Gallery, New York, New York.
  • Galerie Gabrielle Maubrie, Paris, France.
  • Galleria Lidia Carrieri, Rome, Italy.
  • Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania.
  • Magasin 3 Stockholm Konsthall, Stockholm, Sweden.
  • Massachusetts College of Art, Boston, Massachusetts.
  • Photographic Resource Center, Boston University, Boston, Massachusetts.
  • 1987

  • Grey Art Gallery and Study Center, New York University, New York, New York.
  • Lannan Museum, Lake Worth, Florida.
  • Spectacolor Lightboard, One Times Square, New York, New York.
  • 1986

  • Herron Gallery, Indianapolis Center for Contemporary Art, Indianapolis, Indiana.
  • Spring Street Subway Station, New York, New York.
  • 1985

  • Grey Art Gallery and Study Center, New York University, New York, New York.
  • 1979

  • Galeria CAL, Santiago, Chile.

Exposições Coletivas

    2017

  • Sanctuary, FOR-SITE Foundation / Fort Mason Chapel, São Francisco, EUA.
  • Prospect Triennial, Nova Orleans, EUA.
  • XX Bienal de Arquitectura, Valparaiso, Chile.
  • Age of Terror, Imperial War Museum, Londres, Inglaterra.
  • Yorkshire Sculpture Garden, Yorkshire, Inglaterra.
  • Sanctuary, FOR-SITE, Fort Mason Chapel, São Francisco, EUA.
  • Alios! 15e biennale d’art contemporain, La-Teste-de-Buch, França.
  • The Image of War, Bonniers Konsthall, Estocolmo, Suécia.
  • Memories of Underdevelopment, Museum of Contemporary Art, San Diego, EUA.
  • Unfinished Festival, Sala Dalles, Bucareste, Romênia.
  • After the Fact, Lenbachhaus, Munique, Alemanha.
  • Gestures of Resistance, Romantso Cultural Centre, Atenas, Grécia.
  • Dark MoFo Festival, MONA Museum of Old and New Art, Hobart, Austrália.
  • 99 Cents or Less, MOCA Museum of Contemporary Art, Detroit, EUA.
  • We shout and shout, but no one listens: Art from conflict zones, Center for Art on Migration Politics, Copenhagen, Dinamarca.
  • Hello, Robot. Design between Human and Machine, Vitra Design Museum, Weil am Rhein, Alemanha.
  • First Day of Good Weather, Sies + Höke, Düsseldorf, Alemanha.
  • 2016/2017

  • Breaking News, J. Paul Getty Museum, Los Angeles, EUA.
  • Afterwork, ILHAM Gallery, Kuala Lumpur, Malásia.
  • XI Bienal Monterrey Femsa, Monterrey, México.
  • Witness, MCA Museum of Contemporary Art, Chicago, EUA.
  • 2016

  • Kultur = Kapital, Lichtparcours, Braunschweig, Alemanha.
  • 36o Festival de Arte Watou, Poperinge, Bélgica.
  • Under the Same Sun: Art from Latin America Today, South London Gallery, Londres, Inglaterra.
  • 2015

  • 4a Trienal Poli/Gráfica, Instituto de Cultura Puertorriqueña, San Juan, Porto Rico.
  • Messages from a New America, Mercosul Biennale 2015, Porto Alegre, Brazil.
  • 3rd Ural Industrial Biennale of Contemporary Art, Ekaterinburg, Russia.
  • CFA: 25 Years, Casa França-Brasil, Rio de Janeiro, Brazil.
  • Clamour Can Melt Gold, Edouard Malingue Gallery, Hong Kong, China.
  • Scenes for a New Heritage: Contemporary Art from the Collection, The Museum of Modern Art, New York, New York.
  • Old News (Again), Cneai, Chatou France.
  • The war which is coming is not the first one, Great War 1914-2014, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy.
  • The Next Future, Fundação Calouste Gulbenkian, Lisbon.
  • Ejercicios De Traslado: Colecciones 9915, Centro de Arte Alcobendas (CAA), Madrid, Spain.
  • Literary Devices, Fisher Landau Center For Art, New York, New York.
  • Forensics: The Anatomy of Crime, Wellcome Trust, London, United Kingdom.
  • Rastros y Vestigios, organized by Colección Isabel y Agustín Coppel, Hospicio Cabañas, Guadalajara, Mexico.
  • Field, Road, Cloud: Art in Africa, Des Moines Art Center, Des Moines, Iowa.
  • Beyond the Monument. Au-delá du monument, BAC Bâtiment d’art Contemporain, Geneva, Switzerland.
  • 2014

  • Post Confilct, Kinz + Tillou Fine Art, New York, New York.
  • Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Cornell University, Orlando, Florida. Traveling through 2015 to Davidson Owsley Museum of Art, Muncie, Indiana.
  • How Far How Near: The World in the Stedelijk, Stedelijk Museum, Amsterdam, The Netherlands.
  • The Militant Image, Camera Austria, Graz, Austria.
  • The war which is coming is not the first one, Great War 1914 – 2014, Museo de Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy.
  • Waterscapes, Kumho Museum of Art, Seoul, South Korea. Traveled through 2015 to Pohang Museum of Street Art, Seoul, South Korea.
  • Under the Same Sun: Art From Latin American Today, Guggenheim Museum, New York, New York.
  • The Venice Syndrome: The Grandeur and the Fall in the Art of Venice, Gammel, Copenhagen, Denmark.
  • From Whom It Stands: The Flag and the American People, Reginald F. Lewis Museum, Baltimore, Maryland.
  • Menifesto! An Alternatine History of Photography, Fotomuseum Winterthur, Winterthur, Denmark.
  • Political Fictions, Haines Gallery, San Francisco, California.
  • Footnotes, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York.
  • 100 Days: The Rwandan Genocide 20 Years Later, Herbert Art Gallery and Museum, Coventry, United Kingdom.
  • Les désastres de le guerre,1800-2014, Louvre-Lens, Lens, France.
  • (Mis)Understanding Photography, Museum Folkwang, Essen, Germany.
  • Re-Framing History, Galerie Lelong, New York, New York.
  • In Plain Sight, Smack Mellon Gallery, New York, New York.
  • L’ange de l’histoire, Centre d’Art Contemporain Walter Benjamin, Perpignan, France.
  • In Context: The Portrait in Contemporary Photographic Practice, Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, New York.
  • Surfacing, Goodman Gallery, Cape Town, South Africa.
  • Muxima, San Diego Museum of Art, San Diego, California.
  • In the Aftermath of Trauma: Contemporary Video Installations, Mildred Lane Kemper Art Museum, Saint Louis, Missouri.
  • 2013

  • Fractures: A Strategy to Engage, Cornell Fine Arts Museum, Cornell University, Orlando, Florida.
  • How Far How Near: The World in the Stedelijk, Stedelijk Museum, Amsterdam, The Netherlands.
  • The Militant Image, Camera Austria, Graz, Austria.
  • The war which is comingis not the first one, Great War 1914 – 2014, Museo de Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy.
  • Under the Same Sun: Art From Latin American Today, Guggenheim Museum, New York, New York.
  • The Venice Syndrome: The Grandeur and the Fall in the Art of Venice, Gammel, Copenhagen, Denmark.
  • From Whom It Stands: The Flag and the American People, Reginald F. Lewis Museum, Baltimore, Maryland.
  • Political Fictions, Haines Gallery, San Francisco, California.
  • Footnotes, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York.
  • 100 Days: The Rwandan Genocide 20 Years Later, Herbert Art Gallery and Museum, Coventry, United Kingdom.
  • Les désastres de le guerre,1800-2014, Louvre-Lens, Lens, France.
  • (Mis)Understanding Photography, Museum Folkwang, Essen, Germany.
  • Re-Framing History, Galerie Lelong, New York, New York.
  • In Plain Sight, Smack Mellon Gallery, New York, New York.
  • L’ange de l’histoire, Centre d’Art Contemporain Walter Benjamin, Perpignan, France.
  • In Context: The Portrait in Contemporary Photographic Practice, Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, New York.
  • Surfacing, Goodman Gallery, Cape Town, South Africa.
  • Muxima, San Diego Mseum of Art, San Diego, California.
  • In the Aftermath of Trauma: Contemporary Video Installations, Mildred Lane Kemper Art Museum, Saint Louis, Missouri.
  • 2012

  • Behold, America! Art of the United States from Three San Diego Museums, Museum of Contemporary Art San Diego La Jolla, California.
  • Glissement de Terrain, Musée Ianchelevici, La Louvière, Belgium.
  • Pier Paolo Pasolini: Intellettuale, MoMA PS1, New York, New York.
  • The Kochi Muziris Biennale, Kerala, India.
  • Inventing the World: The Artist as Citizen, Biennale Regard Bénin 2012, Cotonou, Bénin.
  • Bilderbedarf. The Civic and the Arts, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany.
  • Landslide: Impertinence – Resistance – Survival, Musée Lanchelevici, La Louvière, Belgium.
  • Regarding Warhol: Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York, New York.
  • Transformed Visions. Tate Modern Collection Displays, Tate Modern, London, United Kingdom.
  • Border Crossing, Kunsthallen Brandts, Odense, Denmark.
  • A Generous Medium: Photography at Wellesley, 1972-2012, Davis Museum, Wellesley College, Wellesley, Massachusetts.
  • Image Counter Image, Haus der Kunst, Munich, Germany.
  • Status – 24 Contemporary Documents, Fotomuseum Winterthur, Winterthur, Switzerland.
  • The Idea of Latin America, El Centro Andaluz de Arte Contemporáneo, Seville, Spain.
  • La Triennale: Intense Proximity, Palais de Tokyo, Paris, France.
  • DAY FOR NIGHT: Between Reality and Illusion, Borough of Manhattan Community College, New York, New York.
  • Lux Perpetua, Galerie Kamel Mennour, Paris, France.
  • Making History, Frankfurter Kunsteverein, MMK Museum für Moderne Kunst, MMK Zollamt, Frankfurt, Germany.
  • Half the Sky: Visualized, University of Connecticut Contemporary Art Galleries, Storrs, Connecticut.
  • This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art, Chicago, Illinois. Traveled through 2013 to The Walker Art Center, Minneapolis, Minnesota; Institute of Contemporary Art, Boston, Massachusetts.
  • Neon: Who’s afraid of red yellow and blue?, La Maison Rouge, Paris, France.
  • Ashes and Gold: A World’s Journey, MARTa Herford, Herford, Germany.
  • Mind The Gap, Kent Fine Art, New York, NY.
  • 2011

  • IL BELPAESE DELL’ARTE. Etiche ed Estetiche della Nazione, Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy.
  • Mind the Gap, Kent Fine Art, New York, New York.
  • Being American, Visual Arts Gallery, New York, New York.
  • 29th Biennial of Graphic Arts, Ljubljana, Slovenia.
  • The Walls That Divide Us, apexart, New York, New York.
  • Galería Kurimanzutto, San Miguel Chapultepec, México.
  • Les Cendres de Pasolini, Musée D’Art de Joliette, Joliette, Montréal.
  • Seeing is Believing, KW Institute for Contemporary Art, Berlin, Germany.
  • Déja – The Collection on Display, Musée d’art Contemporain de Montreal, Montreal, Canada.
  • Contemporary Art Archipelago, Turku Archipelgo, Finland.
  • Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York, New York.
  • ARS 11, Kiasma Museum of Contemporary Art, Finland.
  • Plot for a Biennial, Sharjah Art Foundation, Sharjah, United Arab Emirates.
  • Without Reality There is No Utopia, Centro Andaluz de Arte Contemporaneo, Seville, Spain. Travelled through 2013 to Yerba Buena Center for the Arts, San Francisco, California.
  • Interventions in the Landscape, Galerie Lelong, New York, New York.
  • Distant Star: an exhibition organized around the writings of Roberto Bolaño, Regen Projects, Los Angeles California. Traveled to kurimanzutto, Mexico City, Mexico.
  • 2010

  • Touched, 6th Liverpool Biennial, Liverpool, United Kingdom.
  • DISLOCACION, National Council of Culture and the Arts, exhibited at various sites in Santiago, Chile, travelling to Kunstmuseum Bern, Switzerland.
  • The Crude and the Rare, The Cooper Union, New York, New York.
  • The Fifth Genre: Considering the Contemporary Still Life, Galerie Lelong, New York, New York.
  • All That Is Solid Melts Into Air, Museo Coleccao Berardo, Lisbon, Portugal.
  • The Philosophy of Money, Lisbon City Museum, Portugal.
  • 100 Acres, The Virginia B. Fairbanks Art & Nature Park, Indianapolis Museum of Art, Indianapolis, Indiana.
  • Space, MAXXI Museo Nazionale Delle Arte Del XXI Secolo, Rome, Italy.
  • Critical Fetishes. Residues of General Economy, Centro de Arte Dos de Mayo, Madrid, Spain.
  • Undercurrents: Experimental Ecosystems in Recent Art, The Kitchen, New York, New York.
  • The Flower of May, Gwangju Museum of Art, Gwangju, South Korea.
  • Rewind: 1970s to 1990s Works from the MCA Collection, Museum of Contemporary Art Chicago, Chicago, Illinois.
  • PRESS ART, Kunstmuseum St. Gallen, St. Gallen, Switzerland.
  • Hope! Une exposition d’art contemporain sur l’Espoir, Palais des arts et du festival, Dinard, France.
  • Colección Norte de Arte Contemporáneo del Gobierno de Cantabria, Biblioteca Central y Archivo Histórico de Cantabria, Santander, Spain.
  • Disturbed Silence – Silence Disturbed, Duffel, Belgium.
  • Artefact 2010: On Gaps and Silent Documents, STUK kunstencentrum, Leuven, Belgium.
  • 2009

  • CREAM (CREativity for Arts and Media): International Festival for Arts and Media Yokohama, Japan.
  • Back to Earth: Revisiting Magiciens de la Terre, Fleisher/Ollman Gallery, Philadelphia, Pennsylvania.
  • World Images 3, Helmhaus, Zurich, Switzerland.
  • 100 Years (version #2, ps1, nov 2009), P.S.1 Contemporary Art Center, Long Island City, New York.
  • Compassion, Union Theological Seminary, New York, New York.
  • For the use of those who see, KW Institute for Contemporary Art, Berlin, Germany.
  • Paisatges Creuats, Es Baluard, Museu d'Art Modern i Contemporani de Palma, Mallorca, Spain Against Exclusion, Third Biennial of Contemporary Art, The Garage, Center for Contemporary Culture, Moscow, Russia.
  • Prospects: An Exploration of Mining, The Sun Valley Center for the Arts, Ketchum, Idaho.
  • On the Margins of Art. Creation and Political Engagement, Museu d’Art Contemporani de Barcelona, Spain.
  • The Spaces of the Image, Le Mois de la Photo á Montréal, 11th international biennial of contemporary photography, Montréal, Canada.
  • Sightings: Searching for the Truth, Guangzhou Photo Biennial, Guangzhou, China.
  • Contemporary Video Art, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania.
  • North Looks South: Building the Latin American Art Collection, Museum of Fine Arts, Houston, Texas.
  • The Fear Society / Pabellon de la Urgencia, Arsenale Novissimo, Project by the Region of Murcia, collateral event of the 53rd International Art Exhibition – Venice Biennale, Venice, Italy.
  • For You/Para Usted, Daros Latinamerica, Zurich, Switzerland.
  • New Acquisitions 2007-2008, Louisiana Museum of Modern Art, Humlebæk, Denmark.
  • Continental Rifts: Contemporary Time-Based Works of Africa, Fowler Museum at UCLA, Los Angeles, California.
  • Aletheia – Positions in Contemporary Photography, Art Museum Meilahti, Helsinki, Finland.
  • 2008

  • Political/Minimal, KW Institute of Contemporary Art, Berlin, Germany.
  • The PIG: 7 solo shows by Alfredo Jaar, Mario Grubisic, Paola Pivi, Gelitin, Jeremy Deller, Simon Martin, Roberto Cuoghi, Galerie Emmanuel Perrotin, Miami, Florida.
  • Framing and Being Framed: The Uses of Documentary Photography, Center for the Arts, Wesleyan University, Middletown, Connecticut.
  • That Was Then…This Is Now, P.S.1 Contemporary Art Center, Long Island City, New York.
  • Memories for Tomorrow: Works from the UBS Art Collection, Shanghai Art Museum, Shanghai, China.
  • Cancelled, Erased & Removed, Sean Kelly Gallery, New York, New York.
  • You Complete Me, Western Bridge, Seattle, Washington.
  • The Rencontres Internationales, Paris/Berlin/Madrid Presented by the Complejo El Aguila, Museo Nacional Centro de Reina Sofia, Instituto Cervantes, Auditorio del Ministerio de Cultura, and Filmoteca Espanola.
  • Africa On: Beecroft, Jaar, Kentridge, Lia Rumma, Milan, Italy.
  • Arte ≠ Vida: Actions by Artists of the Americas, 1960-2000, El Museo del Barrio, New York, New York.
  • Pictures in Series, Fisher Landau Center for Art, Long Island City, New York.
  • No Es Neutrala – Daros Latinamerica Collection, Tabakalera, Donostia-San Sebastian, Spain.
  • 2007

  • New Perspectives in Latin American Art, 1930-2006: Prints, Photographs, and Media Works, Museum of Modern Art, New York, New York.
  • Equatorial Rhythms, Stenersen Museum, Oslo, Norway.
  • Power of 10: Gifts in Honor of Miami Art Museum's 10th Anniversary, Miami Art Museum, Miami, Florida.
  • To be continued… Magasin 3 Stockholm Konsthall, Stockholm, Sweden.
  • Existencias, MUSAC Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain.
  • 8th Sharjah Biennial, Sharjah, United Arab Emirates.
  • AfterShock, Sainsbury Centre for Visual Arts, in conjunction with Contemporary Art Norwich 2007, Norwich, United Kingdom.
  • Afterglow Galerie Pfriem, organized by Savannah College of Art and Design, Lacoste, France.
  • Check List Luanda Pop, African Pavilion, 52nd International Art Exhibition, Venice Biennale, Venice, Italy.
  • Constructing A Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art, Museum of Fine Arts Houston, Houston, Texas.
  • Private/Corporate IV: The Lekha and Anupam Poddar Collection in dialogue with the DaimlerChrysler Collection, Haus Huth, Berlin, Germany.
  • Scenes and Sequences: Peter Blum Edition, New York – A Selection from 1980 to 2006, Aargauer Kunst Haus, Aarau, Switzerland.
  • System Error: War is a Force that Gives Us Meaning, Palazzo delle Papesse, Siena, Italy.
  • Turbulence: 3rd Auckland Triennial, Auckland, New Zealand.
  • 2006

  • 1st Architecture, Art and Landscape Biennial of the Canaries, Canary Islands.
  • A Curator’s Eye: the Visual Legacy of Robery A. Sobieszek, Los Angeles County Museum of Art, Los Angeles, California.
  • Beautiful Suffering: Photography and the Traffic in Pain, Williams College Museum of Art, Williamstown, Massachusetts.
  • Conjonctions Musee d’Art Moderne et Contemporain, Geneva, Switzerland.
  • FotoFest2006: Artists Responding to Violence, DiverseWorks Artspace, Houston, Texas.
  • International Biennial of Contemporary Art of Seville (BIACS), Seville, Spain.
  • Into Me / Out of Me, P.S.1, Long Island City, New York. Traveled through 2007 to KW Institute for Contemporary Art, Berlin, Germany; Museo d’Arte Contemporanea Roma, Rome, Italy.
  • Kapital, Kent Gallery, New York, New York.
  • Mapping Space: Selections from the Collection, Miami Art Museum, Miami, Florida.
  • Postcards From the Edge Visual AIDS benefit, Sikkema Jenkins & Co, New York, New York.
  • Primitivism Revisited, Sean Kelly Gallery, New York, New York.
  • The Gold Standard, P.S.1, Long Island City, New York.
  • TRANSactions: Contemporary Latin American and Latino Art Museum of Contemporary Art San Diego, La Jolla, California. Traveled through 2008 to Memorial Art Gallery, University of Rochester, Rochester, New York; High Museum of Art, Atlanta, Georgia; Weatherspoon Art Museum, Greensboro, North Carolina.
  • 2005

  • Beyond Narcissus, Dorsky Gallery, Long Island City, New York.
  • At the Mercy of Others: The Politics of Care, Whitney Museum of American Art, New York, New York.
  • Atomica: Making the Invisible Visible Lombard-Freid Fine Arts and Esso Gallery, New York, New York.
  • Double Exposure, Godt-Cleary Projects, Las Vegas, Nevada.
  • Emergencies, Museo de Arte Contemporáneo de Castilla y León, León Spain.
  • Figuratively Speaking: Selections from the Permanent Collection, Miami Art Museum, Miami, Florida.
  • Fotografia! Arte 2005: Latin American Photography, Tampa Museum of Art, Tampa, Florida.
  • Images of Time and Place: Contemporary Views of Landscape, Elaine L. Jacob Gallery, Wayne State University, Detroit, Michigan.
  • Marking Time / Moving Images, Miami Art Museum, Miami, Florida.
  • Points of View: Landscape and Photography, Galerie Lelong, New York, New York.
  • The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois.
  • The Hours: Visual Arts of Contemporary Latin America, Irish Museum of Modern Art, Dublin, Ireland.
  • 2004

  • About Face: Photographic Portraits from the Collection, Art Institute of Chicago, Chicago, Illinois.
  • Art by MacArthur Fellows, Carl Solway Gallery, Cincinnati, Ohio.
  • Galerie Thomas Schulte, Berlin, Germany.
  • Images of Time and Place: Contemporary Views of Landscape, Lehman College Art Gallery, City University of New York, The Bronx, New York.
  • Potential Images of the World, Speed Art Museum, Louisville, Kentucky.
  • Some Things Happening, Herron School of Art & Design, Indianapolis, Indiana.
  • The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany.
  • 2003

  • Black President: The Art and Legacy of Fela Anikulapo-Kuti, The New Museum of Contemporary Art, New York, New York.
  • Experience, Rotterdam Photo Biennale, Nederlands Foto Instituut, Rotterdam.
  • Galeria Oliva Arauna, Madrid, Spain.
  • Human Condition/Global Position: 4 Contemporary Chilean Artists, Founder's Gallery, The Sheldon Art Galleries, St. Louis, Missouri.
  • Pictures from Within: American Photographs, 1958-2002, Whitney Museum of American Art, New York, New York.
  • Sanctuary: Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland.
  • Tainted Landscapes Ezra and Cecile Zilkha Gallery, Center for the Arts, Wesleyan University, Middletown, Connecticut.
  • Transferts, Palais des Beaux-Arts, Brussels, Belgium.
  • Upon Reflection…., Sean Kelly Gallery, New York, New York.
  • Witnessing to Silence: Art and Human Rights, conference hosted by Humanities Research Centre, Australian National University, Canberra, Australia; exhibitions at Drill Hall Gallery, Australian National University, Canberra, Australia; School of Art Gallery, Australian National University, National Institute of the Arts, Canberra, Australia; Canberra Contemporary Art Space, Canberra, Australia; National Museum of Australia, Canberra, Australia.
  • 2002

  • Aquaria, Landesgalerie am Oberosterreichischen Landesmuseum, Linz; traveled to Kunstammlungen Chemnitz.
  • Baltic Art Center, Visby, Sweden.
  • Cultural Crossing, Numark Gallery, Washington, D.C.
  • Double Exposure, Edition Schellmann, Munich, Germany and New York, New York.
  • Fundació Joan Miró, Barcelona, Spain.
  • History Now: The Presence of the Past in Contemporary Photography, Liljevalch Konsthall, Stockholm, Sweden. Traveled to Museum of Work, Norrköping, Sweden; Passagen, Linköpings Konsthall, Linköpings, Sweden; Dunkers Kulturhaus, Helsingborg, Sweden; Midlanda Konsthall, Sundsvall, Sweden; Konsthallen, Ronneby, Sweden.
  • 2001

  • Daros Exhibitions, Zurich, Switzerland.
  • Il Dono, offerta ospitalita insidia, Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy.
  • Minimalism Past And Presence, Galerie Lelong, New York, New York.
  • O Espiritu da Nossa Epoca, Museo de Arte Moderna, Sao Paolo, Brazil.
  • The Gift, Palazzo delle Papesse, Siena, Italy.
  • Versiones del Sur: Más allá del Documento, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
  • Voir Ne Pas Voir La Guerre, Musée d’Histoire Contemporaine, Les Invalides, La Defense, Paris, France.
  • 2000

  • An Intelligent Pressure, Site Gallery, Sheffield, Yorkshire, United Kingdom.
  • Bluer, Carrie Secrist Gallery, Chicago, Illinois.
  • FaceON, Site Gallery, Sheffield, Yorkshire, United Kingdom.
  • Frames of Reference from Object to Subject, Ezra and Zilkha Gallery, Center or the Arts, Wesleyan University, Middletown, Connecticut.
  • inSITE2000, San Diego/Tijuana: The Cloud, installation at Playas de Tijuana, Tijuana, Mexico.
  • International Museum of the Red Cross, Geneva, Switzerland.
  • SCULPTography, Galerie Lelong, New York, New York.
  • 1999

  • Inferno & Paradiso, BildMuseet, Umeå University, Umeå, Sweden (Curated by Jaar).
  • Scripta Manent, Esso Gallery New York, New York.
  • 1998

  • Do all oceans have walls? Gesellschaft fur Aktuelle Kunst, Bremen, Germany.
  • Exiles, National Gallery of Canada, Ottawa, Canada.
  • Photography as Concept, 4th International Foto-Triennale, Esslingen, Germany.
  • The Edge of Awareness, World Health Organisation, Geneva, Switzerland.
  • The Garden of the Forking Paths, Kunstforeningen, Copenhagen, Denmark.
  • Unthinkable Tenderness: The Art of Human Rights, Art Department Gallery, San Francisco State University, San Fransisco, California.
  • Waterproof, Centro Cultural de Belem, Expo 98, Lisbon, Portugal.
  • 1997

  • Absolute Landscape, Yokohama Museum of Art, Yokohama, Japan.
  • American Stories, Setagaya Museum, Tokyo, Japan.
  • Asi esta la Cosa: Instalacion y Arte Objeto en America Latina, Centro Cultural Arte Contemporaneo, Mexico.
  • FREEZE FRAME, Galerie Grita Insam, Vienna, Austria.
  • New Editions, Galerie Lelong, New York, New York.
  • New Grounds: Prints and Multiples, University of South Florida Contemporary Art Museum, Tampa, Florida. Traveled to the International Center for Graphic Arts, Ljubljana, Slovenia.
  • Johannesburg Biennale, Johannesburg, South Africa.
  • The Crystal Stopper, Lehman Maupin Gallery, New York, New York.
  • Transformacion, Villa Iris, Santander, Spain.
  • 1996

  • Act/ Language: Power and Display, The Institute for Research on the African Diaspora in the Americas and the Caribbean, City University of New York, New York, New York.
  • Bienal de Vigo, Galicia, Spain.
  • Blurring the Boundaries. Installation Art: 1969-1996, Museum of Contemporary Art, San Diego, California, travelling to Miami Art Museum, Miami, Florida.
  • Continuity and Contradiction, Miami Art Museum, Miami, Florida.
  • Cuarta Pared, Museo del Oeste, Caracas, Venezuela.
  • Decathlon, Fay Gold Gallery, Atlanta, Georgia.
  • Dream Collection, Miami Art Museum, Miami, Florida.
  • En Reserva, Museum of Contemporary Art, Barcelona, Spain.
  • Encontros de Fotografia, Coimbra, Portugal.
  • Happy End, Kunsthalle, Dusseldorf, Germany.
  • Hebben Wij Het Geweten? Provinciaal Museum Voor Aktuelle Kunst, Haaselt, Belgium.
  • Islands, National Gallery of Australia, Canberra, Australia.
  • Lichtbilder, Galerie Wittenbrink, Munich, Germany.
  • Limited Edition Artists Books, Brooke Alexander, New York, New York.
  • Los Limites de la Fotografia Museo Nacional de Bellas Artes, Museo Nacional de Bellas Artes, Santiago, Chile, travelling to Fundacion Banco Patricios, Buenos Aires, Argentina.
  • Macht / Onmacht, MUHKA, Antwerp, Belgium.
  • One and Others, Galerie Lelong, New York, New York.
  • Printemps de Cahors, Cahors, France.
  • SHIFT, Haus der Kulturen der Welt, Berlin, Germany.
  • Sin Fronteras: Arte Latinoamericano Actual, Museo Alejandro Otero, Caracas, Venezuela.
  • The Luminous Image, The Alternative Museum, New York, New York.
  • Thinking Print, Museum of Modern Art, New York, New York.
  • Transformation of the Work in Art, Fosdick-Nelson Gallery, School of Art and Design at Alfred University, Alfred, New York.
  • Transition-Dislocation, Cleveland Center for Contemporary Art, Cleveland, Ohio.
  • Walk on the Soho Side, New York, New York.
  • 1995

  • ARS 95, Museum of Contemporary Art, Helsinki, Finland.
  • Dialogues de Paix, Palais des Nations, Geneva, Switzerland.
  • Istanbul Biennale, Istanbul, Turkey.
  • Light into Art: From Video to Virtual Reality, Contemporary Arts Center, Cincinnati, Ohio.
  • Livres d'Artistes, Centre d'Art Contemporain, Geneva, Switzerland.
  • Our Century, Ludwig Museum, Cologne, Germany.
  • The Spirit of Hiroshima and After, Museum of Contemporary Art, Hiroshima, Japan.
  • 1994

  • Artaroundtown, Malmo, Sweden.
  • Das Americas, Galeria Luisa Strina, São Paulo, Brazil.
  • Equal Rights and Justice, High Museum of Art, Atlanta, Georgia.
  • Images Pour La Lutte Contre Le Sida, Musee National D'Art Moderne, Centre Georges.
  • Pompidou, Paris, France.
  • Lessons in Life, Art Institute of Chicago, Chicago, Illinois.
  • Pohjoinen Valokuva 1994 (Contemporary Living Violence), International Photographic Triennial, Oulu, Finland.
  • Public Interventions, Institute of Contemporary Art, Boston, Massachusetts.
  • The Origin of Things, Musée d'Art Contemporain de Montréal, Montreal, Quebec, Canada.
  • Translucent Writings, Neuberger Museum of Art, State University of New York, Purchase, New York. Traveled to Contemporary Art Museum, University of Southern Florida, Tampa, Florida.
  • 1993

  • Camera Politic, Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania. Traveled to La Sala Mendoza, Caracas, Venezuela; Contemporary Arts Center, Cincinnati, Ohio; Mendel Art Gallery, Saskatoon, Saskatchewan, Canada.
  • Galerie Lelong, New York, New York.
  • Imagemakers, Nassau County Museum of Art, Roslyn Harbor, New York.
  • New Images of the World, Louisiana Museum of Modern Art, Humlebaek, Denmark.
  • Magazin Im Magazin, Vorarlberger Kunstverein, Magazin 4, Bregenz, and Architectur Zentrum, Wien, Germany.
  • Personal Choice, Institute of Contemporary Art, Philadelphia, Pennsylvania.
  • Photoplay: Works from the Chase Manhattan Collection, Center for Fine Arts, Miami, Florida; Traveled through 1994 to Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; Museo de Arte de São Paulo, São Paulo, Brazil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo de Bellas Artes, Santiago, Chile.
  • Prospect 93, Frankfurter Kunstverein and Kunsthalle, Frankfurt, Germany.
  • 1992

  • 1968, Le Consortium, Dijon, France.
  • Ameriques Latines: Art Contemporain, Hôtel des Arts, Paris, France.
  • AnteAmerica, Biblioteca Luis Angel Arango, Bogotá, Colombia. Traveled through 1993 to Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela; Spencer Art Museum, Lawrence, Kansas; The Queens Museum of Art, Queens, New York; Centro Cultural de la Raza, San Diego, California; Yerbabuena Center for the Arts, San Francisco, California; Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica.
  • Arte Amazonas. Museu de Arte Moderna, Museu de Arte, Rio de Janeiro, Brazil; traveled to Staatliche Kunsthalle, Berlin, Germany.
  • Betrayal of Means/Means of Betrayal, Southeast Museum of Photography, Daytona Beach, Florida. Traveled through 1993 to Aidekman Arts Center, Tufts University, Medford, Massachusetts; Traveled to Fleming Museum, University of Vermont, Burlington, Vermont; Fontanelle, Potsdam Kunsthalle, Potsdam, Germany.
  • Encounters/Displacements, Archer M. Huntington Art Gallery, University of Texas, Austin, Texas.
  • Galerie Lelong, New York, New York.
  • Green Acres: Neo-Colonialism in the U.S., Washington University Gallery of Art, St. Louis, Washington.
  • Imaquinaciones: Dieciseis Miradas al 92, Expo 92, Seville, Spain.
  • L'Art Renouvelle La Ville, Musee National des Monuments Francais, Paris, France.
  • Latin American Artists of the Twentieth Century, Estacion Plaza de Armas, Seville, Spain. Traveled through 1993 to Musee National d'art Moderne, Centre Georges Pompidou, Paris, France; Hotel des Arts, Fondation Nationale des arts, Paris, France; Museum Ludwig at Josef-Haubrich- Kunstahalle, Cologne, Germany; Museum of Modern Art, New York, New York.
  • Molteplici Culture, Convento San Egidio, Rome, Italy.
  • Pour la Suite du Monde, Musée d'Art Contemporain de Montréal, Montreal, Canada.
  • Proiezioni, Castello di Rivara, Torino, Italy.
  • Regard Multiple, Galeries Contemporaines, Musee National d'Art Moderne, Centre Georges Pompidou, Paris, France.
  • Skulpturen – Fragmente, Wiener Secession, Vienna, Austria.
  • Trans-Voices, Whitney Museum of American Art and diverse Subway stations, New York, New York; Centre Georges Pompidou and diverse Metro stations, Paris, France.
  • 1991

  • Framed, Stephen Wirtz Gallery, San Francisco, California.
  • Heimat, Wewerka & Weiss Galerie, Berlin, Germany.
  • Imaquinaciones: Deicisies Miradas al 92, Billboards, Mexico City, Mexico.
  • La Revanche de l'Image, Galerie Pierre Huber, Geneva, Switzerland.
  • P/A, Galeria Benet Costa, Barcelona, Spain.
  • Repositioning Documentary, KunstRAI 1991, Amsterdam, The Netherlands.
  • The Anonymous Other, Friends of Photography, San Francisco, California.
  • Words & #s, Museum of Contemporary Art, Wright State University, Dayton, Ohio.
  • 1990

  • Affirmative Actions, Betty Rymer Gallery, School of the Art Institute of Chicago, Chicago, Illinois.
  • Assembled: Works of Art Using Photography as a Construction Element, University Art.
  • Galleries, Wright State University, Dayton, Ohio.
  • Critical Realism, Perspektief Centre for Photography, Rotterdam, The Netherlands.
  • Information, Terrain Gallery, San Francisco, California.
  • New Work: A New Generation, San Francisco Museum of Modern Art, San Francisco, California.
  • November, November, Anselm Dreher Gallery, Berlin, Germany.
  • On the Edge: Between Sculpture and Photography, Cleveland Center for Contemporary Art, Cleveland, Ohio.
  • Re-Writing History, Kettle's Yard, Cambridge, England. Traveled to Anthony Reynolds Gallery, London, England; Ikon Gallery, Birmingham, England; Cornerhouse, Manchester, England; Northern Centre for Contemporary Art, Sunderland, Scotland.
  • Savoir-vivre, Savoir-faire, Savoir-Être, Centre International d'Art Contemporain de Montréal, Montreal, Canada.
  • Sydney Biennale, Sydney, Australia.
  • The Decade Show: Frameworks of Identity in the 1980s, The New Museum of Contemporary.
  • Art in collaboration with the Museum of Contemporary Hispanic Art and the Studio Museum in Harlem, New York, New York.
  • Tierra Encantada, Charlotte Crosby Kemper Gallery, Kansas City Art Institute, Kansas City, Missouri.
  • To Be And Not To Be, Centre d'Art Santa Monica, Barcelona, Spain.
  • 1989

  • A Climate of Site, Galerie Barbara Farber, Amsterdam, The Netherlands.
  • Camera Lucida, Walter Phillips Gallery, Banff, Alberta, Canada. Traveled to Presentation House Gallery, Vancouver, British Columbia, Canada; Art Gallery of Windsor, Ontario, Canada.
  • Effets de Miroir, C.A.C. Pablo Neruda, Corbeil-Essonne.
  • Fictions, Mirabel Montreal International Airport, Montreal, Canada.
  • First International Foto-Triennale, Esslingen am Neckar, Germany.
  • Fuller/Elwood Gallery, Seattle, Washington.
  • Hommage à la Déclaration Universelle des Droits de l'Homme, Centre d'Art Contemporain, Geneva, Switzerland.
  • Images Critiques, Musee d'Art Moderne de la Ville de Paris, Paris, France.
  • International Camera, Salama-Caro Gallery, London, England.
  • Magiciens de la Terre, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France and la Grande Halle, La Villette, Paris, France.
  • Not Photography, Meyers/Bloom Gallery, Santa Monica, California.
  • Painting/Object/Photograph, Barbara Krakow Gallery, Boston, Massachusetts.
  • Prospect Photographie, Frankfurter Kunstverein, Frankfurt, Germany.
  • Tenir l'Image a Distance, Musee d'Art Contemporain de Montréal, Montreal, Canada.
  • The New Concept, Forum Stadtpark, Graz, Austria.
  • The Photography of Invention: American Pictures of the 1980s, National Museum of American Art, Washington, D.C. Traveled to Museum of Contemporary Art, Chicago, Illinois; Walker Art Center, Minneapolis, Minnesota.
  • Une Autre Affaire, Le Consortium, Dijon, France.
  • Vis-à-Vis der Kamera, Galerie Grita Insam, Vienna, Austria; traveled to Museum voor.
  • Hedendaagse Kunst Het Kruithuis, Hertogenbosch, The Netherlands.
  • Witness, Fuller Gross Gallery, San Francisco, California.
  • 1988

  • Lo Permeable del Gesto, Centro Cultural Galileo, Madrid, Spain.
  • Public Discourse, Real Art Ways, Hartford, Connecticut.
  • Presi X Incantamento, Padiglione d'Arte Contemporanea, Milan, Italy.
  • Révélateurs, Galerie d'Art Contemporain, Centre Saint Vincent, Herblay, France.
  • Temporary Public Art, Storefront for Art and Architecture, New York, New York.
  • Tomoko Liguori Gallery, New York, New York. Traveled to Craig Cornelius Gallery, New York, New York.
  • Williams College Museum of Art, Williamstown, Massachusetts.
  • Works, Concepts, Processes, Situations, Information, Hans Mayer Gallery, Dusseldorf, Germany.
  • 1987

  • 19e Bienal Internacional de São Paulo, São Paulo, Brazil.
  • American Policy, Cleveland State University Art Gallery, Cleveland, Ohio.
  • Art and the Dialectic Process, Everhart Museum, Scranton, Pennsylvania.
  • Documenta 8, Museum Fridericianum, Kassel, Germany.
  • Perverted by Language, Hillwood Art Gallery, Long Island University, C.W. Post Campus, Greenvale, New York.
  • 1986

  • Aperto, Venice Biennale, Venice, Italy.
  • Artfor(u)m, Gracie Mansion Gallery, New York, New York.
  • When Attitudes Become Forms, Bess Cutler Gallery, New York, New York.
  • 1985

  • 4 Chilean Artists in the CAYC of Buenos Aires, CAYC, Buenos Aires, Argentina.
  • 18e Bienal Internacional de Sao Paulo, Sao Paolo, Brazil.
  • Disinformation: The Manufacture of Consent, The Alternative Museum, New York, New York.
  • Freedom Within, Staller Center Art Gallery, State University of New York, Stony Brook, New York.
  • Not Just Any Pretty Picture, P.S. 122, New York, New York.
  • 1984

  • Art & Ideology, The New Museum of Contemporary Art, New York, New York.
  • Artists Space, New York, New York.
  • Aqua: 22 Latin American Artists Living and Working in the United States, Fisher Gallery, University of Southern California, Los Angeles, California.
  • Art of the Americas, Kenkeleba Gallery, New York, New York.
  • Call and Response: Art on Central America, Colby College Museum of Art, Waterville, Maine.
  • Chronicles, INTAR Latin American Gallery, New York, New York.
  • L'Esprit Encyclopédique, New York Public Library, New York, New York.
  • Philosophies on the Art Process, Makkom, Amsterdam, The Netherlands.
  • Vision and Conscience, University Art Gallery, State University of New York, Binghamton, New York.
  • 1983

  • Catchwords, Caidoz, New York, New York.
  • Chile, Chile, Cayman Gallery, New York, New York.
  • Contemporary Latin American Artists, The Chrysler Museum, Norfolk, Virginia.
  • Hispanic Achievement in the Arts, Equitable Center, New York, New York.
  • In/Out: Four Projects by Chilean Artists, Washington Project for Arts, Washington D.C.
  • Terminal New York, Brooklyn Army Terminal, New York, New York.
  • 1982

  • 12e Paris Biennale, Musée d'Art Moderne de la Ville de Paris, Paris, France.
  • Contextos, Galeria Sur, Santiago, Chile.
  • Segundo Encuentro de Video, Instituto Chileno-Frances de Cultura, Santiago.
  • 1981

  • 2nd Bienal de Arte Universitario, Pontificia Universidad Católica de Chile, Museo Nacional de Bellas Artes, Santiago, Chile.
  • Grafica Chilena Contemporanea, Museo Nacional de Bellas Artes, Santiago, Chile.
  • Primer Encuentro de Video, Instituto Chileno-Frances de Cultura, Santiago, Chile.
  • Quinta Bienal Internacional de Valparaíso, Valparaíso, Chile.
  • Séptima Exhibicion, Colocadora Nacional de Valores, Museo Nacional de Bellas Artes, Santiago, Chile.
  • 1980

  • Centenario del Museo Nacional De Bellas Artes, Museo Nacional de Bellas Artes, Santiago, Chile.
  • Salon de Grafica, Pontificia Universidad Católica de Chile, Museo Nacional de Bellas Artes, Santiago, Chile.
  • Segundo Encuentro de Arte Joven, Instituto Cultural de Las Condes, Santiago, Chile.
  • Sexta Exhibicion, Colocadora Nacional de Valores, Museo Nacional de Bellas Artes, Santiago, Chile.
  • 1979

  • Primera Bienal de Arte Universitario, Pontificia Universidad Católica de Chile, Museo Nacional de Bellas Artes, Santiago, Chile.
  • Quinta Exhibicion, Colocadora Nacional de Valores, Museo Nacional de Bellas Artes, Santiago, Chile.
  • PUBLIC PROJECTS.
  • 2014

  • Culture = Capital, Art Public Miami, Miami, Florida.
  • A Logo for America, Times Square, New York, New York.
  • 2013

  • Nasher Xchange, Dallas, Texas.
  • 2011

  • Dear Markus, Utö, Finland.
  • 2010

  • Fragments, The High Line, New York, New York, in conjunction with Undercurrents: Experimental Ecosystems in Recent Art, The Kitchen and The Whitney Museum of American Art.
  • The Geometry of Conscience, Plaza de la Memoria, Museo de la Memoria, Santiago, Chile.
  • Park of the Laments, Virginia B. Fairbanks Art & Nature Park, Indianapolis Museum of Art, Indianapolis, Indiana.
  • 2008

  • Why, Belfast, Ireland.
  • Questions, Questions, Milan, Italy.
  • 2006

  • Escalera al Cielo, Espacio Cultural El Tanque, for 1st Biennial of Architecture, Art and Landscape, Santa Cruz de Tenerife, Canary Islands.
  • 2005

  • Requiem for Leipzig, Leipzig, Germany.
  • La Geofrafía del Futuro (Geography of the Future), Ministerio de Education, Santiago, Chile.
  • 2004

  • Project for a Revolution, World Wide Web.
  • 2003

  • Hope, Green Point Stadium, Cape Town, South Africa.
  • Project Emergencia, World Wide Web.
  • 2001

  • The Spectacle of Life, Fukuroi, Japan.
  • 2000 T

  • he Skoghall Konsthall, Skoghall, Sweden.
  • Bunka no Hako (Culture Box), for Echigo-Tsumari, Matsudai, Triennial, Niigata, Japan.
  • La Nube (The Cloud), for InSITE2000, Valle de los Muertos, Tijuana, Mexico and San Diego, California, USA border.
  • Signs of Light, Hotel de Ville, Lyons, France.
  • Offering, Kwangju, South Korea.
  • 1999

  • Lights in the City, for Mois de la Photo, Bonsecours Market, Montreal, Canada.
  • Juego de Niños (Playgound), Sant Boi, Barcelona, Spain.
  • Five Years Later, Wereldwijd Magazine, Antwerp, Belgium.
  • 1998

  • Weltanschauung, GAK, Bremen, Germany.
  • The Gift, for Stockholm 98, Stockholm, Sweden.
  • Emergency, Umeå Public Library, Umeå, Sweden.
  • 1997

  • It Is Difficult, Toronto, Canada.
  • The Eyes of Gutete Emerita, World Wide Web.
  • 1996

  • Shelter (Please Close Your Eyes), University of Washington, Seattle, Washington.
  • Camera Lucida, Catia, Caracas, Venezuela.
  • Homage, Film Forum, New York, New York.
  • 1995

  • One Million Finnish Passports, Museum of Contemporary Art, Helsinki, Finland.
  • La Géographie ça sert, d’abord, a faire la Guerre, Palais des Nations, Geneva, Switzerland.
  • 1994

  • Rwanda, Rwanda, Malmö, Sweden.
  • Europa, IFA, Stuttgart, Germany.
  • 1993

  • Repetition, Frankfurt Kunsthalle, Frankfurt, Germany.
  • 1992

  • Je me Souviens, Restaurants Dalat, Delta-Ba, and La Vietnamienne, Montreal, Canada.
  • Rafael, Manuel y los otros, Torre de la Santa Cruz, Cadiz, Spain.
  • The Conference, Museo de Arte Moderna, Rio de Janeiro, Brazil.
  • The Aesthetics of Resistance, Pergamon Museum, Berlin, Germany.
  • 1991

  • Museum, Hirshhorn Museum, Washington, D.C.
  • Saturday Night, Saturday Night Magazine, Toronto, Canada.
  • 1990

  • Crossing, Route State 94, San Diego, California.
  • 1989

  • Welcome to Canada, Mirabel Airport, Canada.
  • 1988

  • Contents, FlashArt Magazine, Milan, Italy.
  • 1987

  • A Logo for America, Times Square, New York, New York.
  • 1986

  • Rushes, Subway System, New York, New York.
  • 1984

  • You and Us, Subway System, New York, New York.
  • 1982

  • Mary Boone, Soho, New York, New York.
  • 1979

  • Studies on Happiness, Santiago, Chile, through 1981.

Coleções Públicas

     

    21C Museum Foundation, Louisville, Kentucky.

    Les Abattoirs de Toulouse, Toulouse, France.

    The Alfond Collection of Contemporary Art at Rollins College, Cornell Fine Arts Museum, Winter Park, Florida.

    The Art Institute of Chicago, Chicago, Illinois.

    Chase Manhattan, New York, New York.

    DaimlerChrysler Contemporary, Berlin, Germany.

    Daros Foundation, Zurich, Switzerland.

    Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts.

    Fonds National d'Art Contemporain, Paris, France.

    High Museum of Art, Atlanta, Georgia.

    Hirshhorn Museum and Sculpture Garden, Washington, D.C.

    The Israel Museum, Jerusalem, Israel.

    J.P. Morgan Chase Art Collection, New York, New York.

    Los Angeles County Museum of Art, Los Angeles, California.

    Louisiana Museum of Modern Art, Humblebaek, Denmark.

    Magasin 3 Stockholm Konsthall, Stockholm, Sweden.

    Miami Art Museum, Miami, Florida.

    Musée d’Art Contemporain, Montreal, Quebec, Canada.

    Musee cantonal des Beaux-Arts, Lausanne, Switzerland.

    Musée National d´Art Moderne, Centre Georges Pompidou, Paris, France.

    Museo de Artes Visuales, Santiago, Chile.

    Museo de Arte Contemporáneo de Castilla y León, Léon, Spain.

    El Museo del Barrio, New York, New York.

    Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain.

    Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

    Museu d’Art Contemporani de Barcelona, Barcelona, Spain.

    Museum het Domein, Sittard, the Netherlands.

    Museum of Contemporary Art Chicago, Chicago, Illinois.

    Museum of Contemporary Arts Los Angeles, Los Angeles, California.

    Museum of Contemporary Art San Diego, San Diego, California.

    The Museum of Contemporary Photography, Chicago, Illinois.

    Museum of Modern Art, New York, New York.

    Museum voor Hedendaagse Kunst Antwerpen, Antwerp, Belgium.

    National Gallery of Canada, Ottawa, Ontario, Canada.

    New York Public Library, New York, New York.

    Norton Museum of Art, West Palm Beach, Florida.

    Queensland Art Gallery, Queensland Cultural Center, South Brisbane, Australia.

    Rose Art Museum, Brandeis University, Waltham, Massachusetts.

    Seattle Art Museum, Seattle, Washington.

    Smithsonian American Art Musem, Washington, District of Columbia.

    Tate Britain, London, England.

    Tate Modern, London, England.

    Weatherspoon Art Museum, Greensboro, North Carolina.

    Whitney Museum of American Art, New York, New York.

    Williams College Museum of Art, Williams College, Williamstown, Massachusetts.

    Yale University Art Gallery, New Haven, Connecticut.

Bibliografia

     

    MONOGRAPHS.

    Alfredo Jaar: Tonight No Poetry Will Serve, Helsinki: Kiasma 2014.

    Alfredo Jaar: Abbiamo Amato Tanto a La Rivoluzione, Torino: Fondazione Merz: 2013.

    Venezia Venezia, Barcelona: Actar: 2013.

    The Way It Is; An Aesthetics of Resistance, Berlin, NGBK: 2012.

    The Sound of Silence, Paris, Kamel Mennour: 2012.

    Other People Think, New York, Alfredo Jaar, 2012 (artist book).

    Alfredo Jaar, Roma: Edizioni Éxórma, 2012.

    Alfredo Jaar: The Eyes of Gutete Emerita, Santiago de Chile: DIRAC 2010.

    Alfredo Jaar Gritos y Susurros, Santiago de Chile: Contrapunto, 2010.

    Abbiamo Dimenticato La Cultura, Milan: Provincia di Milano: 2009.

    It Is Difficult. Vol. 1 & 2. Milan: Hangar Bicocca, 2008.

    Alfredo Jaar: La Politique des Images. Lausanne: Musée Cantonal des Beaux-Arts, 2007.

    Jaar SCL 2006. Santiago, Chile and Barcelona: Fundación Telefónica and Actar, 2006.

    Jaar, Alfredo. Emergency. León: Museo de Arte Contemporáneo de Castilla y León and Actar, 2005.

    Alfredo Jaar: The Fire This Time: Public Interventions 1979-2005. Milan: Charta, 2005.

    Studies on Happiness 1979-1981. Barcelona: Actar, 1999.

    It is Difficult. Ten Years. Barcelona: Centre d’Art Santa Mònica and Actar, 1998.

    Let There Be Light: The Rwanda Project 1994-1998. Barcelona: Centre d’Art Santa Mònica and Actar, 1998.

2017

  • A Política das Imagens

2015

  • Prospect Triennial. 18 Novembro 2017 — 25 Fevereiro 2018 Nova Orleans, US.
  • XX Bienal de Arquitectura. 26 Outubro — 10 Novembro 2017 Valparaiso, CL.
  • Age of Terror. 25 Outubro 2017 — 28 Maio 2018 Londres, GB.
  • The Garden of Good and Evil. 12 Outubro 2017 — 06 Abril 2018 Yorkshire, GB.
  • Sanctuary. 07 Outubro 2017 — 11 Março 2018 São Francisco, US.
  • Alios! 15e biennale d’art contemporain. 22 Setembro — 01 Outubro 2017 La-Teste-de-Buch, FR.
  • The Image of War. 19 Setembro 2017 — 14 Janeiro 2018 Estocolmo, SE.
  • Memories of Underdevelopment. 17 Setembro 2017 — 07 Janeiro 2018 San Diego, US.
  • Festival Dark MoFo. 08 — 22 Junho 2017 Hobart, AU.
  • After the Fact. 30 Maio — 17 Setembro 2017 Munique, DE.
  • Unfinished Festival. 25 — 28 Maio 2017 Bucareste, RO.
  • Shadows. 20 Maio — 03 Setembro 2017 Lisboa, PT.
  • 99 Cents or Less. 19 Maio — 06 Agosto 2017 Detroit, US.
  • A Logo for America. 24 Abril — 06 Agosto 2017 Cleveland, US.
  • We shout and shout, but no one listens: Art from conflict zones. 03 Março — 17 Junho 2017 Copenhagen, DK.
  • Hello, Robot. Design between Human and Machine. 02 Fevereiro — 14 Maio 2017 Weil am Rhein, DE.
  • First Day of Good Weather. 13 Janeiro — 11 Março 2017 Düsseldorf, DE.
  • Breaking News: Turning the Lens on Mass Media. 20 Dezembro 2016 — 30 Abril 2017 Los Angeles, US.
  • Outros Pensam. 03 Dezembro 2016 — 26 Fevereiro 2017 Recife, BR.
  • XI Bienal Monterrey Femsa. 13 Outubro 2016 — 01 Janeiro 2017 Monterrey, MX.
  • Verboamérica – Coleção Permanente. 21 Setembro 2016 — 24 Setembro 2017 Buenos Aires, BR.
  • 36o Festival de Arte Watou. 02 Julho — 04 Setembro 2016 Poperinge, BE.
  • Witness. 02 Julho 2016 — 19 Fevereiro 2017 Chicago, US.
  • Lichtparcours. 11 Junho — 22 Setembro 2016 Braunschweig, DE.
  • Under the Same Sun: Art from Latin America Today. 10 Junho — 04 Setembro 2016 Londres, GB.
  • Ireland’s Biennial of Contemporary Art. 16 Abril — 10 Junho 2016 Limerick, IE.
  • Afterwork. 19 Março — 29 Maio 2016 Hong Kong, HK.
  • The Sound of Silence. 23 Fevereiro — 10 Abril 2016 Joanesburgo, ZA.
  • 4a Trienal Poli/Gráfica. 24 Outubro 2015 — 28 Fevereiro 2016 San Juan, PR.
  • 3a Bienal Industrial de Ural. 09 Setembro — 09 Novembro 2015 Yekaterinburg, RU.
  • 22 Women. 03 Setembro — 01 Novembro 2015 Bergen, NO.
  • CFB: 25 anos. 15 Agosto — 20 Setembro 2015 Rio de Janeiro, BR.
  • It is difficult. Terça 11 Agosto 2015 Shanghai, CN.
  • Clamour Can Melt Gold. 07 Agosto — 11 Setembro 2015 Hong Kong, HK.
  • May 1, 2011. 24 Julho — 29 Setembro 2015 Santiago, CL.
  • Nous l’avons tant aimée, la révolution. 04 Julho 2015 — 10 Janeiro 2016 Marseille, FR.
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