Pedro Reyes






Pedro Reyes, Nu em espiral (modelo)
Pedro Reyes, Litófono (Fuga)
Pedro Reyes, Galeria Luisa Strina, 2017
Pedro Reyes, Xylophone XII
Pedro Reyes, Morfina, da série Capitalismo Molecular
Pedro Reyes, Omni Man
Pedro Reyes, Navajas Suizas V (Cristal)
Pedro Reyes, Navajas Suizas III (Sonora)/Canivetes Suiços III (Sonora)
Pedro Reyes, Concupiscencia #2
Pedro Reyes, Concupiscencia #1
Pedro Reyes, El gesticulador

Nascido em 1972, Cidade do México, México.
Vive e trabalha em Cidade do México, México.

Exposições Individuais

    2017

  • Lisson Gallery, Nova York, EUA.
  • 2016

  • Pedro Reyes, Dallas Contemporary, Dallas, EUA.
  • Domingo Salvaje, La Tallera / Sala de Arte Público Siqueiros, Cuernavaca, México.
  • DOOMOCRACY – House of Political Horrors, Creative Time, Nova York, EUA.
  • 2015

  • Grasswhopper (performance), MAXXI Museo Nazionale delle Arti del XXI Secolo, Roma, Itália.
  • El juego de la vida, CAB Centro de Arte Contemporáneo de Caja de Burgos, Burgos, Espanha.
  • pUN: The People's United Nations, Second General Assembly, Hammer Museum, Los Angeles, EUA.
  • 2014

  • The Permanent Revolution, Museo Jumex, Cidade do México, México.
  • Statues, Lisson Gallery, Milão, Itália.
  • Sanatorium, The Power Plant, Toronto, Canadá.
  • Amendment to the Amendment, (under)stand your ground, University of South Florida Contemporary Art Museum, EUA.
  • 2013

  • pUN, Queens Art Museum, Nova York, EUA.
  • Os Terráqueos, Galeria Luisa Strina São Paulo, Brasil.
  • Pharmasphere, Boston Museum of Fine Arts, Boston, EUA.
  • Disarm, Lisson Gallery, Londres, Inglaterra.
  • 2012

  • Rompecabezas, Galería Labor, Cidade do México, México.
  • Ear, United States State Department Commission, México.
  • 2011

  • Baby Marx, Walker Art Center, Minneapolis, EUA.
  • The Great Architecture Challenge, Vera List Center for Art Politics, New School, Nova York, EUA.
  • Sanatorium, Stillspotting NYC, Solomon R. Guggenheim Museum, Nova York, EUA.
  • 2010

  • Baby Marx, Galería Labor, Cidade do México, México.
  • 2009

  • 47 Undertakings, Bass Museum, Miami, EUA.
  • Caractéres Mobiles, Galerie Yvon Lambert, Paris, França.
  • Pedro Reyes, Center for Contemporary Art Kitakyushu, Kitakyushu, Japão.
  • Ad Usum: to be Used, Carpenter Center for the Visual Arts, Harvard University, Cambridge, EUA.
  • Reciclón, Aspen Art Museum, Aspen, EUA.
  • 2008

  • Conflict Resolution, San Francisco Art Institute, São Francisco, EUA.
  • 2007

  • Pedro Reyes, Galería Heinrich Erhardt, Madri, Espanha.
  • Principles of Social Topology, Galerie Yvon Lambert Gallery, Paris, França.
  • 2006

  • Ad Usum: To be Used, Carpenter Center, Harvard University, Cambridge, EUA.
  • Pedro Reyes, Aspen Art Museum, Aspen, EUA.
  • 2005

  • Dream Digestor, Arnolfini, Bristol, Inglaterra.
  • 2002

  • Nomenclatura Arquímica, Sala de Arte Público Siqueiros, Cidade do México, México.

Exposições Coletivas

    2016

  • Homo Ludens, Galeria Luisa Strina, São Paulo, Brasil.
  • 20a Bienal de Arte Paiz, Cidade da Guatemala, Guatemala.
  • 2015

  • Resistence Performed – Aesthetic Strategies under Repressive Regimes in Latin America, Migros Museum, Zurique, Suíca.
  • Transformers, MAXXI – Museo nazionale delle arti del XXI secolo, Roma, Itália.
  • Hotel Theory, REDCAT, Los Angeles, EUA.
  • United States of Latin America, MOCAD Museum of Contemporary Art Detroit, EUA.
  • Invento, Oca Ibirapuera, São Paulo, Brasil.
  • 2013

  • Melbourne Festival, National Gallery of Victoria, Melbourne, Australia.
  • Carnegie International, Pittsburgh, PA, United States.
  • Visible Invisivilización, Museo de la Ciudad de Queretaro, Queretaro, México.
  • The Past is the Present (Murals), Museum of Contemporary Art Detroit, Detroit, MI, United States.
  • In the Spirit of Utopia, Whitechapel Gallery, London, United Kingdom.
  • Representation and its Discontents, Kadist Art Foundation, San Francisco, CA, United States.
  • Sharjah Biennial, Sharjah, United Arab Emirates.
  • Puppet Show, Eastside Projects, Birmingham, United Kingdom.
  • 2012

  • Adhocracy Istambul Biennial, Estambul Turquía.
  • Liverpool Biennial, Liverpool, United Kingdom.
  • Gwangju Biennial, Gwangju, South Korea.
  • Parque Industrial [Industrial Park], Galeria Luisa Strina [Luisa Strina Gallery], São Paulo, Brazil.
  • dOCUMENTA(13), Kassel, Germany.
  • Art Parcours, Art Basel, Basel, Switzerland.
  • Istanbul Biennial, Istanbul, Turkey.
  • K, CCA Wattis Museum, San Francisco, CA, United States.
  • Zone of Contention, Weatherspoon Art Museum, Greensborough, NC, USA.
  • The Social Contract, STUK, Leuven, Belgium.
  • 2011

  • Living as Form, Creative Time, New York, NY, United States.
  • 2010

  • Map Marathon, Serpentine Gallery, London, United Kingdom.
  • On the Commons, Banff Centre, Alberta, Canada.
  • Primeira e última [First and Last], Galeria Luisa Strina, São Paulo, Brazil.
  • Biennial of the Americas, Denver, CO, United States.
  • Modelos para armar. Pensar Latinoamérica desde la Colección MUSAC [Models to Build: Thoughts on Latin American from the MUSAC Collection], MUSAC, León, Spain.
  • In Lieu of Unity, Ballroom Marfa, Marfa, TX, United States.
  • Diseño Regenerativo [Regenerative Design], Museo de Arte Moderno [Modern Art Museum].
  • Mexico City, Mexico.
  • 2009

  • Los de arriba y los de abajo, Sala de Arte Público Siqueiros, Cidade do México, México.
  • Bienal do Mercosul, Porto Alegre, Brasil.
  • Mamoyguara opá mamo pupé, 31° Panorama da Arte Brasileira, Museu de Arte Moderna de Sao Paulo, Brasil.
  • Auto. Sueño y materia, LABoral / CA2M, Gijón/Madrid, Espanha.
  • 1989 The end of the history or the beginning of the future? Kunsthalle Wien, Austria.
  • Lyon Biennale. Lyon, França.
  • México Expected/Unexpected, TEA Tenerife Espacio de las Artes, Espanha.
  • La invención de lo cotidiano, Museo Nacional de Arte, Cidade do México, México.
  • 2008

  • Yokohama Triennale, Yokohama, Japão.
  • Expected/Unexpected, Maison Rouge, Paris, França.
  • MashUp, USF Contemporary Art Museum, Tampa , EUA.
  • Prospect 1 Biennial, New Orleans, EUA.
  • Art Basel Projects, Basel, Suíça.
  • Experiment Marathon II, Reykjiavik Art Museum, Finlândia.
  • The Tree: From the Sublime to the Social, Vancouver Art Gallery, Canadá.
  • Tlatelolco, The New Museum NY, EUA.
  • 2007

  • Principio de Incertidumbre, Forum de las Culturas, Monterrey, México.
  • Viva Mexico, Zacheta Gallery, Warsow, Polônia.
  • Experiment Marathon I, Serpentine Gallery, London, Inglaterra.
  • Viva la Muerte!, Kunsthalle Wein, Austria.
  • Everstill/Siempretodavía, Fundación Federico García Lorca, Granada, Espanha.
  • Escultura Social, Museum of Contemporary Art, Chicago, EUA.
  • Elephant Cementery. Artists Space. Nova Iorque, EUA.
  • Olympic Sculpture Park, Seattle Art Museum. EUA.
  • Busan Biennale, Coréia do Sul.
  • Habitat / Variations Bâtiment d’art contemporain, Genève. – Casa Encendida, Madri, Espanha.
  • 2006

  • Distor, Museo de Arte Carrillo Gil, México.
  • Downtime, constructing leisure. California Center for the Arts, EUA.
  • Queremos Rock!, Queen’s Nails Annex, San Francisco, EUA.
  • 2005

  • Declaraciones, Centro de Arte Reina Sofia, Madri, Espanha.
  • FarSites: Urban crisis and domestic symptoms in recent contemporary art, InSite. San Diego.
  • Braunschweig Parcours. Braunschweig, Alemanha.
  • Morir de Amor, Museo Universitario de Ciencias y Artes, Cidade do México, México.
  • México 70, Casa del Lago, Cidade do México, México.
  • Come Closer, künstlerhaus bethanien, Dinamarca.
  • 2004

  • PR04, Porto Rico.
  • Especimenes, Museum of Natural History, Cidade do México, México.
  • Seattle Sculpture Park Project, EUA.
  • 2003

  • The Structure of Survival. 50a Bienal de Veneza, Itália.
  • Fisión/Fusión, MCI Institute, Washington, EUA.
  • Eshigo-Tsumari Trienalle. Japão.
  • To be political it has to look nice. Apex Art, Nova Iorque, EUA.
  • Modifications, Museum of Natural History, Cidade do México, México.
  • 2002

  • Interplay, The Moore Space, Miami, EUA.
  • Shanghai Biennale, Shanghai, China.
  • Thisplay, La Colección Jumex, Cidade do México, México.
  • Mexico City: An exhibition about the Exchange Rates of Bodies and Values. PS1/MoMA | KW, Nova Iorque/Berlin, EUA/Alemanha.
  • The air is blue, Casa-Museo Luis Barragán, Cidade do México, México.
  • 20 millions of Mexicans can’t be wrong, South London Gallery, Inglaterra.
  • Alibis/Coartadas, C. Culturel du Mexique / Witte de Witt, Paris/Rotterdam, França/Holanda.
  • 2001

  • ABCDF, Museo del Palacio de Bellas Artes, Cidade do México, México.
  • Do It, Museo de Arte Carrillo Gil, Cidade do México, México.
  • 21 Zonas, Uxmal, Yucatán, México.
  • 4x.Photo Albums, Museo de las Artes, Guadalajara, México.
  • Rumors / Mutations.
  • 2000

  • Metro Candelaria, Installation at Mexico City’s subway station, México.
  • Action videos by Latin American Artists, Artists Space, Nova Iorque, EUA.
  • Punto Ciego, Art & Idea Gallery, Cidade do México, México.
  • Infancias Botánicas, Japan Foundation – Viveros de Coyoacán, Cidade do México, México.
  • 1999

  • Paradas continuas, Museo de Arte Carrillo Gil, Cidade do México, México.
  • 1998

  • Doméstica, private spaces at colonia Condesa, Cidade do México, México.
  • 1997

  • La resurrección de San Martín, Work in situ at Edificio San Martín, Cidade do México, México.
  • Sanar, Installations in Advento, Tecalli, Puebla, for an extramural project of Museo de Arte Carrillo Gil, México.
  • Bestias y Nahuales: Mascotas para un fin de siglo. Centro Cultural de la SHCP, Cidade do México, México.

Coleções Públicas

     

    21st Century Museum of Contemporary Art, Kanazawa, Japão.

    Art Gallery of New South Wales, Sydney, Austrália.

    Coleção Boris Hirmas, Cidade do México, México.

    Brooklyn Museum, Nova York, EUA.

    Carnegie Museum of Art, Pittsburgh, USA.

    Colección Charpenel, Guadalajara, México.

    Colección Isabel y Agustín Coppel CIAC, Cidade do México, México.

    Colección Jumex, Cidade do México, México.

    De La Cruz Collection, Miami, EUA.

    Fundación Alumnos47, Cidade do México, México.

    Kadist Art Foundation, São Francisco, EUA.

    Mac/Val Musée d’Art Contemporain du Val-de-Marne, Vitry-sur-Seine, França.

    MAXXI National Museum of the 21st Century Arts, Roma, Itália.

    Moisés Cosio Collection, Cidade do México, México.

    Museo Amparo, Puebla, México.

    Museo de Arte Contemporáneo de Castilla y León MUSAC, León, Espanha.

    Museo de Arte Contemporáneo MARCO, Monterrey, México.

    Museo Rufino Tamayo, Cidade do México, México.

    Sala de Arte Público Siqueiros, Cidade do México, México.

    Seattle Art Museum SAM, Seattle, EUA.

    The Bronx Museum of the Arts, Nova York, EUA.

    Tiroche DeLeon Collection, Jaffa, Israel.

    Vancouver Art Gallery, Vancouver, Canadá.

    Walker Art Center, Minneapolis, UEUA.

    Samdani Art Foundation, Dhaka, Bangladesh.

    Hugo Quinto Collection, Antigua, Guatemala.

Bibliografia

    2010

  • Javier Téllez by Pedro Reyes, Conversation between Javier Téllez and Pedro Reyes, BOMB.
  • Theresa Bembnister, In Lieu of Unity at Ballroom Marfa, glasstire.com.
  • Sonya Ellingboe, Art from the Americas, Highlands Ranch Herald.
  • Alice Thorson, Art from all of America reaches new heights, The Kansas City Star.
  • José Marín-Medina, De Armas Tomar, El Cultural.
  • Nancy Zastudil, In Lieu of Unity Ballroom Marfa, Art Lies.
  • Velo. Bicycle culture and design (Editors: R. Klanten, S. Ehmann), Gestalten Books.
  • Hans-Ulrich Obrist, Interviews. Volume 2. Edizioni Charta.
  • 2009

  • Le spectacle du quotidien / The spectacle of everyday. Xe. Biennale de Lyon. Published by Les presses du réel.
  • The Unthinkable Spring. Alejandro Jodorowsky interviewed by Pedro Reyes. Bidoun.
  • Mamoyguara Opá Mamo Pupé. 31° Panorama da Arte Brasileira, Museu de Arte Moderna de Sao Paulo, catálogo de exposição.
  • Experiment Marathon. Hans Ulrich Obrist & Olafur Eliasson, Reykjavik Art Museum and Koenig Books, catálogo de exposição.
  • Fietta Jarque, Motor y deseo, Babelia, cultural suplement of El Pais newspaper.
  • Rocío de la Villa, El sueño en el desguace. Auto, sueño y materia, El Cultural, suplement of El Mundo newspaper.
  • Mexico Expected/Unexpected, TEA(Tenerife Espacio de las Artes), catálogo de exposição.
  • 1989

  • Ende der Geschichte oder Beginn der Zukunft?, Kunsthalle Wien, catálogo de exposição.
  • 2008

  • Christian Rattlemayer, Pedro Reyes utopias, Atlantica Magazine.
  • Hans-Ulrich Obrist, Formulas for Now, Thames and Hudson.
  • Expert Eye, The Art Newspaper.
  • Julia Cooke, Baby, you can drive my…, Azure Magazine.
  • Lynn Mitges, Digging new beginnings, The Province.
  • Robin Laurence, A show of arboreal alchemy, The Georgia State.
  • Jeff Hodson, Using guns to grow life, Metro News.
  • Lloyd Dykk, VAG takes a dig at war by planting a tree, The Vancouver Sun.
  • Karolina Lagowska, Mesyk W Awangardzie, Gazeta Cojestgrane.
  • Principio de incertidumbre, Forum Monterrey/Conarte, catálogo de exposição.
  • 2007

  • Pedro Reyes, Escultura Social: A New Generation of Art from Mexico City.
  • Abel H. Pozuelo, ética y estética de Pedro Reyes, El Cultural.
  • Mariano Mayer, Pedro Reyes, Neo2.
  • Galería: Pedro Reyes, Revista Spot.
  • Ruth Lopez, Mexico’s Cutting Edge Slices Into The MCA, Time Out Chicago.
  • Principles of Social Topology, Celeste.
  • Mónica de la Torre, Ad Usum: To be used. Pedro Reyes, Codigo 06140.
  • Adriana Herrera, Pedro Reyes “El Conexionista”, Poder y Negocios.
  • Lisa Corrin, Creating ’Place’ in Seattle, Olympic Sculpture Park, Seattle Art Museum.
  • Larissa Harris, Pedro Reyes. Carpenter Center, Harvard University, review in ARTFORUM.
  • Clair Enlow, Design Perspectives: Sculpture park reflects and reveals the city, Daily Journal of Commerce.
  • Hilarie M. Sheets, Where Money’s No Object, Space Is No Problem, The New York Times.
  • Regina Hackett, “Capula XVI and XVII” and “Evolving City Wall Mural”, Pedro Reyes, Art history comes alive on the waterfront, Seattle Post-Intelligencer.
  • Everstill-Siempretodavía, Fundación Federico García Lorca, catálogo de exposição.
  • 2006

  • A tale of Two Cities: Busan-Seoul / Seoul-Busan, BusanBiennale 2006. Published by Artbooks Publishing Corp.
  • Pedro Reyes by Tatiana Cuevas, conversation between these artists, BOMB.
  • Putting Art to Use, The Boston Globe.
  • Pedro Reyes, On Mexican Modernity, Culture and Travel.
  • Pedro Reyes, The New Group Therapies / Las nuevas terapias grupales, Ediciones Diamantina and CONACULTA.
  • Pedro Reyes, Postcards from Mexico, MARK Magazine.
  • Pedro Reyes, The New Group Therapies, LAB Mag 01.
  • The air is Blue Insights on Art & Architecture: Luis Barragan Revisited, Edited by Hans Ulrich Obrist and Pedro Reyes, Trilce Ediciones.
  • 2005

  • Uta Grosenick (Ed.), Art Now, vol. 2, Taschen.
  • Farsites/Sitios distantes, InSite show catalogue.
  • Tanya Zimbardo, Structures of Attraction, California College for the Arts.
  • Parque vertical, Código 06140.
  • Algo se mueve en el mercado del arte, Expansión magazine.
  • 2004

  • Rozana Montiel, Entre arte y arquitectura. Entrevista a Pedro Reyes, Arquine.
  • Zik Zak, Arquine.
  • Omar García, Crea formas arquitectónicas.
  • Isabel Kobus, Richtfest an der oker für ein Fachwerkhaus aus Mexiko, Lokales.
  • Ana Elena Mallet, Los jardines colgantes de Tlatelolco.
  • Cuauhtémoc Medina, El esparcimiento como arquitectura, Exhibition Guide.
  • Pedro Reyes, Pirámide flotante, Celeste.
  • Joanne Silver, Joanne, Visual Arts: ICA's ’Mexico’ reveals a land of contrasts, Boston Herald.
  • Edgar Alejandro Hernández, Crean en Alemania Ruta de la Amistad, Reforma.
  • Denise Rodríguez y Enrique González, Apoyan a la UdeG Alcaldes y la IP, Mural.
  • Inicia la construcción del Auditorio Metropolitano, El Informador.
  • Innesto d’Arte, Domus.
  • 2003

  • Luis Barragán, The Colours of serenity, The Economist.
  • Klaus Bisenbach, An Exhibition about the Exchange rates of Bodies and Values Mexico City.
  • echigo-tsumari Art Triennial, catalogo.
  • Martin Jasper, Wenn die Sonne dopplet versinkt, Kultur.
  • Fisión/Fusión, exhibition catalogue, MCI Washington.
  • La Casa Barragan, X-Knowledge.
  • Cuautémoc Medina, Venecia: paradojas del pluralismo, Reforma.
  • Dominic Palfreyman, Basel on the Beach, Traveler.
  • 2002

  • Süddeutsche Zeitung.
  • Shanghai Biennale Catalogue, Shanghai Biennale.
  • Verónica Macías / Carmen Serra. Pedro Reyes. Más allá del acumulador orgónico. El Huevo.
  • Do it – Hazlo, Museo de Arte Carrillo Gil / CONACULTA, exhibition catalogue.
  • 2001

  • Revelado por… Interview in Codigo 06140.
  • 1998

  • Nützliche Skulptur an der Ruta de la Amistad, Mexico City, Werk, Bauen+Wohnen.

2017

2013

  • The Permanent Revolution
  • . 28 Fevereiro — 15 Abril 2017 Nova York, US.
  • For Future Reference. 18 Setembro — 18 Dezembro 2016 Dallas, US.
  • 20a Bienal de Arte Paiz. 02 Junho — 03 Julho 2016 Cidade da Guatemala, GT.
  • Domingo Salvaje. 21 Maio — 18 Setembro 2016 Cuernavaca, MX.
  • Domingo Salvaje. 21 Maio — 30 Julho 2016 Cuernavaca, MX.
  • Everything you are I am not. 01 Maio — 12 Agosto 2016 Jersey City, US.
  • Objects Do Things. 26 Fevereiro — 31 Julho 2016 Varsóvia, PL.
  • Hors Pistes – Un autre mouvement des images. 13 — 28 Fevereiro 2016 Málaga, ES.
  • Hotel Theory. Domingo 20 Dezembro 2015 Los Angeles, US.
  • Resistence Performed – Aesthetic Strategies under Repressive Regimes in Latin America. 21 Novembro 2015 — 07 Fevereiro 2016 Zurique, CH.
  • Transformers. 11 Novembro 2015 — 26 Março 2016 Roma, IT.
  • United States of Latin America. 18 Setembro 2015 — 03 Janeiro 2016 Detroit, US.
  • Invento. 05 Agosto — 04 Outubro 2015 São Paulo, BR.
  • Grasswhopper. Sexta 19 Junho 2015 Roma, IT.
  • Artist Talk. Sexta 01 Maio 2015 Los Angeles, US.
  • El juego de la vida. 13 Fevereiro — 24 Maio 2015 Burgos, ES.
  • The People’s United Nations (pUN). 31 Janeiro — 24 Maio 2015 Los Angeles, US.
  • Sanatorium. 03 Dezembro 2014 — 31 Março 2015 Miami, US.
  • Ciclo. Notícia, 23 Agosto — 27 Outubro 2014 São Paulo, BR.
  • The Permanent Revolution (An Ideological Screwball Comedy) By Pedro Reyes. Notícia, 18 Maio — 15 Junho 2014 Ciudad de México, MX.
  • Beyond the Supersquare. Notícia, 01 Maio 2014 — 11 Janeiro 2015 Nova York, US.
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