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IMAGENS
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CLIQUE PARA VER MAIS
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Da série Lo viejo y lo nuevo (IX), 2010
Gravura francesa do século 19 e cartolina cortada a mão
25 x 44 x 31 cm |
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Carlos Garaicoa estudou termodinâmica e, posteriormente, pintura no Instituto Superior de Arte, em Havana (1989-1994). Ele emprega uma abordagem multi-disciplinar para tratar de questões de cultura e política, através do estudo de urbanismo, arquitetura e história. Seu tema principal foi a cidade de Havana, e seu trabalho com mídia inclue instalações, vídeo, escultura, fotografia, livros pop-up e desenhos.
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2011
Making Amends, Herbert F. Johnson Museum of Art, Nova York, EUA.
Fin de Silencio, Centre d’Art La Panera, Lleida, Espanha.
Centro de Arte Caja de Burgos (CAB), Burgos, Espanha.
The Dark Room, Instituto Cervantes de Beijing, Beijing, China.
Foto-Topografias, Museu Nacional de Arte Contemporânea (EMST), Atenas, Grécia.
2010
Lands in Abeyance, Museo de Arte Moderno de Medellín(MAMM), Sede Ciudad del Río, Medellín, Colombia.
Overlapping, Irish Museum of Modern Art (IMMA) Dublin, Irlanda.
Project Fragile, MARZ Gallery, Lisboa, Portugal.
Carlos Garaicoa: Making Amends, Contemporary Art Museum, Institute for Research in Art, Tampa, EUA.
The Old and the New, Barbara Gross Gallery, Munich, Alemanha.
End of silence, Abierto x Obras, Matadero de Madrid, Espanha.
2009
The Point, the Line and the Plan, East Central Galleries. Londres, Inglaterra.
La mala semilla, Château de Blandy-les-Tours, França.
Triunfo, Duda y Celebración, (with Ilya & Emilia Kabakov) Galleria Continua, San Gimignano, Itália.
How to become a millionaire through the Junk Mail, Galeria Luisa Strina, São Paulo, Brasil.
Yo no quiero ver más a mis vecinos, Video exhibition, Salle Zero, Alianza Françasa, Havana, Cuba.
La enmienda que hay en mí, Museo Nacional de Bellas Artes, Havana, Cuba.
The Observatory, Bridge Arts, Castleford, Inglaterra.
2008
Carlos Garaicoa, Caixa Cultural, Río de Janeiro; CCBB, Brasilia, (2009); Palacio das Artes, Belo Horizonte, Brasil (2009).
Revolution or Rizhome?, Galleria Continua, Beijing, China.
2007
Capablanca’s Real Passion, Institute of Contemporary Art (ICA), University of Pennsylvania, Philadelphia, EUA.
Latin Kings Music Vol. I-V, Galería Elba Benítez, Madrid.
2006
Capablanca’s Real Passion, Royal Ontario Museum, Toronto, Canada.
The Drawing, the Writing and the Abstraction (with Ezequiel Suárez), Lombard-Freid Projects, New York, EUA.
Yo no quiero ver más a mis vecinos, Castello di Ama, Gaiole in Chianti, Itália.
Der Gast (videos 1996-2006), FriArt Kunsthalle Fribourg, Suíça.
Overlapping, IV Liverpool Biennial, Open Eye Gallery, Liverpool, Inglaterra.
Postcapital, Palau de la Virreina, Barcelona, Espanha.
2005
Capablanca’s Real Passion, Museum of Contemporary Art (M.O.C.A) at Pacific Design Center, Los Angeles, EUA.
Things that Happen When Life Goes Very Wrong, Galleria Continua, San Gimignano, Itália.
Because Every City Has the Right to be Called Utopia, Oriel Mostyn Gallery, Walles.
Carlos Garaicoa, Yorkshire Sculpture Park, West Yorkshire, Inglaterra.
Carta a los censores, XXXIX Internacional Contemporary Art Prize, Quai Antoine I, Montecarlo, Mónaco.
Vamos fazer barullo agora, porra! (with Ezequiel Suárez), Galería Habana, Havana, Cuba.
El mapa del viajero, Galeria Luisa Strina, Sao Paulo, Brasil.
Self-flagellation, Survival, Insubordination, Aspen Art Museum, Colorado, EUA.
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2004
La misura de quasi tutte le cose, Palazzo delle Papesse, Siena, Itália.
2003
Carlos Garaicoa, Galería Elba Benítez, Madrid, Espanha.
Lecciones de Historia, Casa de América, Madrid, Espanha.
Nuevas Arquitecturas, Centro Wifredo Lam, Havana, Cuba.
Autoflagelación, Supervivencia, Insubordinación, Sala Montcada, Fundació La Caixa, Barcelona, Espanha.
Carta a los censores, Piccollo Teatro dell´anarchia, Volume!, Rome, Itália.
La habitación de mi negatividad, VII Havana Biennial, Galería La Casona, Havana, Cuba.
Letter to the Censors, Artist Statements, Art Basel Miami Beach, Lombard Freid Projects, Miami, EUA.
El asesino de la baraja, Espacio C, Camargo, Espanha.
2002
Now let’s play to disappear, Galleria Continua, San Gimignano, Itália.
Ni Christ, ni Marx, ni Bakounine, Maison Européene de la Photographie, Paris, França.
2001
Carlos Garaicoa, Art & Public Cabinet PH, Geneva, Suíça.
The last 10 Days of the Market, Aarhus Festival, Gallery Image, Dinamarca.
Because Every City Has the Right to be Called Utopia, Lombard-Freid Projects, New York, EUA.
2000
Nouvelles Architectures, Farideh Cadot Gallery, Paris, França.
Recuadros (with Federico Herrero), Jacobo Karpio Gallery, San José, Costa Rica.
Carlos Garaicoa: La ruina; La utopía (obras 1990-2000), Biblioteca Luis Ángel Arango, Banco de La República, Bogotá; Bronx Museum of the Arts, New York, EUA; Museo Alejandro Otero, Caracas, Venezuela.
1999
Mi primer y último homenaje a la arquitectura (y al Marqués de Sade), Galería Habana, Havana, Cuba.
Paisaje, Ars TeorÉTICA, San José, Costa Rica.
Survia, Primer Salón de Fotografía, Centro de Desarrollo de las Artes Visuales, Havana, Cuba.
1998
Principio y fin de las fascinación, Centro Wifredo Lam, Havana, Cuba.
1996
El voluble rostro de la realidad, Fundación Ludwig de Cuba, Centro de Desarrollo de las Artes Visuales, Havana, Cuba.
Cuando el deseo se parece a nada, Art in General, New York, EUA.
Habana: A survey, Carla Stellweg Gallery, New York, EUA.
El paisaje, los límites, Fototeca de Cuba, Havana, Cuba.
1995
El espacio decapitado, Centre PasquArt, Biel-Bienne, Suíça.
Inside Havana, Espacio Aglutinador de Arte, Havana, Cuba.
1994
El sueño de la razón (with Pedro Abascal), Centro Wifredo Lam, Havana, Cuba.
1992
Tu número de suerte, Galería Juan Francisco Elso, Asociación Hermanos Saíz, Havana, Cuba.
1989
Días de infancia, Galería del Centro de Investigaciones del Ministerio de Educación, Havana, Cuba.
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2011
Regress Progress, Centre for Contemporary Art, Varsóvia, Polonia
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Um Outro Lugar, MAM, São Paulo, Brasil
Penelope’s Labour, Fondazione Giorgio Cini, Ilha de San Giorgio Maggiore, Veneza
Projeto Ideal, Centro Cultural São Paulo, São Paulo, Brasil.
Architecture and Power
, Tate Modern, Londres, Reino Unido.
Risk Zones, Museum of World Culture, Gotemburgo, Suiça.
A Sense of Perspective, Tate Liverpool, Liverpool, Inglaterra.
En Obras, com curadoria de Adriano Pedrosa, Tenerife Espaço de las Artes, Ilhas Canárias, Espanha.
Art Basel Miami Beach, Stand K14, Galeria Luisa Strina, Miami, EUA.
2010
Sinergias: Latin American Art in Espanha Today, Contemporary Art Museum Gas Natural Fenosa (MACUF), A Coruña, Espanha.
The Earth is Blue Like an Orange, Montreal Museum of Fine Arts, Quebec, Canada.
Midnight in The City, Centre d'Art la Panera, Madrid, Espanha.
Rehearsal, 8th Shanghai Biennale, Shanghai Art Museum, Shanghai, China.
And Writers, First Nanjing Contemporary Art Biennal, Jiangsu Provincial Art Museum, Nanjing, China.
Haunted, Solomon R. Guggenheim Museum, Bilbao, Portugal.
Puntos de fuga, Museo de Arte Moderno de Medellín(MAMM), Sede Ciudad del Río, Medellín, Colombia.
Viaggi in Italia, Palazzo Fabroni Arti Visive Contemporanee, Pistoia Itália.
Let´s talk about Houses: When Art Speaks Architecture [Constructing, Deconstructing, Dwelling] , Lisboa
Transparency: Art for Energy, Museum of Contemporary Art Donna Regina (MADRE), Naples, Itália.
Transparency: Art for Energy, Museum of Contemporary Art of Rome, Itália.
Facing the Sun, Martin Janda Gallery, Vienna, Austria.
First and Last, Notes on the Monument, Galeria Luisa Strina, São Paulo, Brasil.
Stressisimo, Galería Habana, Havana, Cuba.
There is Always a Cup of Sea to Sail in, 29a Bienal de São Paulo, São Paulo, Brasil.
Ideal Project, Museum of Contemporary Art, Santiago de Chile, Chile.
Like tears in rain, Palácio das Artes, Fundação da Juventude, Porto, Portugal.
Memoria Technica. Examining the Tension between Aesthetics and the Representation of the Self, East Central Galleries, Londres, Inglaterra.
Margins of Silence, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Espanha.
Spazio. From the Body to the City, MAXXI National Museum of XXI Century Arts, Rome, Itália.
Eröffnung in neuen räumen, Barbara Gross Galerie, München, Alemanha.
Sobrestructuras, OTR. Espacio de arte, Madrid, Espanha.
Modelos para armar. Pensar Latinoamérica desde la Colección MEUAC, Museo de Arte Contemporáneo de Castilla y León, Castilla y León, Espanha.
Ut(r)ópicos: Central America and The Caribbean, 31st Pontevedra Biennial, Museo de Pontevedra, Pontevedra, Espanha.
Isole mai trovate/Islands Never Found, Palazzo Ducale, Appartamento del Doge, The State Museum of Contemporary Art, Génova, Itália; Tessaloniki, (2010.); Saint Etienne, Museum of Modern Art (2011).
Sinergias. Arte latinoamericano actual en España, Museo Extremeño e Iberoamericano de Arte Contemporáneo, MEIAC, Badajoz, España; Museo de Arte Contemporáneo Gas Natural - Unión Fenosa, La Coruña, España (2010-2011).
Ver para Creer, Bienal de Arte Paiz, Guatemala.
It is it, Espacio 1414, Santurce, Puerto Rico.
Changing the focus: the Art of Latin American Photography (1990-2005), Museum of Latin
American Art (MOLAA), Long Beach, California, EUA.
I Shot the sheriff (Héroes y Villanos), Carlos Garaicoa Open Studio 4.0, Madrid, Espanha.
Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection, FotoFest 2010,
Museum of Fine Arts, Houston, EUA.
Contemplating the Void: Interventions at Guggenheim Museum, Guggenheim Museum, New York, EUA.
Atopía, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Espanha.
Malas Calles, Institut Valencià d'Art Modern (IVAM), Valencia, Espanha.
Pieza única, Delegación del Principado de Asturias en Madrid, Madrid, Espanha.
Guerra y arte ¡Grande hazaña! Con muertos, Sala Puertanueva, Córdoba, Espanha.
2009
Art Kabinet, Art Basel Miami Beach, Galleria Continua, EUA.
Sphères 2009, Galleria Continua, Le Moulin, Paris, França.
El patio de mi casa /The Sky Within my House, Universidad de Filosofía y Letras, Cordoba, Espanha.
Panorama de arte Brasileira, Museo de Arte Moderno, Sao Paulo, Brasil.
Confluencias Inside, National Hispanic Cultural Center Art Museum (NHCC), Alburquerque, EUA.
Irreversible (Doble cara de la colección Sánchez Ubiría), Pazo da Cultura de Pontevedra, Espanha.
ARTTLV_09, Tel Aviv-Yafo, Israel.
Mundus Novus, Arte Contemporáneo Latinoamericano, 53 Venice Biennial, ILLA Pavillion,
Artigliere dell’Arsenale, Itália.
Fragile. Terres d’empathie, Musée Art Moderne Saint-Etienne Metropole, França.
Cartografías Disidentes, Biblioteca Nacional José Martí, Havana, Cuba; Oi Futuro, Rio de Janeiro, Brasil; Museo de Arte Contemporáneo, Caracas, Venezuela; Centro de Formación de la Cooperación Española, Cartagena de Indias, Colombia, Centro Cultural de Sao Paulo (2008) Brasil; SEACEX, Madrid, Espanha (2008); Centro Cultural de São Paulo, Brasil (2008).
Videos Abierto, Murcia, Espanha.
2008
The Prisoner’s Dilemma: Selections from the Ella Fontanals-Cisneros Collection, Fundación de
Arte Cisneros Fontanal (CIFO), EUA.
Farewell to Post-Colonialism, 3rd Guangzhou Triennial, Guangdong Museum of Art, China.
Lança Cuba, Gentil Carioca (curator and artist), Rio de Janeiro, Brasil.
Articulações, Faro, Algarve, Portugal.
Construir, habitar, pensar. Perspectivas del arte y la arquitectura contemporánea, IVAM, Valencia, Espanha.
Blown Away, Exhibition Fact Sheet, Krannert Art Museum and Kinkead Pavilion, University of Illinois
at Urbana-Champaign, Illinois, EUA.
¡Cuba! Art and History from 1868 to Today, Montreal Museum of Fine Arts, Montreal, Canada.
Unbroken Ties: Dialogues in Cuban Art. The Museum of Art Fort Lauderdale, EUA.
Surrounded by Water: Expressions of Freedom and Isolation in Contemporary Cuban Art, Boston
University Art Gallery, EUA.
The Sneeze 80 artists x 80 seconds 106 minutes (first exhibition in 2004), Durban Art Gallery, South
Africa.
Fate Presto, Chiesa dell’Addolorata, Naples, Itália
2007
The Shapes of Space, Guggenheim Museum, New York, EUA.
Ouverture, Galleria Continua Le Moulin, Paris, França.
One Colour, Galleria Continua, Beijing, China.
Cuestion Xeracional, Centre Galego de Arte Contemporànea, Santiago de Compostela, Espanha.
Turbulence, 3rd Auckland Triennial, Nova Zelanda.
Commitment, Mechelen, Belgica.
Luz ao Sul, Encuentro entre dos Mares, IV Sao Paulo Biennal- Valencia, Espanha.
Not afraid of the Dark, Emergenze Hangar Biccoca, Milan, Itália.
Killing Time: An exhibition of Cuban artists from the 1980s to the present, Exit Art, New York, EUA.
Utopian Mirage, The Franças Lehman Loeb Art Center, New York, EUA.
Art Unlimited, Art 38 Basel, Suíça.
LOOP 07, Barcelona, Espanha.
A Number of Worlds Resembling Our Own, SMART Project Space, Amsterdam, The Netherlands.
Homing Devices, Contemporary Art Museum, University of South Florida, Tampa, EUA.
IKF. Latin American Art Auction. Cisneros Fontanals Art Foundation, Miami, Florida, EUA.
Il futuro del futurismo Dalla ‘rivoluzione italiana’ all’arte contemporanea. Da Boccioni a
Fontana a Damien Hirst, Galleria d’Arte Moderna e Contemporanea di Bergamo, Itália.
New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions, M.O.M.A, New York, EUA
L’emprise du Lieu, Domaine Pommery, Reims, França.
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2006
Metropolitanscapes, Palazzo Cavour, Turin, Itália.
Estrecho Dudoso, San José, Costa Rica.
De repente livros, A Gentil Carioca, Rio de Janeiro, Brasil.
Habana Factory, A Chocolatería, Santiago de Compostela, Espanha.
Arte de Cuba, Rio de Janeiro, Sao Paulo and Curitiba, Brasil.
C4, Centro de Cultura Contemporanea, Caldogno, Vicenza, Itália.
Echigo-Tsumari Art Triennale, Nigata, Japão.
Less. Strategie alternative dell’abitare, PAC, Milano, Itália.
Other than Art, G Fine Art, Washington D.C, EUA.
Nuit Blanche, Paris, França.
Ideal City-Invisible Cities, Zamonsc, Polonia.
Off the Shelf: New Forms in Contemporary Artist’s Books, The Franças Lehman Loeb Art Center, Vassar
College, Poughkeepsie, New York, EUA.
Museo Tomado, Museo Nacional de Bellas Artes, Havana, Cuba.
Waiting List, Mestna Galerija, Ljubljana, Eslovenia.
2005
New Photography, Museum of Modern Art (M.O.M.A), New York, EUA.
Inverting the Map: Latin American Art from the Tate Collection, TATE Liverpool, UK.
M City, Kunsthaus Graz, Vienna, Austria.
III Tirana Biennial, Tirana, Albania.
Farsite, Insite, Tijuana-San Diego, Mexico-EUA.
51st Venice Biennale, Arsenale, Venice, Itália.
Art Unlimited, Art Basel 36, Basel, Suíça.
Dialectics of Hope, I Moscow Biennale, Moscow, Russia.
7th Sharjah International Bienal, Sharjah, United Arabian Emirates.
2004
Transmigraciones, Trienal Poli/Gráfica de San Juan, Puerto Rico.
Future Cities, Art Gallery of Hamilton, Canada.
We come in peace… Histories of the Americas, Musée d’Art Contemporain of Montréal, Canada.
Artitecture, Rena Bransten Gallery, San Francisco, EUA.
Image Smugglers, XXVI Sao Paulo Biennal, Parque Ibirapuera, Sao Paulo, Brasil.
Sculpture, Gallerie Anne de Villepoix, Paris, França.
A Taste of the Pain of Others, L.A Freewaves, California, EUA.
2003
Time capsule. Art in General, New York, EUA.
Dream Space / Entre sueños. Deutsche Bank Lobby Gallery, New York, EUA.
Salon des Refusés, Fondazione Bevilacqua La Masa, Venice, Itália.
Modern Islands, Public Project, Dresden, Alemanha.
Cuba on the Verge. An island in transition, International Center of Photography, New York, EUA.
Dentro/Fuera: Arte Cubano contemporáneo, Charlotte and Philip Hanes Art Gallery, Wake Forest
University, EUA.
2002
Somebody’s architecture, Documenta 11, Platform 5, Kassel, Alemanha.
Copyright, Centro Cultural de España, Havana, Cuba.
Artists Imagine Architecture, Institute of Contemporary Art (ICA), Boston, EUA.
De ponta cabeça, I Fortaleza Biennal, Brasil.
Reality’s Desire, The Generation of Images, Milan, Itália.
Sincretismi, Fondazione Adriano Olivetti, Rome, Itália.
On/Off (with Michelangelo Pistoletto), Vista Mare Associazione Culturale, Pescara, Itália.
2001
Demonstration Room (Casa ideal), Museo Alejandro Otero, Caracas, Venezuela; Apex Gallery, New York, EUA; NICC, Amberes, Belgica.
Shifting Tides, L.A County Museum, California, EUA; Grey Art Gallery, New York, EUA; Museum of
Contemporary Photography, Chicago, EUA.
Sonsbeek 9, Arnhem, Holanda.
Mega Wave, I Yokohama Triennale, Japão.
2000
Mirror’s Edge, Vancouver Art Gallery, Vancouver, Canada; Castello Di Rivoli, Turin, Itália; Tranway,
Glasgow, Scotland, UK.
From the negative: Conceptual Photography from Cuba, Parts Gallery, Minneapolis, EUA; North
Dakota Museum, EUA.
Más allá del Documento, Museo Centro de Arte Reina Sofia, Madrid, Espanha.
Waterfront project, Helsingør/ Helsingborg, Dinamarca/Suécia.
Fotolatina, Museo Arte Contemporáneo, Guadalajara, Mexico.
Window onto Venus, VII Havana Biennal, Havana, Cuba.
Cream 2, 10 curators, 100 artists. Exhibition Catalog, Phaidon Press, Londres, UK.
Espacios híbridos (with Tania Bruguera, Luis Gómez), Galería La Casona, ARCO ’00, Madrid, Espanha.
1999
Los mapas del deseo, Kunsthalle Vienna, Kunstraum Innsbruk, Austria, Nicolaj Contemporary Art
Center, Copenhagen, Dinamarca.
Venus’s Window, Civic Centre La Grancia, Zerynthia, Associacione per l’arte Contemporanea,
Tuscany, Itália.
Mirror Edge, BildMuseet, Umea, Suécia.
I Bienal Internacional de México, Centro de la Imagen, D.F., Mexico.
Cuatro artistas cubanos, Geunkens en De Vill Gallery, Knokke, Belgica.
Diáspora. Encuentro Internacional de Arte Ciudad, Oviedo, Asturias, Espanha.
1998
La ciudad vista desde la mesa de casa, Centro Wifredo Lam, Havana, Cuba.
Fragmentos a su imán, Casa de las Américas, Havana, Cuba.
Isla Oscura: New Photography from Cuba, Southeast Museum of Photography, Daytona Beach, Florida, EUA.
Comme peut on être cubain?, Maison de L’Amerique, Paris, França.
De discretas autorías, Museo de Arte Contemporáneo de Maracay Mario Abreu, Maracay, Venezuela.
Cuba-ON, Generous Miracles Gallery, New York, EUA.
La mirada y el laberinto, Cosello da Cultura Galega, Galicia, Espanha.
Memoria íntimas, marcas, Electricworkshop, Johannesbourg, África do Sul; Window-Museum,
Pretoria, South Africa; Pauilhao Branco, Museu da Cidade, Lisboa, Portugal.
Caribe Insular, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Espanha; Casa
América de Madrid, Espanha.
XXIV Bienal de Sao Paulo, Parque Ibirapuera, Sao Paulo, Brasil.
Art and Survival in the Utopian Island, Azu Museum, Tempe, Arizona, EUA.
La isla del futuro, Palacio de Jovellanos, Gijón, Espanha.
Segundo Salón de Arte Contemporáneo, Centro de Desarrollo de Artes Visuales, Havana, Cuba.
1997
Utopian territories: New Cuban Art, Morris and Helen Belkin Art Gallery and Contemporary Art
Gallery, Vancouver, Canada.
El individuo y su memoria, VI Bienal de La Habana, Centro Wifredo Lam, Havana, Cuba.
Space/Fire, 97 Kwangju Biennale, Kwangju, South Korea.
Memorias íntimas, marcas, Cuito Cuanavale, Centro Cultural Portugués, Luanda, Angola; The Castle
of Good Hope, Cape Town, South Africa.
Festival Internacional de la Ciudad de Medellín, Medellín, Colombia.
Trienal Internacional del Arte Fotográfico, Romaniemi Art Museum, Helsinki, Finland.
1996
Las otras escri(p)turas, Centro de Artes Plásticas y Diseño, Havana, Cuba.
Río Almendares, ni fresa ni chocolate, CENCREM, Havana, Cuba.
Carne, Espacio Aglutinador de Arte, Havana, Cuba.
1995
Africus’95, 1st Johannesburg Biennale, South Africa.
Una de cada clase, Centro Nacional de Conservación, Restauración y Museología (CENCREM),
Fundación Ludwig de Cuba, Havana, Cuba.
Cuba: la isla posible, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Espanha.
Trans (intro) post-diario, Galería La Fundición, Bilbao, Espanha.
The New Generation, FotoFest, The Menil Collection, Houston, Texas, EUA.
Utopía, Galería Casa del Joven Creador, Sede de la Asociación Hermanos Saíz, Havana, Cuba.
Entornos y circunstancias, V Bienal de la Habana, Museo Nacional de Bellas Artes de Cuba, Havana, Cuba.
La nueva generación: fotografía contemporánea de Cuba, Fototeca de Cuba, V Bienal de La Habana,
Havana, Cuba.
V Bienal de la Habana, Kunst Forum Ludwig, Alemanha.
1993
Las metáforas del templo, Centro de Desarrollo de Artes Visuales, Havana, Cuba.
1991
Si Tim tiene, Tim vale, IV Bienal de La Habana, Galería del ISA, Havana, Cuba.
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BIBLIOGRAFIA
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2010
"Overlapping" Carlos Garaicoa. The Irish Museum of Modern Art, IMMA.
2008
D’arcy, David. “It’s Not Politics. It’s Just Cuba.” New York Times, Feb 3, 2008: AR 31.
2007
Lovelace, Carey. “Carlos Garaicoa at Lombard-Freid.” Art in America, Mar 2007: 176-177.
Newhall, Edith. “Carlos Garaicoa: ICA.” ARTnews, Apr 2007: 138.
2006
Chen, Aric. "Hint gets to the art of it all." Hint Fashion Magazine Oct 2006.
Cotter, Holland. "Carlos Garaicoa." Review, The New York Times 17 Nov 2006.
2005
Gefter, Philip. “Defining the Moment, for the Moment, Anyway.” The New York Times 16 Oct 2005.
Pagel, David. “When multi-this and multi-that lacks newness.” Los Angeles Times 14 Mar 2005.
--- “Turning artwork into border issue.” Los Angeles Times 14 Sept 2005.
Spiegler, Marc. “City Lights.” ARTnews Mar 2005: 96-99.
Wallach, Amei. “Below the Surface: Daydreams of Havana, and Other Cities, Too.” The New York Times 19 May 2005.
2003
Brody, Jacqueline. “From Putts to Prints in Cuba.” art on paper Mar 2003: 40-44.
Csaszar, Tom. “Foire International d’Art Contemporain.” Review, Sculpture May 2003.
Halkin, Talya. “Metamorphoses of Time.” The New York Sun 30 Jan 2003.
Frerot, Christine. “FIAC 2002, Art Paris.” Art Nexus 2003.
Rosen, Miriam. “Maison Europeenne de la Photographie” Review Artforum Summer 2003.
Rottner, Nadja. Review, Flash Art Oct 2003.
2002
Block, Holly. “Carlos Garaicoa.” BOMB Winter 2002-2003.
Cembalest, Robin. “The Cuban Revolution.” ARTnews Mar 2002.
Duenas, Issa Maria Benitez. “El Final del Eclipse.” Art Nexus 2002.
Helguera, Pablo. Review of Lombard-Freid Fine Arts show. Art Nexus 2002.
Hernandez, Erena. “Carlos Garaicoa: From Ruins to Desire.” Art Nexus 2002.
Jimenez, Carlos. “The Globalization Documenta.” Art Nexus 2002: 69-70.
2001
Cotter, Holland. “Photographic Stylists of the Epic and the Surreal.” The New York Times 7 Sept 2001.
Dailey, Meghan. “Because every city has the right to be called Utopia.” Review, Time Out New York 27 Dec 2001- 3 Jan 2002.
de la Torre, Monica. Review of Bronx Museum of the Arts show, ARTnews Feb 2001.
Glueck, Grace. Review of Bronx Museum of the Arts show, “The Ruins, The Utopia.” The New York Times 16 Feb 2001.
Gioni, Massimiliano. “Yokohama Mega Wave: Towards a New Synthesis.” Flash Art Oct 2001.
Goodman, Jonathan. “Carlos Garaicoa at the Bronx Museum of Art.” Art in America Jun 2001.
Jones, Kristen M. “Shifting Tides: Cuban Photography after the Revolution, Grey Art Gallery, New York.” frieze Dec 2001: 126
Newhall, Edith. review, New York Magazine Dec 2001
Ollman, Leah. “From Revolution to Reverie.” Art in America Oct 2001: 65-69.
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2000
Mosquera, Gerardo. "CREAM 2: 10 curators, 100 artists,” Phaidon Press, 2000.
1998
Blanco, Caridad. “Carlos Garaicoa: Jugar a la memoria entre la historia y la ficción.” En Arte Cubano 1998: 32-37.
Guagnini, Nicolás. “CubaON: 11 fotógrafos conceptuales: Galería Generous Miracles, New York.” Art Nexus Apr-Jun 1998:131-132.
--- “Comand (voz de mando).” Marcas News Deflagration Difumbe
(Proyecto Memorias Intima). Johannesburg Jul 1998: 16.
1997
Olmo, Santigo B. “Bienal de La Habana El individuo y la memoria.” Lápiz Spain Jun 1997: 62-69.
Weiss, Rachel. “La Sexta Bienal de La Habana.” Art Nexus Oct-Nov 1997: 70-77.
1996
Lovelace, Carey. “Havana Biennial.” ARTnews Sept1997: 142-144.
Mosquera, Gerardo. “Carlos Garaicoa,” Poliester Spring1996.
Santos, Eduardo Alberto. “Carlos Garaicoa. Un proyecto para Atlántica.” Atlántica Internacional Revista de Artes Centro Atlántico de Arte Moderno Cabildo Insular de Gran Canaria Winter 1996: 92-97.
Tully, Judd. “Carlos Garaicoa: Art in General and Carla Stellweg.” Art Nexus Oct-Dec 1996: 154.
1995
Watriss, Wendy with Antonio Molina. Interview: “Reflection on contemporary photography in Cuba.” Aperture 1995.
Zaya, Octavio. “The Cuban Quagmire: Carlos Garaicoa, Kcho and Osvaldo Yero.” Flash Art Oct 1995: 195-198.
1994
Cameron, Dan. “Cuba: Still not Free.” Art and Auction Mar 1994: 86-91.
Cazalla, Jana. “Quinta Bienal de La Habana: Encuentros en la periferia.” Lápiz Spain, Oct-Dec 1994.
1991
Mosquera, Gerardo. “Art through the city (Carlos Garaicoa).” The City as Art: Interrogating the polis publication from Symposium held in Dublin by The International Association of Art Critics (AICA), Dec 1991.
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