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IMAGENS
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ANTERIOR
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Cómo hacerse millonario a través del Junk Mail, 2009
Vista da exposição
Fotografia
por Edouard Fraipont
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1989-1994
Estudos do Instituto de Belas Artes de Cuba
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2009
Carlos Garaicoa : La enmienda que hay en mí. Museum of Fine Arts, Havana, Cuba
The Observatory Expo and presentation of the Public work for the City of Castleford, Art Council, the City of Castleford and the Yorkshire Sculpture Park
Carlos Garaicoa, Colateral 10 Bienal de La Habana.
Carlos Garaicoa, Galería Luisa Strina, Sao Pablo, Brasil
Carlos Garaicoa, La Caja Negra, Madrid
2008
La Caixa Cultural, Rio de Janeiro, Brazil
Revolucion o Rizoma, Galleria Continua, Beijing, China
2007
Latin Kings Music Vol. I-V, Elba Benitez Gallery, Madrid
Capablanca’s Real Passion, Institute of Contemporary Art, Philadelphia, PA
2006
Capablanca’s Real Passion, Royal Ontario Museum, Toronto, Canada
Overlapping, Liverpool Biennale, Open Eye Gallery, Liverpool
The drawing, the writing, the abstraction (with Ezequiel Suárez), Lombard-Freid Projects, NY, New York
Yo no quiero ver más a mis vecinos, Castello di Ama, Gaiole in Chianti, Siena, Italy
Das Gast (retrospective of videos 1996-2006), Fribourg Kuntshalle, Germany
Postcapital, Palau de la Virreina, Barcelona, Spain
2005
Things that happen when life goes very wrong. Galleria Continua, San Gimignano, Italy
Capablanca’s Real Passion. Museum of Contemporary Art, Los Angeles, CA
Carlos Garaicoa, Mass Moca, North Adams, MA
Self-flagellation, survival, insubordination. Aspen Art Museum, Aspen, CO
Because every city has the right to be called Utopia, Oriel Mostyn Gallery, Wales, UK
Carlos Garaicoa, Yorkshire Sculpture Park, West Yorkshire, UK
Carta a los censores, Fondation Prince Pierre de Monaco, XXXIX Prix International d' Art Contemporain, Montecarlo, Monaco
Vamos fazer barullo agora, porra! (with Ezequiel Suárez), Galería Habana, Havana, Cuba
El mapa del viajero, Luisa Strina Gallery, Sao Paulo, Brazil
2004
The measure of almost everything. Palazzo delle Papesse, Siena, Italy
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2003
Cuba on the Verge, Centro Internationale di Fotografia (UK) Espacia C, Carnargo
De la serie Nuevas Arquitecturas. Centro Wifredo Lam, La Habana
Letter to the Censors. Art Statements, Art Basel Miami Beach, FL
Self-flagellation, survival, insubordination. La Caixa Foundation, Sala Montcada, Barcelona, Spain
Letter to the Censors. Volume, Rome, Italy
La Habitacion de mi Negatividad, Galeria La Casona, Havana, Cuba
Lecciones de Historia. Casa de America, Madrid, Spain
Carlos Garaicoa, Elba Benitez Gallery, Madrid, Spain
2002
Ni Crist, ni Marx, ni Bakunin. Maison Européene de la Photographie, Paris, France
Now let's play to dissappear. Galleria Continua, San Gimignano, Italy
2001
Because Every City Has the Right To Be Called Utopia. Lombard-Freid Fine Arts, New York, NY
Carlos Garaicoa. Galerie Art & Public, Geneva, Switzerland
Carlos Garaicoa: The Ruin; The Utopia, (Works 1990-2000). Alejandro Otero Museum,Caracas, Venezuela
The last 10 days of the market. Aarhus Photography Festival, Image Gallery, Denmark
2000
Carlos Garaicoa: The Ruin; The Utopia (Works1990-2000). Luis Angel Arango Library, Bank of the Republic, Bogotá Colombia; Bronx Museum of the Arts, New York, NY
Nouvelles Architectures. Farideh Cadot Gallery, Paris, France.
Recuadros (con Federico Herrero). Jacobo Karpio Gallery, San Jose, Costa Rica.
1999
My first and last homage to architecture (and the Marquis de Sade). Havana, Cuba
Landscape. Ars TeoréTica, San José, Costa Rica
Survia. Gallery Center for Development of the Visual Arts, Havana, Cuba
1998
The beginning and end of the fascination. Centro Wifredo Lam, Havana, Cuba
1996
Inside Havana, Space Agutinador of Art, La Habana, Cuba
El voluble rostro de la realidad, Gallery Center for Development of the Visual Arts and The Ludwig Foundation of Cuba, Havana, Cuba
When Desire resembles Nothing, Art in General, New York, NY
Havana: A Survey, Carla Stellweg Gallery, New York, NY
The Landscape; The Limits, Fototeca de Cuba, Havana, Cuba
1995
Inside Havana, Space Aglutinador of Art, Havana, Cuba
The Beheading Space, Centre PasquArt, Biel-Bienne, Switzerland
1994
The Dream of the Reason..., Wifredo Lam Center, Havana, Cuba
1992
Your lucky number, Gallery Juan Francisco Elso, Havana, Cuba
1989
Childhood’s Days, Investigation Center of the Ministry of Education, Havana, Cuba
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2009
Paço das Artes e o MIS de São Paulo, Brasil, julio 2009.
Videos in the Street Project , Murcia, Spain, april- May, 2009
Group show at 53 Venice Biennale, Artiglerie, Italy, junio 2009.
Show “Cartografías Disidentes” Río de Janeiro. Oi Futuro
Show “Cartografías Disidentes” Caracas. Museo de Arte Contemporáneo
Show “Cartografías Disidentes” México. Centro Cultural de España, México
2008
The Cisneros Fontanals Art Foundation, known as CIFO, during Art Basel Miami Beach
Cartografías Disidentes (itinerancia),Centro Cultural de São Paulo, Brazil
Farewell to Post-Colonialism, Third Guangzhou Triennial, 2008, Guangdong Museum of art, CHINA
Lança Cuba, Gentil Carioca, Río de Janeiro, Brasil
Articulações, Faro, Portugal, Junio.
Ex Box, ARCO, Madrid, Spain
¡Cuba! Art and History from 1868 to Today, Montreal Museum of Fine Arts, Montreal, Canada
Surrounded by Water: Expressions of Freedom and Isolation in Contemporary Cuban Art, Boston University Art Gallery, Boston, MA
The Sneeze 80 artists x 80 seconds 106 minutes, Durban Art Gallery, South Africa
Fate Presto, Chiesa dell'Addolorata, Napoli, Italia
Cultural summer, Saint Tropez, France
Cartografías disidentes, Itinerante, Santiago de Chile, Madrid, Sao Pablo, Barcelona, Mexico DF, Caracas
2007
The Shapes of Space, Guggenheim Museum, New York, EEUU (Untitled (“La esquina”). 2003-2006)
Moulin, Galería Continua, París, Francia
Cuestion Xeracional, Galego de Arte Contemporáneo Centre, Santiago de Compostela, Galicia
The Sneeze, Durban Art gallery, Durban, South Africa
A Number of Worlds Resembling Our Own, SMART Project Space, Amsterdam
Evento Loop 07 (Videos), Barcelona
“IL FUTURO DEL FUTURISMO. Dalla 'rivoluzione italiana' all'arte contemporanea. Da Boccioni a Fontana a Damien Hirst” de GAMeC, Galleria d'Arte Moderna e Contemporanea di Bergamo, Italia.
Art Unlimited, Art Basel 38
Emergenze Hangar Biccoca, Milan, 2007
Killing Time, Exit Art, New Cork
Expérience Pommery, Domaine Pommery, Reims, France
Common House, Laboratorio per l’Art Contemporanea, Stabilimento Teseco, Pisa
Utopian Mirage: Social Metaphors in Contemporary Photography and Film, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York
Homing Devices: Sculpture from Latin American and Caribbean Artists, University of South Florida Contemporary Art Museum, Tampa, Florida
Encuentro entre dos mares, University of Valencia, Sao Paulo, Brazil
Trans(ient) City, Luxembourg
Commitment, Mechelen, Belgium
Turbulence, 3rd Auckland Triennial, New Zealand
2006
Overlapping, Open Eye Gallery, Liverpool Biennial–International Festival of Contemporary Art, Liverpool, England
Off the Shelf: New Forms in Contemporary Artist's Books, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York
Doubtful Straits, San José, Costa Rica
De repente livros, A Gentil Carioca, Rio de Janeiro, Brazil
Arte de Cuba, Rio de Janeiro, Sao Paulo, Curitiba, Brazil
C4. Contemporary Center Culture Caldogno, Venice, Italy
Triennial Echigo-Tsumar, Niigata, Japan
Metropolitanscapes, Palazzo Cavour, Turin, Italy
Less. Strategies alternatives of living, PAC, Milan, Italy
Other than Art, G Fine Art, Washington, DC
Nuit Blanche, París, France
Ideal City-Invisible Cities, Zamosc, Poland
Global Tour: Art, Travel & Beyond, Amsterdam, The Netherlands
2005
Senza Confine (15th year), Galleria Continua, San Gimignano, Italia
New Photography, M.O.M.A, New York
Inverting the Map: Latin American Art from the Tate Collection, Tate Museum Liverpool, Liverpool, UK.
Beyond Delirious Architecture: Selected Photographs from the Ella Fontanals Cisneros Collection, Miami, FL
New Photography Series XV, Museum of Modern Art, New York, NY
M City, Kunsthaus Graz, Vienna, Austria
Farsites: Urban crisis and domestic symptoms in recent contemporary art, inSite05, San Diego Museum of Art and Centro Cultural Tijuana.
Collection Remixed, The Bronx Museum of the Arts, New York, NY
ATOMICA, Lombard-Freid Fine Arts and Esso Gallery, New York, NY
51st Venice Biennial, Venice, Italy
Fantasmapolis, La Ville Contemporaine Et Ses Imaginaires, Galerie Art & Essai, Rennes, France
Dialectics of Hope, Moscow Biennale.
7th Sharjah International Biennial, United Arab Emirates.
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2004
Transmigracione, Triennial Poli/Gráfica de San Juan, Puerto Rico.
Future Cities. Art Gallery of Hamilton, Hamilton, ON, Canada
We come in peace… Histories of the Americas, Musée d’Art Contemporain de Montréal.
Artitecture. Rena Bransten Gallery, San Francisco, California, USA
Image Smugglers, XXVI Sao Paulo Biennale, Parque Ibirapuera, Brazil. Gallery Anne de Villepoix, Paris, France
A Taste of the Pain of Others. Contemporary video works from Latin America. L.A Freewaves, California. USA
2003
Time Capsule, curated by Tami Katz-Freiman, Art In General,
New York, NY
Dream Space / Entre sueños. German Bank Lobby Gallery, New York, NY
Salon des Refuses, Fondazione Bevilacqua La Masa, Venice, Italy
Modern Islands, Public Project, Dresde, Germany.
2002
Documenta11, Platform 5, Kassel, Germany
Artists Imagine Architecture, Institute of Contemporary Art, Boston, MA
Copyright. Cultural Center of Spain, Habana, Cuba
Reality’s Desire. Generación de la Imagen 8, Milano, Italy
De ponta cabeça. Biennial de Fortaleza, Brazil
2001
Some Islands Exhibition, Project Room, Ianidett Cadot Gallery, Arco 2001, Madrid, Spain
Mirror’s Edge, (traveling exhibition) curated by Okwui Enwezor,Tramway, Glasgow, Scotland; Charlottenbourg, Germany; Copenhagen, Denmark
Sincretisimi, Fondazione Adriano Olivetti, Rome, Italy
Shifting Tides-Cuban Photography After The Revolution, LACMA, Los Angeles, CA; Grey Art Gallery, New York, NY
Yokohama Triennale, Yokohama, Japan
Sonsbeek 9, curated by Jan Hoet, Arnhem, Netherlands
Mas alla del documento, curated by Jose Jimenez, Telefonica Foundation, Madrid, Granada, Badajoz, Spain
Demonstration Room (casa ideal), Museo Alejandro Otero, Caracas (Venezuela); Apex Gallery, New York (USA); NICC, Antwerp, (Belgium)
VII Bienal de La habana, Centro Wifredo, Lam, La Habana, Cuba
2000
Memorias Intimas, Marcas, MUHKA, Antwerp, Belgium
Mirror's Edge, Vancouver Art Gallery, Castello Di Rivoli, Turin, Italy
From the negative: conceptual photography from Cuba, Parts Gallery, Minneapolis, MN; North Dakota Museum, ND
Beyond the Document, Museo Reina Sofia, Madrid, Spain
Waterfront project, Malmo, Sweden
Fotolatina, Contemporary Art Museum of Guadalajara, Mexico
Project: Window onto Venus, VII Biennale of Havana, Havana, Cuba
Cream 2, 10 curators, 100 artists. Exhibition Catalog, Phaidon Press London, England
1999
Venus’s Window, Civic Centre “La Grancia”, Zerynthia, Associacione per l’arte Contemporanea, Tuscany.
Maps of Desire, Kunsthalle, Vienna; Nikolai Comtemporary Art Center, Copenhagen, Denmark
Four Cuban artists, Geunkens and De Vill Gallery, Knokke, Belgium.
Mirror’s Edge, Bild-Museet, Umea, Sweden
1998
The Sight and the Labyrinth, Cosello da Cultura Gallega, Galicia, Spain
Isla Oscura: New Photography from Cuba, Southeast Museum of Photography, Daytona Beach, FL
Comme peut on être cubain? Maison de L´Amérique, Paris, France
Fragments to its Magnet, Casa de las Américas, Havana, Cuba
Memorias Intimas, Marcas, Electricworkshop, Johannesburg; Window-Museum, Pretoria, South Africa; White Pavilion, Institute for Contemporary Art, Lisbon, Portugal
XXIV Biennale of Sao Paulo, Parque Ibirapuera, Sao Paulo, Brazil
2nd Salón de Arte Contemporáneo, Center for Development of the Visual Arts, Havana, Cuba
1997
Utopian territories: New Cuban Art, Morris and Helen Belkin Art Gallery, Vancouver, Canada
Memorias Intimas, Marcas, Cuito Cuanavale, Portuguese Cultural Center, Angola; The Castle of Good Hope, Cape Town, South Africa
Individual and his memory, VI Biennale of Havana, Wifredo Lam Centre, Havana, Cuba
Kwangju Biennale (Space/Fire), Kwangju, South Korea
Las otras escri(p)turas, Visual Arts and Design Center, Havana, Cuba
1996
Las otras escri(p)turas, Visual Arts and Design Center, Avana, Cuba
1995
Africus 95, 1st Biennale of Johannesburg, South Africa
One of each class, Ludwig Foundation of Cuba, Havana, Cuba
Trans (Intro) Post-Diary, La Fundición Gallery, Bilbao, Spain
Cuba: The Possible Island, Center of Contemporary Culture, Barcelona, Spain
1994
Environment and Circumstances, V Biennale of Havana, National Museum of Fine Arts, Havana; Ludwig Forum fur Internationale Kunst, Aachen, Germany
The new generation: Contemporary Photography from Cuba, Fototeca de Cuba, V Biennale of Havana, Havana, Cuba
1993
The Metaphors of the Temple, Gallery Center for Development of the Visual Arts, Havana, Cuba
1991
Si Tim tiene, Tim vale, IV Biennale of Havana, Gallery ISA, Havana
Flesh, Space Aglutinador of Arte, Havana, Cuba
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BIBLIOGRAFIA
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2008
D’arcy, David. “It’s Not Politics. It’s Just Cuba.” New York Times, Feb 3, 2008: AR 31.
2007
Lovelace, Carey. “Carlos Garaicoa at Lombard-Freid.” Art in America, Mar 2007: 176-177.
Newhall, Edith. “Carlos Garaicoa: ICA.” ARTnews, Apr 2007: 138.
2006
Chen, Aric. "Hint gets to the art of it all." Hint Fashion Magazine Oct 2006.
Cotter, Holland. "Carlos Garaicoa." Review, The New York Times 17 Nov 2006.
2005
Gefter, Philip. “Defining the Moment, for the Moment, Anyway.” The New York Times 16 Oct 2005.
Pagel, David. “When multi-this and multi-that lacks newness.” Los Angeles Times 14 Mar 2005.
--- “Turning artwork into border issue.” Los Angeles Times 14 Sept 2005.
Spiegler, Marc. “City Lights.” ARTnews Mar 2005: 96-99.
Wallach, Amei. “Below the Surface: Daydreams of Havana, and Other Cities, Too.” The New York Times 19 May 2005.
2003
Brody, Jacqueline. “From Putts to Prints in Cuba.” art on paper Mar 2003: 40-44.
Csaszar, Tom. “Foire International d’Art Contemporain.” Review, Sculpture May 2003.
Halkin, Talya. “Metamorphoses of Time.” The New York Sun 30 Jan 2003.
Frerot, Christine. “FIAC 2002, Art Paris.” Art Nexus 2003.
Rosen, Miriam. “Maison Europeenne de la Photographie” Review Artforum Summer 2003.
Rottner, Nadja. Review, Flash Art Oct 2003.
2002
Block, Holly. “Carlos Garaicoa.” BOMB Winter 2002-2003.
Cembalest, Robin. “The Cuban Revolution.” ARTnews Mar 2002.
Duenas, Issa Maria Benitez. “El Final del Eclipse.” Art Nexus 2002.
Helguera, Pablo. Review of Lombard-Freid Fine Arts show. Art Nexus 2002.
Hernandez, Erena. “Carlos Garaicoa: From Ruins to Desire.” Art Nexus 2002.
Jimenez, Carlos. “The Globalization Documenta.” Art Nexus 2002: 69-70.
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2001
Cotter, Holland. “Photographic Stylists of the Epic and the Surreal.” The New York Times 7 Sept 2001.
Dailey, Meghan. “Because every city has the right to be called Utopia.” Review, Time Out New York 27 Dec 2001- 3 Jan 2002.
de la Torre, Monica. Review of Bronx Museum of the Arts show, ARTnews Feb 2001.
Glueck, Grace. Review of Bronx Museum of the Arts show, “The Ruins, The Utopia.” The New York Times 16 Feb 2001.
Gioni, Massimiliano. “Yokohama Mega Wave: Towards a New Synthesis.” Flash Art Oct 2001.
Goodman, Jonathan. “Carlos Garaicoa at the Bronx Museum of Art.” Art in America Jun 2001.
Jones, Kristen M. “Shifting Tides: Cuban Photography after the Revolution, Grey Art Gallery, New York.” frieze Dec 2001: 126
Newhall, Edith. review, New York Magazine Dec 2001
Ollman, Leah. “From Revolution to Reverie.” Art in America Oct 2001: 65-69.
2000
Mosquera, Gerardo. "CREAM 2: 10 curators, 100 artists,” Phaidon Press, 2000.
1998
Blanco, Caridad. “Carlos Garaicoa: Jugar a la memoria entre la historia y la ficción.” En Arte Cubano 1998: 32-37.
Guagnini, Nicolás. “CubaON: 11 fotógrafos conceptuales: Galería Generous Miracles, New York.” Art Nexus Apr-Jun 1998:131-132.
--- “Comand (voz de mando).” Marcas News Deflagration Difumbe
(Proyecto Memorias Intima). Johannesburg Jul 1998: 16.
1997
Olmo, Santigo B. “Bienal de La Habana El individuo y la memoria.” Lápiz Spain Jun 1997: 62-69.
Weiss, Rachel. “La Sexta Bienal de La Habana.” Art Nexus Oct-Nov 1997: 70-77.
1996
Lovelace, Carey. “Havana Biennial.” ARTnews Sept1997: 142-144.
Mosquera, Gerardo. “Carlos Garaicoa,” Poliester Spring1996.
Santos, Eduardo Alberto. “Carlos Garaicoa. Un proyecto para Atlántica.” Atlántica Internacional Revista de Artes Centro Atlántico de Arte Moderno Cabildo Insular de Gran Canaria Winter 1996: 92-97.
Tully, Judd. “Carlos Garaicoa: Art in General and Carla Stellweg.” Art Nexus Oct-Dec 1996: 154.
1995
Watriss, Wendy with Antonio Molina. Interview: “Reflection on contemporary photography in Cuba.” Aperture 1995.
Zaya, Octavio. “The Cuban Quagmire: Carlos Garaicoa, Kcho and Osvaldo Yero.” Flash Art Oct 1995: 195-198.
1994
Cameron, Dan. “Cuba: Still not Free.” Art and Auction Mar 1994: 86-91.
Cazalla, Jana. “Quinta Bienal de La Habana: Encuentros en la periferia.” Lápiz Spain, Oct-Dec 1994.
1991
Mosquera, Gerardo. “Art through the city (Carlos Garaicoa).” The City as Art: Interrogating the polis publication from Symposium held in Dublin by The International Association of Art Critics (AICA), Dec 1991.
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