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IMAGENS
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ANTERIOR
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Untitled (Barragan House, #01), 2005
Laserchrome print Ed. 4/5 + 1 AP
86 x 96 cm
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NASCIDA EM 1969, COMO, ITÁLIA
VIVE E TRABALHA EM MILÃO, ITÁLIA
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2009
Galeria Luisa Strina, São Paulo, Brazil
Galerie Paul Andriesse, Amsterdam
Gallery 32, The Embassy of Brazil, London
Fundación RAC, Pontevedra, Spain
Luhring Augustine, New York
2008
Studio Guenzani, Milan, Italy
2007
Thomas Dane Gallery, London
“Front Room: Luisa Lambri,” Baltimore Museum of Art
2006
Gallery Koyanagi, Tokyo
“Forum 57: Luisa Lambri and Ernesto Neto,” Carnegie Museum of Art, Pittsburgh
Marc Foxx (West Gallery), Los Angeles
Galeria Luisa Strina, São Paulo, Brazil
Luhring Augustine, New York
2005
Studio Guenzani, Milan, Italy, 28 November
Galerie Paul Andriesse, Amsterdam
Marc Foxx, Los Angeles
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2004
“Locations,” The Menil Collection, Houston
Galerie Paul Andriesse, Amsterdam
“From Within,” Galeria Luisa Strina, São Paulo, Brazil
2003
Studio Guenzani, Milan, Italy
2002
Marc Foxx (West Gallery), Los Angeles
Istituto Italiano di Cultura and Italian Heritage Culture Foundation, LosAngeles
2001
Gallery Koyanagi, Tokyo
Palazzo Re Rebaudengo, Guarene d’Alba, Italy
International Artists’ Studio Programme in Sweden, Stockholm
2000
Studio Guenzani, Milan, Italy
Kettle’s Yard, University of Cambridge, England
Fotogalleriet, Oslo
1999
Contemporary Art Center, Vilnius
Institute of Visual Arts, University of Wisconsin, Milwaukee
Studio Barbieri, Venice, Italy
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2009
“31 Panorama da Arte Brasileira” MAM, São Paulo, Brazil
“Elements of Photography,” Museum of Contemporary Art
“Private Universes,” Dallas Museum of Art, Texas
2008
“Once Is Nothing,” Brussels Biennial
“Italics. Arte Italiana fra Tradizione e Rivoluzione 1968–2008,” PalazzoGrassi, Venice, March 2009; traveled as “Italics: ItalianArt between Tradition and Revolution, 1968–2008,” Museum of Contemporary Art,Chicago
“Made Up,” Liverpool Biennial, Tate Liverpool, England
“REMIX Inner Space: Photography from the Collection,” Albright-Knox ArtGallery, Buffalo, New York
“Building Pictures,” Museum of Contemporary Photography, Chicago, 4 April–31May*
“Focus on Contemporary Italian Art,” Museo d’Arte Moderna di Bologna, Italy
“Inside Architecture: Selections from the Permanent Collection,” MOCA PacificDesign Center, Los Angeles
“Painting the Glass House: Artists Revisit Modern Architecture,” The Art +Architecture Gallery, Yale School of Architecture, New Haven, Connecticut; The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; and Mills College Art Museum, Oakland, California
2007
“Parts and the Whole,” Fundació Foto Colectania, Barcelona, Spain
“Brasil: desFocos [o olho de fora],” Centro Cultural Banco do Brasil, Rio deJaneiro,
“It Starts from Here,” De La Warr Pavilion, Bexhill on Sea, England
“The Shapes of Space,” Solomon R. Guggenheim Museum, New York
“Camera con vista: Arte e interni in Italia dal 1900 al 2000,” Palazzo Reale,Milan, Italy
“Pure,” Sean Kelly Gallery, New York
“MCA Exposed: Defining Moments in Photography, 1967–2007,” Museum of Contemporary Art, Chicago
“Spectacular City,” NRW—Forum Kultur und Wirtschaft, Düsseldorf, Germany
2006
“Light/Art: Mystic Crystal Revelation,” Santa Barbara Contemporary Arts Forum,California
“Guggenheim Pictures: A Conceptual Portfolio,” Solomon R. Guggenheim Museum,New York
“Open House,” Instituto Cultural Inhotim, Brumadinho, Brazil
“Spectacular City,” Netherlands Architecture Institute, Rotterdam, TheNetherlands
“The Grand Promenade,” National Museum of Contemporary Art, Athens
“Whisper Not! A Different Dimension of Seeing,” Huis Marseille, Foundation for Photography, Amsterdam
“Espaço Aberto/Espaço Fechado: Sites for Sculpture in Modern Brazil,” HenryMoore Institute, Leeds, England
2005
“La dolce crisi. Contemporary Photography in Italy,” Villa Manin Centro d’ArteContemporanea, Passariano Codroipo, Italy, 10 December 2005–6 March 2006
“The Fluidity of Time: Selections from the MCA Collection,” Museum ofContemporary Art, Chicago
“Romance (a novel),” Cristina Guerra Contemporary Art, Lisbon
“Mallorca Open: Principles of Construction,” Kunsthalle, Centro CulturalAndratx, Mallorca, Spain
“Bidibidobidiboo: Opere della Collezione Sandretto Re Rebaudengo,” FondazioneSandretto Re Rebaudengo, Turin, Italy
“Vanishing Point,” Wexner Center for the Arts at the Belmont Building,Columbus, Ohio
“SANAA”, 21st Century Museum of Contemporary Art, Kanazawa, Japan
“Selections from the Hara Museum’s Permanent Collection,” Hara Museum of Contemporary Art, Tokyo
“XIV Quadriennale di Roma”, Galleria Nazionale d’Arte Moderna e Contemporanea,Rome
“Some Trees,” Neuer Aachener Kunstverein, Aachen, Germany;Staatliche Kunstsammlungen, Dresden, Germany
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2004
“Arti & Architettura 1900–2000,” Palazzo Ducale, Genoa, Italy
“Fragmentos e souvenirs paulistanos, Vol. I,” Galeria Luisa Strina, São Paulo,Brazil
“Metamorph,” 9. Biennale Internazionale di Architettura, Venice
2003
“Elephant Juice (Sexo entre amigos),” kurimanzutto @ Los Manantiales,Xochimilco, Mexico
“A Nova Geometria,” Galeria Fortes Vilaça, São Paulo, Brazil
“Dreams and Conflicts: The Viewer’s Dictatorship,” 50. EsposizioneInternazionale d’Arte, La Biennale di Venezia, Venice, Italy
“Form Specific,” Moderna Galerija, Ljubljana
“Trasparente,” Museo Nazionale delle Arti del XXI Secolo, Rome
“Living Inside the Grid,” New Museum of Contemporary Art, New York
“Imaxinando espazos, recreando realidades: Colección Fundación Arco,” CentroGalego de Arte Contemporánea, Santiago de Compostela, Spain
2002
“Fictions: New Narratives in Contemporary Photography and Video,” Rose ArtMuseum, Brandeis University, Waltham, Massachusetts, 11 September–31 December
“Sleeping, Dreaming, Awakening,” Kawamura Memorial Museum of Art
2001
“Una storia dell’arte in Italia nel XX secolo: Cento opere della GalleriaNazionale d’Arte Moderna e di collezioni italiane,” Museum of Contemporary Art,Tokyo
“The Escape,” Tirana Biennale 1, National Gallery, Tirana, Albania
“Chain of Visions: Family, Politics, and Religion in the Last Generation ofItalian Contemporary Art,” Hara Museum of Contemporary Art, Tokyo
“Strategien. Fotokunst der 90er Jahre aus der Sammlung Sandretto ReRebaudengo,” Kunsthalle zu Kiel, Germany; Museion, Museod’Arte Moderna, Bolzano, Italy; and Rupertinum, Salzburg,Austria
“Playing amongst the Ruins,” Royal College of Art Galleries, London
“Dinamiche della vita e dell’arte,” Galleria d’Arte Moderna e Contemporanea,Bergamo
2000
“Contemporary Photography II: Anti-Memory,” Yokohama Museum of Modern Art, 23November
“La jeune scène artistique italienne”, Domaine de Kerguéhennec, Centre d’ArtContemporain, Bignan, France
1999
“Paesaggi invisibili,” Palazzo delle Papesse Centro Arte Contemporanea, Siena,Italy
“dAPERTutto,” 48. Esposizione Internazionale d’Arte, La Biennale di Venezia,Venice
1998
“Gel,” D’Amelio Terras, New York
“1968–1998. Fotografia e Arte in Italia,” Galleria Civica, Palazzo SantaMargherita, Modena, Italy
“Yesterday Begins Tomorrow: Ideals, Dreams and the Contemporary Awakening”,Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NewYork
“Spectacular Optical,” Thread Waxing Space, New York, 28 May–18 July; Museum of Contemporary Art, Miami
1997
“Che cosa sono le nuvole? Appunti italiani per una collezione,” Palazzo ReRebaudengo, Guarene d’Alba, Italy
“Vertigo,” Galleria Emi Fontana, Milan, Italy
“Romantica,” VII Biennale Internazionale di Fotografia, Palazzo Bricherasio,Turin, Italy
1996
“L’Evidence,” Centre d’Art Contemporain, Geneva, Switzerland
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BIBLIOGRAFIA
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Livros e Catálogos de Exposições
2008
Benzer, Christa, Christine Boehler, Christiane Erharter, ed., ContinuingDialogues. A Tribute to Igor Zabel, Zurich: JRP/Ringier, 2008.
Italics. Arte Italiana fra Tradizione e Rivoluzione. Exh. cat. Milan,Italy: Mondadori Electa, 2008. English edition, Italics: Italian Art betweenTradition and Revolution, 1968–2008. Exh. cat. Venice, Italy: Palazzo Grassi;and Chicago: Museum of Contemporary Art, 2008.
Esche, Charles, and Maria Hlavajova. “Luisa Lambri.” In Once Is Nothing. Exh.cat. Utrecht, The Netherlands: BAK, basis voor actuele kunst; and Eindhoven,The Netherlands: Van Abbemuseum, 2008.
Hough, Jessica, and Monica Ramirez-Montagut. Revisiting the Glass House:Contemporary Art and Modern Architecture. Exh. cat. Ridgefield, Connecticut:The Aldrich Contemporary Art Museum; and New Haven, Connecticut: YaleUniversity Press, 2008.
Irvine, Karen, Building Pictures. Exh. cat. Chicago: Museum of ContemporaryPhotography, 2008.
Hoffmann, Jens. Golden Gate. Exh. cat. San Francisco: Baer Ridgway Exhibitions,2008.
Sillars, Laurence, and Kyla McDonald. Luisa Lambri. Exh. cat. Liverpool,England: Liverpool Biennial, 2008.
2007
Alexander, Darsie. Luisa Lambri. Exh. cat. Baltimore: Baltimore Museum of Art,2007.
Exley, Roy. “Luisa Lambri”, in Photo Art. Fotografie im 21. Jahrhundert, Koeln,DuMont Buchverlag, 2007.
Herkenhoff, Paulo. Brasil: desFocos [o olho de fora]. Exh. cat. Rio de Janeiro:Centro Cultural Banco do Brasil, 2007.
Nefkens, Han. Parts and the Whole. Exh. cat. Barcelona, Spain: Fundació FotoColectania, 2007.
2006
Barents, Els, Han Nefkens, and Hilde Teerlink. Whisper Not! A DifferentDimension of Seeing. Exh. cat. Amsterdam: Huis Marseille, Foundation forPhotography, 2006.
Fogle, Douglas, “Forum 57: Luisa Lambri and Ernesto Neto”. Exh. cat.Pittsburgh: Carnegie Museum of Art, 2006.
Ise, Claudine. Vanishing Point. Exh. cat. Columbus: Wexner Center for the Arts,2005.
Kafetsi, Anna. The Grand Promenade. Exh. cat. Athens: National Museum ofContemporary Art, 2006.
Romance [a novel]. Exh. cat. Lisbon: Cristina Guerra Contemporary Art,2006.
Spector, Nancy and Jennifer Blessing, Guggenheim Pictures. A ConceptualPortfolio. Exh. cat. New York: Solomon R. Guggenheim Museum, 2006.
Sutton, Gloria. “Luisa Lambri.” In Vitamin Ph: New Perspectives in Photography.London: Phaidon, 2006.
2005
Canarutto Cosulich, Sarah. La dolce crisi. Exh. cat. Passariano Codroipo: VillaManin Centro d'Arte Contemporanea, 2005.
Luisa Lambri. Exh. cat. Amsterdam: Galerie Paul Andriesse, 2005.
Bidibidobidiboo. Opere della Collezione Sandretto Re Rebaudengo per idieci anni della Fondazione. Exh. cat. Turin, Italy: Fondazione Sandretto ReRebaudengo; and Milan, Italy: Skira Editore, 2005.
and Joan Jonas. “Luisa Lambri.” In Perform. London: Thames & Hudson,2005.
Pedrosa, Adriano. Fragmentos e souvenirs paulistanos, Vol. I. Exh. cat. São Paulo:Galeria Luisa Strina, 2005.
Verzotti, Giorgio. Generations of Art. Exh. cat. Como, Italy: Fondazione Ratti;and Milan, Italy: Skira Editore, 2005.
Washida, Meruro, and Yuko Hasegawa. “Luisa Lambri.” In SANAA: Buildings,Photographs, Models. Exh. cat. Kanazawa, Japan: 21st Century Museum ofContemporary Art, 2005.
2004
Andriesse, Paul, ed. Some Trees. Exh. cat. Dublin: The Douglas Hyde Gallery,2004.
Celant, Germano. Arti & Architettura 1900–2000. Exh. cat. Milan, Italy:Skira Editore, 2004.
Drutt, Matthew. “Luisa Lambri: Locations.” In Luisa Lambri: Locations. Exh.cat. Houston: The Menil Collection, 2004.
Untitled (Casa das Canoas, 1953), 2002-4. Catalogue. Rio de Janeiro:Colecçao Teixeira de Freitas, 2004.
2003
Cameron, Dan. Living Inside the Grid. Exh. cat. New York: New Museum ofContemporary Art, 2003.
Gioni, Massimiliano, "The Shadow Line", Untitled (Experience ofPlace), London: Koenig Books; Cologne: Walther Koenig Verlag, 2003.
“Luisa Lambri’s Images of Vilnius.” In Manifesta 3. European Biennial of Contemporary Art. Exh. cat. Ljubljana: International Biennial of Contemporary Art, 2003. Available at http://www.manifesta.org/manifesta3/r_luis.html.
Zabel, Igor. “Individual Systems.” In Dreams and Conflicts: The Viewer’sDictatorship. 50. Esposizione Internazionale d’Arte. Exh. cat. Venice, Italy:Marsilio Edizioni, 2003.
———. “Luisa Lambri.” In Cream 3: Contemporary Art in Culture/10 Curators, 100Contemporary Artists, 10 Source Artists. London: Phaidon, 2003.
———. Urban Utopias. Urban Realities. Exh. cat. Nova Gorica, Slovenia: MestnaGalerija, 2003.
———, and Zdenka Badovinac. “Luisa Lambri.” In Form-Specific. Exh. cat.Ljubljana: Museum of Modern Art; and Frankfurt, Germany: Revolver, 2003.
2002
de Cecco, Emanuela, and Gianni Romano, eds.. Contemporanee. Percorsi, lavori epoetiche delle artiste dagli anni ottanta ad oggi, Milan: Postmedia Edizioni,2002.
Kuraishi. Shino. “Luisa Lambri.” In Carver, Antonia, et al. BLINK: 100Photographers, 10 Curators, 10 Writers. London: Phaidon, 2002.
Ruiz, Alma. Luisa Lambri. Exh. cat. Los Angeles: Italian Heritage CultureFoundation, 2002.
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2001
Chain of Visions: Family. Politics, and Religion in the Last Generation ofItalian Contemporary Art. Exh. cat. Tokyo: Hara Museum of Contemporary Art,2001.
“34 Questions About Memory and Senses.” In Luisa Lambri. Exh. cat. Turin,Italy: Fondazione Sandretto Re Rebaudengo; and Milan, Italy: EditionScheiwiller, 2001.
2000
Amano, Taro. Contemporary Photography II: Anti-Memory. Exh. cat. Yokohama,Japan: Yokohama Museum of Modern Art, 2000.
Groom, Simon, Luisa Lambri. Exh. cat. Cambridge, England: Kettle's Yard,Cambridge University, 2000.
2001
"Luisa Lambri", in The Escape: Tirana Biennale 1. Exh. cat.Milan: Flash Art Books, 2001.
Hayashi. Sumi. Sleeping, Dreaming, Awakening. Exh. cat. Chiba, Japan: KawamuraMemorial Museum of Art, 2001.
Kohlmeyer, Agnes. “The Game of Reflections on the Surface.” In Luisa Lambri.Exh. cat. Turin, Italy: Fondazione Sandretto Re Rebaudengo, 2001.
Kreuger, Anders. “Luisa Lambri.” In Self-Esteem. Exh. cat. Vilnius:Contemporary Art Center, 2001.
1999
and Hans Ulrich Obrist, eds. Dreams. Rome: Castelvecchi Arte Editore,1999.
and Peter Doroshenko. Luisa Lambri. Exh. cat. Milwaukee: Institute ofVisual Arts, University of Wisconsin. 1999.
"Luisa Lambri", in dAPERTutto. 48. Esposizione Internazionaled'Arte. Exh. cat. Venice: Marsilio Edizioni, 1999.
A Place for Everything and Everything in Its Place. Exh. cat. Vilnius,Lithuania: Contemporary Art Center, 1999.
1998
Gangitano, Lia, Spectacular Optical. Exh. cat. New York: Thread Waxing Spaceand Trans Editions, 1998.
Guadagnini, Walter, and Filippo Maggia. 1968–1998. Fotografia e arte in Italia.Exh. cat. Modena, Italy: Galleria Civica, Palazzo Santa Margherita; and Milan,Italy: Baldini & Castoldi Edizioni, 1998.
1997
Bonami, Francesco. “Luisa Lambri.” In Che cosa sono le nuvole? Appunti italianiper una collezione. Exh. cat. Turin, Italy: Fondazione Sandretto Re Rebaudengo,1997.
1996
Di Pietrantonio, Giacinto, and Angela Vettese, eds. In A Month on the Lake:Advanced Course in Visual Arts. Exh. cat. Como, Italy: Fondazione AntonioRatti; and Milan, Italy: Skira Editore, 1996.
Artigos de Imprensa
2008
Basciano, Oliver. “Reviews: Luisa Lambri.” Art Review, no. 19 (February 2008):120.
Bianchi, Paolo, “Aesthetik der Fotografie.”, Kunstforum, no. 192 (Jul.-Aug.2008): 119-177.
“Reviews: Luisa Lambri.” Flash Art International, no. 258(January–February 2008): 150.
Pieroni, Augusto. “Double Portraits. On Luisa Lambri’s Photographs”, HotShoe.Fresh perspectives on Contemporary Photography, no. 151 (Dec. 2007-Jan. 2008):20-31.
Webb, Michael. “Luisa Lambri.” Domus, no. 911 (February 2008): 54–69.
2007
Dykstra, Jean. “Breathing Light into Architecture.” Art on Paper, no. 5(May–June 2007): 32–33.
2006
Gioni, Massimiliano. “On the ground: Milan.” Artforum, no. 4 (December 2006): 259–61.
Robinson, Denise. “Luisa Lambri.” Contemporary, no. 87 (November–December2006): 54–57.
Sholis, Brian. “Luisa Lambri: Luhring Augustine Gallery.” Artforum, no. 10(summer 2006): 352–53.
Schwenderer, Martha. “Luisa Lambri: Luhring Augustine Gallery.” Time Out–NewYork, no. 552 (27 April–3 May 2006): 88.
Wrong Gallery, The, “Tarzan and Jane. Luisa Lambri & Jeppe Hein: Places”,Wrong Times (Oct. 2006): 8-9.
2005
Knight, Christopher. “It’s All in the Atmosphere.” Los Angeles Times, 20January 2005, 25.
2004
Fineman, Mia. “The Secret Lives of Buildings.” V28 (spring 2004).
French, Christopher. “Review: Luisa Lambri, The Menil Collection.” Flash ArtInternational, no. 236 (May–June 2004): 140–41.
Lookofsky, Sarah. “Glass Plane, White Wall, Steel Grid: Traces of ModernStructural Forms in Contemporary Art.” NY Arts, nos. 7–8 (July–August 2004).
2003
Drutt, Matthew. “First Take: Luisa Lambri.” Artforum, no. 5 (January 2003):124.
Herbert, Martin. “Liverpool Biennial 2008.” Frieze, no. 119 (November 2008):197–98.
Hoffmann, Jens. “On Relations, Appropriations and Other Worries.” Archis, no. 3(summer 2003): 23–28.
Lambri, Luisa, and Kim Zorn Caputo. “Untitled.” Blind Spot, no. 24 (summer2003).
2002
Gaines, Malik. “Recensioni: Luisa Lambri.” Tema Celeste, no. 94(November–December 2002): 87.
Noé, Paola. “Luisa Lambri, Studio Guenzani.” Modern Painters (March 2006): 124.
Obrist, Hans Ulrich. “SANAA on Kanazawa, Images by Luisa Lambri.” Make, no. 92(December 2002): 34–35.
2001
“The Luminous and the Numinous.” Camera Austria, no. 75 (September 2001):84.
Charlesworth. J. J. “Reviews: Reverberator.” Art Monthly, no. 258 (July–August2002): 33.
Pasini, Francesca. “Ritratti di facciate e camere chiare. Le case trasfigurateda Lambri". L’Unita’, no. 108 (July 15, 2001): 21
Psilibskis, Liutauras. “Luisa Lambri: No Sense of Place.” Flash ArtInternational, no. 221 (November–December 2001): 82–84.
Robecchi, Michele. "Recensloni: Lulsa Lambri, Fondazione Sandretto ReRebaudengo", Flash Art Italia, no. 230 (Oct.-Nov.2001): 116.
2000
Blom, Ina. “Reviews: Luisa Lambri.” Frieze, no. 53 (June–August 2000): 112.
“Into the Interior.” Portfolio: The Catalogue of Contemporary Photographyin Britain, no. 31 (June 2000): 4–11.
Smith, Emma. “Reviews: Luisa Lambri at Kettle’s Yard Cambridge.” Art Monthly,no. 239 (September 2000): 38–39.
1998
Exley, Roy. “Sites of Absence.” Contemporary Visual Arts, no. 20 (1998): 62–68.
1997
Verzotti, Giorgio. “Reviews: Luisa Lambri.” Artforum, no. 6 (February 1997):96.
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