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IMAGENS
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CLIQUE PARA VER MAIS
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Untitled (Barragan House, #01), 2005
Laserchrome print Ed. 4/5 + 1 AP
86 x 96 cm
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NASCIDA EM 1969, COMO, ITÁLIA
VIVE E TRABALHA EM LOS ANGELES, EUA
Erschaute Bauten - Architektur Im Spiegel Zeitgenössischer Kunstfotografie - Museum für angewandte Kunst (MAK), Vienna
En Obras. Coleção Teixeira De Freitas. - TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife
Videowatercolors: Carel Balth Among His Contemporaries - Henry Art Gallery, Seattle, WA
TRA. The edge of becoming - Museo Fortuny, Venice
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2013
Luisa Lambri, Studio Guenzani, Milan
2012
Luisa Lambri - Marc Foxx, Los Angeles, CA
Luisa Lambri - Marc Foxx, Los Angeles, CA
Portrait, Isabella Stewart Gardner Museum, Boston, EUA
2011
Certain Variables, Luhring Augustine, New York, EUA
Interiors, Ivorypress, Madrid, Espanha
2010
Thomas Dane Gallery, Londres, Inglaterra.
Being there, Hammer Museum, Los Angeles, EUA.
2009
Galeria Luisa Strina, São Paulo, Brasil.
Galerie Paul Andriesse, Amsterdam, Holanda.
Gallery 32, Embassy of Brazil, Londres
Fundación RAC, Pontevedra, Espanha.
Luhring Augustine, New York, EUA.
2008
Studio Guenzani, Milan, Itália.
2007
Thomas Dane Gallery, Londres, Inglaterra.
Front Room: Luisa Lambri, Baltimore Museum of Art, Baltimore, EUA.
2006
Gallery Koyanagi, Tokyo, Japão.
Forum 57: Luisa Lambri and Ernesto Neto, Carnegie Museum of Art, Pittsburgh, EUA.
Marc Foxx, Los Angeles, EUA.
Galeria Luisa Strina, São Paulo, Brasil.
Luhring Augustine, New York, EUA.
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2005
Studio Guenzani, Milan, Itália.
Galerie Paul Andriesse, Amsterdam, Holanda.
Marc Foxx, Los Angeles, EUA.
2004
Locations, The Menil Collection, Houston, EUA.
Galerie Paul Andriesse, Amsterdam, Holanda.
From Within, Galeria Luisa Strina, São Paulo, Brasil.
2003
Studio Guenzani, Milan, Itália.
2002
Marc Foxx, Los Angeles, EUA.
Italian Heritage Culture Foundation, Los Angeles, EUA.
2001
Gallery Koyanagi and Rice Gallery, Tokyo, Japão.
Palazzo Re Rebaudengo, Guarene d'Alba, Itália.
International Artists' Studio Programme, Estocolmo, Suécia.
2000
Studio Guenzani, Milan, Itália.
Kettle's Yard, Museum of Contemporary Art, Cambridge, Inglaterra.
Fotogalleriet, Oslo, Noruega.
1999
Contemporary Art Center, Vilnius, Lituania.
Institute of Visual Arts, University of Wisconsin-Milwaukee, EUA.
Studio Barbieri, Veneza, Itália.
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2013
CONCRETE – Photography and Architecture, Fotomuseum Winterthur
Openness, Musée du Louvre, Paris
When Attitudes Became Form Become Attitudes. Museum of Contemporary Art Detroit, Detroit, USA
2012
Lost Line, Los Angeles County Museum of Art, Los Angeles
When Attitudes Became Form Become Attitudes. CCA Wattis Institute for Contemporary Arts, Sao Francisco, USA
2011
January White Sale, Loretta Howard Gallery, New York, EUA
Eye Wonder: Photography from the Bank of America Collection, National Museum of Women in the Arts, Washington, EUA
TRA Edge of Becoming, Palazzo Fortuny, Venice, Italy
Han Nefkens,- 10 Years of Patronage, Museum Boijmans van Beuningen, Rotterdam, NL
About a house, Taka Ishii Gallery, Tokyo, Japão
Architectural Environments for Tomorrow. New Spatial Practices in Architecture and Art, Museum of Contemporary Art, Tokyo, Japão
Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography, MAK, Vienna, Austria
Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, Bilbao, Espanha.
En Obras, com curadoria de Adriano Pedrosa, Tenerife Espaço de las Artes, Ilhas Canárias, Espanha.
2010
Inside Out. Photography after Form: Selections from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, EUA.
Let’s Talk About Houses: When Art Speaks Architecture, Lisbon Architecture Triennale, Museu do Chiado, Lisboa, Portugal.
Image. Architecture. Now, Julius Shulman Institute, Woodbury University, Los Angeles, EUA.
Il museo privato, Galleria d’Arte Moderna e Contemporanea, Bergamo, Itália.
People meet in Architecture, 12th International Architecture Exhibition, Venice, Itália.
Marc Foxx, Los Angeles, EUA.
Summer Loves, Huis Marseille, Museum for Photography, Amsterdam, Holanda.
Twenty Five, Luhring Augustine, New York, EUA.
Into the Belly of a Dove, Museo Tamayo, Cidade do Mexico, Mexico.
El Gabinete Blanco, Fundaciòn/Colecciòn Jumex, Cidade do Mexico, Mexico.
25 or 30 Years Gallery, Galerie Paul Andriesse, Amsterdam, Holanda.
Haunted: Contemporary Photography/Video/Performance, The Solomon R. Guggenheim Museum, New York, EUA.
The Library of Babel / In and Out of Place, 176 / Zabludowicz Collection, Londres, Inglaterra.
Desire, The Blanton Museum of Art, Austin, EUA.
Luisa Lambri, Hellen van Meene, Thomas Ruff, Gallery Koyanagi, Tokyo, Japão.
2009
Italics: Italian Art between Tradition and Revolution, 1968-2008, Museum of Contemporary Art, Chicago, EUA.
Les enfants terribles, Fundaciòn/Colecciòn Jumex, Cidade do Mexico, Mexico.
Vortexhibition Polyphonica, Henry Art Gallery, Seattle, EUA.
Panorama da Arte Brasileira, Museum of Modern Art, São Paulo, Brasil.
Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles, EUA.
Elements of Photography, Museum of Contemporary Art, Chicago, EUA.
Private Universes, Dallas Museum of Art, Dallas, EUA.
Painting the Glass House: Artists Revisit Modern Architecture, Mills College Art Museum, Oakland, EUA.
2008
Once is Nothing, Brussels Biennial, Belgica.
Italics: Arte Italiana tra Tradizione e Rivoluzione 1968-2008, Palazzzo Grassi, Venice, Itália.
Made Up. Liverpool Biennial, Tate Liverpool, Inglaterra.
REMIX Inner Space: Photography from the Collection, Albright-Knox Art Gallery, Buffalo, EUA.
Building Pictures, Museum of Contemporary Photography, Chicago, EUA.
Focus on Contemporary Italian Art, Museo d’Arte Moderna di Bologna, Itália.
Inside Architecture: Selections from the Permanent Collection, MOCA Pacific Design Center, Los Angeles, EUA.
Painting the Glass House: Artists Revisit Modern Architecture, The Art + Architecture Gallery, Yale School of Architecture, New Haven; The Aldrich Contemporary Art Museum, Ridgefield, EUA.
Brasil: desFocos [o olho de fora], Paço das Artes, São Paulo, Brasil.
2007
Parts and the Whole, Fundacio’ Foto Colectania, Barcelona, Espanha.
Brasil: desFocos [o olho de fora], Centro Cultural Banco Do Brasil, Rio de Janeiro, Brasil.
It Starts From Here, De La Warr Pavilion, Bexhill on Sea, Inglaterra.
The Shapes of Space, Solomon R. Guggenheim Museum, New York, EUA.
Camera con vista. Arte e interni in Italia dal 1900 al 2000, Palazzo Reale, Milan, Itália.
Pure, Sean Kelly Gallery, New York, EUA.
MCA EXPOSED: Defining Moments in Photography, 1967-2007, Museum of Contemporary Art, Chicago, EUA.
Spectacular City, NRW-Forum Kultur und Wirtschaft, Düsseldorf, Alemanha.
2006
Light/Art: Mystic Crystal Revelation, Santa Barbara Contemporary Arts Forum, Santa Barbara, EUA.
Guggenheim Pictures. A Conceptual Portfolio, Solomon R. Guggenheim Museum, New York, EUA.
Open House, INHOTIM Centro de Arte Contemporanea, Minas Gerais, Brasil.
Spectacular City, Netherlands Architecture Institute, Rotterdam, Holanda.
La terra e le nuvole. Fotografia italiana da Ghirri a oggi, Unicredit Private Banking, Milan, Itália.
The Grand Promenade, National Museum of Contemporary Art, Athens, Greece.
Whisper Not! A Different Dimension of Seeing, Huis Marseille, Foundation for Photography, Amsterdam, Holanda.
Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brasil, Henry Moore Institute, Leeds, Inglaterra.
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2005
La dolce crisi, Villa Manin Centro d'Arte Contemporanea, Passariano Codroipo, Itália.
The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, EUA.
Romance (a novel), Cristina Guerra Contemporary Art, Lisbon, Portugal.
Principles of Construction, Kunsthalle Andratx, Mallorca, Espanha.
Marc Foxx, Los Angeles, EUA.
Bidibidobidiboo. Opere della Collezione Sandretto Re Rebaudengo per i dieci anni della Fondazione, Fondazione
Sandretto Re Rebaudengo, Turin, Itália.
Vanishing Point, Wexner Center for the Arts, Columbus, EUA.
New Photography, Photo-Londres, Burlington Gardens, Londres, Inglaterra.
Generations of Art, Fondazione Antonio Ratti, Como, Itália.
SANAA, 21st Century Museum of Contemporary Art, Kanazawa, Japão.
Selection from the Hara Museum’s Permanent Collection, Hara Museum of Contemporary Art, Tokyo, Japão.
XIV Quadriennale di Roma, Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, Itália.
Some trees, Neuer Aachener Kunstverein, Aachen; Staatliche Kunstsammlungen, Dresden, Alemanha.
2004
Arti & Architettura 1900-2000, Palazzo Ducale, Genoa, Itália.
Fragmentos e souvenirs paulistanos, Vol. I, Galeria Luisa Strina, São Paulo, Brasil.
Metamorph, 9. Biennale Internazionale di Architettura, Venice, Itália.
Fictions. Truth in Photography and Painting, Timothy Taylor Gallery, Londres, Inglaterra.
Sistemi Individuali, Museo Archeologico Provinciale, Potenza, Itália.
2003
Elephant Juice (Sexo entre amigos), kurimanzutto @ Los Manantiales, Xochimilco, Cidade do Mexico, Mexico.
A Nova Geometria, Galeria Fortes Vilaça, São Paulo, Brasil.
Lei. Donne nelle collezioni italiane, Fondazione Sandretto Re Rebaudengo, Turin, Itália.
Summer, Marc Foxx, Los Angeles, EUA.
Dreams and Conflicts: The Viewer's Dictatorship, 50. Esposizione Internazionale d'Arte, Venice, Itália.
Form Specific, Moderna Galerija/Museum of Modern Art. Ljubljana, Slovenia.
Trasparente, Museo Nazionale delle Arti del XXI Secolo, Rome, Itália.
Living Inside the Grid, New Museum of Contemporary Art, New York, EUA.
Imaxinando espacios, recreando realidades. Colección Fundación Arco, Centro Galego de Arte Contemporanea,
Santiago de Compostela, Espanha.
Urban Utopias. Urban Realities, Mestna Galerlja, Nova Gorica, Slovenia.
2002
Final Projects, MAK Center for Art and Architecture, Los Angeles, EUA.
Fictions: New Narratives in Contemporary Photography and Video, Rose Art Museum, Brandeis University, Waltham, EUA.
Steeping. Dreaming, Awakening, Kawamura Memorial Museum of Art, Japão.
2001
Una storia dell'arte in Italia nel XX secolo. Cento opere della Galleria Nazionale d'Arte Moderna e di collezioni italiane, Museum of Contemporary Art, Tokyo, Japão.
The Escape, Tirana Biennale 1, National Gallery, Tirana, Albania.
Self-Esteem, Contemporary Art Center, Vilnius, Lituania.
Chain of Visions:-Family, Politics, and Religion in the Last Generation of Italian Contemporary Art, Hara Museum of Contemporary Art, Tokyo, Japão.
Strategien. Fotokunst der 90er Jahre aus der Sammlung Sandretto Re Rebaudengo, Kunsthalle, Kiel, Alemanha; Museion, Museo d'Arte Moderna, Bolzano, Italy; Rupertinum, Salzburg.
Playing amongst the Ruins, Royal College of Art Galleries, Londres, Inglaterra.
Dinamiche della vita e dell'arte, Museo d'Arte Modema e Contemporanea, Bergamo, Itália.
2000
Contemporary Photography II: Anti-Memory, Yokohama Museum of Modern Art, Japão.
La Jeune Scene Artistique Italienne (Fondazione Sandretto Re Rebaudengo), Domaine de Kerguehennec, Centre d'Art Contemporain, Bignan, France.
Future Identities: Reflections from a Collection, Sala de Exposiciones del Canal de Isabel II, Madrid, Espanha.
1999
Paesaggi invisibili, Palazzo delle Papesse, Siena, Itália.
dAPERTutto, 48. Esposizione Internazionale d’Arte, Venice, Itália.
Clues, Netherlands Media Art Institute. Monte Video/TBA, Amsterdam, Holanda.
Sub-Continental Architecture, Nature Morte, New Delhi, India.
1998
Gel, D'Amelio Terras. New York, EUA.
1968-1998. Fotografia e Arte in Italia, Galleria Civica, Palazzo Santa Margherita, Modena, Itália.
Yesterday Begins Tomorrow: Ideals, Dreams and the Contemporary Awakening, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York, EUA.
Spectacular Optical, Thread Waxing Space, New York; Museum of Contemporary Art, Miami, EUA.
1997
"Che cosa sono le nuvole?". Appunti italiani per una collezione, Palazzo Re Rebaudengo, Guarene d'Alba, Itália.
Vertigo, Galleria Emi Fontana, Milan, Itália.
Fotografia italiana per una collezione (Sandretto Re Rebaudengo), Fondazione Italiana per la Fotografia, Museo della Fotografia Storica e Contemporanea, Turin, Itália.
Romantica, VII Biennale Internazionale di Fotografia, Palazzo Bricherasio, Turin, Itália.
Camera, Art & Public, Geneva, Itália.
1996
Partito preso, Galleria Nazionale d'Arte Moderna, Rome, Itália.
Ultime Generazioni, XII Quadriennale d'Arte, Palazzo delle Esposizioni, Rome, Itália.
L’Evidence, Centre d'Art Contemporain, Geneva, Suíça.
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BIBLIOGRAFIA
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Livros e Catálogos de Exposições
2011
Minera, Maria, “Luisa Lambri en Casa Barragan”, Rufino, no. 04
Morgan, Susan, “A Form of Recollection. The Architectural Interiors of Luisa Lambri”, Aperture, no. 202
Nefkens, Han, 10 Years of Patronage, exh. cat. (Rotterdam: Museum Boijmans Van Beuningen, 2011
Rees, Simon, Envisioning Buildings, exh. cat. (Vienna: MAK/Zine, #01, 2011)
Rudin De Woody, Beth, January White Sale, exh. cat. (New York: Loretta Howard Gallery, 2011)
Beshty, Walead, Douglas Fogle, Massimiliano Gioni, Adriano Pedrosa, Sanaa, Luisa Lambri: Interiors, exh. cat. (Madrid: Ivorypress, 2011)
2010
Baker, Simon, and Tanya Barson, Inside Out. Photography after Form: Selections from the Ella Fontanals-Cisneros Collection, exh. cat. Miami: Cisneros Fontanals Art Foundation, 2010.
Blancsubé, Michel, Fernando Espinosa, Maria Minera, Violeta Solis Horcasitas, Les enfants terribles, exh. cat. Mexico, D.F.: Fundaciòn/Coleccioòn Jumex, 2010.
Gebbers, Anna Catharina, The library of Babel. In and out of place, exh. cat. London: Zabludowicz Collection, 2010.
Hasegawa, Yuko, “The sensibility, emotion and fludity of the architectural program”, in People meet in Architecture, 12th International Architecture Exhibition, exh. cat. Venice: Marsilio Editori, 2010.
Ruiz, Alma, Luisa Lambri: Being there, exh. brochure. Los Angeles: The Hammer Museum, 2010.
2009
de Corral, Lorena, “Space, Light, and the Memory of Time”, in Luisa Lambri, exh. cat. Pontevedra: Fundacion Rac, 2009.
2008
Benzer, Christa, Christine Boehler, Christiane Erharter, ed., ContinuingDialogues. A Tribute to Igor Zabel, Zurich: JRP/Ringier, 2008.
Italics. Arte Italiana fra Tradizione e Rivoluzione. Exh. cat. Milan,Italy: Mondadori Electa, 2008. English edition, Italics: Italian Art betweenTradition and Revolution, 1968–2008. Exh. cat. Venice, Italy: Palazzo Grassi;and Chicago: Museum of Contemporary Art, 2008.
Esche, Charles, and Maria Hlavajova. “Luisa Lambri.” In Once Is Nothing. Exh.cat. Utrecht, The Netherlands: BAK, basis voor actuele kunst; and Eindhoven,The Netherlands: Van Abbemuseum, 2008.
Hough, Jessica, and Monica Ramirez-Montagut. Revisiting the Glass House:Contemporary Art and Modern Architecture. Exh. cat. Ridgefield, Connecticut:The Aldrich Contemporary Art Museum; and New Haven, Connecticut: YaleUniversity Press, 2008.
Irvine, Karen, Building Pictures. Exh. cat. Chicago: Museum of ContemporaryPhotography, 2008.
Hoffmann, Jens. Golden Gate. Exh. cat. San Francisco: Baer Ridgway Exhibitions,2008.
Sillars, Laurence, and Kyla McDonald. Luisa Lambri. Exh. cat. Liverpool,England: Liverpool Biennial, 2008.
2007
Alexander, Darsie. Luisa Lambri. Exh. cat. Baltimore: Baltimore Museum of Art,2007.
Exley, Roy. “Luisa Lambri”, in Photo Art. Fotografie im 21. Jahrhundert, Koeln,DuMont Buchverlag, 2007.
Herkenhoff, Paulo. Brasil: desFocos [o olho de fora]. Exh. cat. Rio de Janeiro:Centro Cultural Banco do Brasil, 2007.
Nefkens, Han. Parts and the Whole. Exh. cat. Barcelona, Spain: Fundació FotoColectania, 2007.
2006
Barents, Els, Han Nefkens, and Hilde Teerlink. Whisper Not! A DifferentDimension of Seeing. Exh. cat. Amsterdam: Huis Marseille, Foundation forPhotography, 2006.
Fogle, Douglas, “Forum 57: Luisa Lambri and Ernesto Neto”. Exh. cat.Pittsburgh: Carnegie Museum of Art, 2006.
Ise, Claudine. Vanishing Point. Exh. cat. Columbus: Wexner Center for the Arts,2005.
Kafetsi, Anna. The Grand Promenade. Exh. cat. Athens: National Museum ofContemporary Art, 2006.
Romance [a novel]. Exh. cat. Lisbon: Cristina Guerra Contemporary Art,2006.
Spector, Nancy and Jennifer Blessing, Guggenheim Pictures. A ConceptualPortfolio. Exh. cat. New York: Solomon R. Guggenheim Museum, 2006.
Sutton, Gloria. “Luisa Lambri.” In Vitamin Ph: New Perspectives in Photography.London: Phaidon, 2006.
2005
Canarutto Cosulich, Sarah. La dolce crisi. Exh. cat. Passariano Codroipo: VillaManin Centro d'Arte Contemporanea, 2005.
Luisa Lambri. Exh. cat. Amsterdam: Galerie Paul Andriesse, 2005.
Bidibidobidiboo. Opere della Collezione Sandretto Re Rebaudengo per idieci anni della Fondazione. Exh. cat. Turin, Italy: Fondazione Sandretto ReRebaudengo; and Milan, Italy: Skira Editore, 2005.
and Joan Jonas. “Luisa Lambri.” In Perform. London: Thames & Hudson,2005.
Pedrosa, Adriano. Fragmentos e souvenirs paulistanos, Vol. I. Exh. cat. São Paulo:Galeria Luisa Strina, 2005.
Verzotti, Giorgio. Generations of Art. Exh. cat. Como, Italy: Fondazione Ratti;and Milan, Italy: Skira Editore, 2005.
Washida, Meruro, and Yuko Hasegawa. “Luisa Lambri.” In SANAA: Buildings,Photographs, Models. Exh. cat. Kanazawa, Japan: 21st Century Museum ofContemporary Art, 2005.
2004
Andriesse, Paul, ed. Some Trees. Exh. cat. Dublin: The Douglas Hyde Gallery,2004.
Celant, Germano. Arti & Architettura 1900–2000. Exh. cat. Milan, Italy:Skira Editore, 2004.
Drutt, Matthew. “Luisa Lambri: Locations.” In Luisa Lambri: Locations. Exh.cat. Houston: The Menil Collection, 2004.
Untitled (Casa das Canoas, 1953), 2002-4. Catalogue. Rio de Janeiro:Colecçao Teixeira de Freitas, 2004.
2003
Cameron, Dan. Living Inside the Grid. Exh. cat. New York: New Museum ofContemporary Art, 2003.
Gioni, Massimiliano, "The Shadow Line", Untitled (Experience ofPlace), London: Koenig Books; Cologne: Walther Koenig Verlag, 2003.
“Luisa Lambri’s Images of Vilnius.” In Manifesta 3. European Biennial of Contemporary Art. Exh. cat. Ljubljana: International Biennial of Contemporary Art, 2003. Available at http://www.manifesta.org/manifesta3/r_luis.html.
Zabel, Igor. “Individual Systems.” In Dreams and Conflicts: The Viewer’sDictatorship. 50. Esposizione Internazionale d’Arte. Exh. cat. Venice, Italy:Marsilio Edizioni, 2003.
———. “Luisa Lambri.” In Cream 3: Contemporary Art in Culture/10 Curators, 100Contemporary Artists, 10 Source Artists. London: Phaidon, 2003.
———. Urban Utopias. Urban Realities. Exh. cat. Nova Gorica, Slovenia: MestnaGalerija, 2003.
———, and Zdenka Badovinac. “Luisa Lambri.” In Form-Specific. Exh. cat.Ljubljana: Museum of Modern Art; and Frankfurt, Germany: Revolver, 2003.
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2002
de Cecco, Emanuela, and Gianni Romano, eds.. Contemporanee. Percorsi, lavori epoetiche delle artiste dagli anni ottanta ad oggi, Milan: Postmedia Edizioni,2002.
Kuraishi. Shino. “Luisa Lambri.” In Carver, Antonia, et al. BLINK: 100Photographers, 10 Curators, 10 Writers. London: Phaidon, 2002.
Ruiz, Alma. Luisa Lambri. Exh. cat. Los Angeles: Italian Heritage CultureFoundation, 2002.
2001
Chain of Visions: Family. Politics, and Religion in the Last Generation ofItalian Contemporary Art. Exh. cat. Tokyo: Hara Museum of Contemporary Art,2001.
“34 Questions About Memory and Senses.” In Luisa Lambri. Exh. cat. Turin,Italy: Fondazione Sandretto Re Rebaudengo; and Milan, Italy: EditionScheiwiller, 2001.
2000
Amano, Taro. Contemporary Photography II: Anti-Memory. Exh. cat. Yokohama,Japan: Yokohama Museum of Modern Art, 2000.
Groom, Simon, Luisa Lambri. Exh. cat. Cambridge, England: Kettle's Yard,Cambridge University, 2000.
2001
"Luisa Lambri", in The Escape: Tirana Biennale 1. Exh. cat.Milan: Flash Art Books, 2001.
Hayashi. Sumi. Sleeping, Dreaming, Awakening. Exh. cat. Chiba, Japan: KawamuraMemorial Museum of Art, 2001.
Kohlmeyer, Agnes. “The Game of Reflections on the Surface.” In Luisa Lambri.Exh. cat. Turin, Italy: Fondazione Sandretto Re Rebaudengo, 2001.
Kreuger, Anders. “Luisa Lambri.” In Self-Esteem. Exh. cat. Vilnius:Contemporary Art Center, 2001.
1999
and Hans Ulrich Obrist, eds. Dreams. Rome: Castelvecchi Arte Editore,1999.
and Peter Doroshenko. Luisa Lambri. Exh. cat. Milwaukee: Institute ofVisual Arts, University of Wisconsin. 1999.
"Luisa Lambri", in dAPERTutto. 48. Esposizione Internazionaled'Arte. Exh. cat. Venice: Marsilio Edizioni, 1999.
A Place for Everything and Everything in Its Place. Exh. cat. Vilnius,Lithuania: Contemporary Art Center, 1999.
1998
Gangitano, Lia, Spectacular Optical. Exh. cat. New York: Thread Waxing Spaceand Trans Editions, 1998.
Guadagnini, Walter, and Filippo Maggia. 1968–1998. Fotografia e arte in Italia.Exh. cat. Modena, Italy: Galleria Civica, Palazzo Santa Margherita; and Milan,Italy: Baldini & Castoldi Edizioni, 1998.
1997
Bonami, Francesco. “Luisa Lambri.” In Che cosa sono le nuvole? Appunti italianiper una collezione. Exh. cat. Turin, Italy: Fondazione Sandretto Re Rebaudengo,1997.
1996
Di Pietrantonio, Giacinto, and Angela Vettese, eds. In A Month on the Lake:Advanced Course in Visual Arts. Exh. cat. Como, Italy: Fondazione AntonioRatti; and Milan, Italy: Skira Editore, 1996.
***
Artigos de Imprensa
2010
Bonami, Francesco, and Luisa Lambri, “Brera Undercover”, tar mag, no. 3 (spring 2010), 204-211.
Forster, Kurt W., “A Door Left Ajar: the Photography of Luisa Lambri”, Area, no. 109, (March-April 2010), 150-159.
Mirti, Stefano, “Lambri + Sejima”, Abitare, no. 504 (Jul.-Aug. 2010), 102-109
Mizota, Sharon, “At the Hammer, Luisa Lambri makes herself at home”, The Los Angeles Times (Feb. 28th 2010).
Perez, Daniela, “The Belly of a Dove - Exposed”, Rufino, no. 02 (Fall-Winter 2010), 175-189.
Soberg, Martin, “Det varige ojeblik. Om Luisa Lambris arkitekturfotografi”, Arkitekten, no.10 (Nov. 2010), 34-37.
2009
Bryant, Eric, “Reviews: Luisa Lambri, Luhring Augustine”, ARTnews, no. 6, (June 2009), 102.
Testino, Mario, “2010”, Visionaire, no. 57 (Oct. 2009).
2008
Basciano, Oliver. “Reviews: Luisa Lambri.” Art Review, no. 19 (February 2008):120.
Bianchi, Paolo, “Aesthetik der Fotografie.”, Kunstforum, no. 192 (Jul.-Aug.2008): 119-177.
“Reviews: Luisa Lambri.” Flash Art International, no. 258(January–February 2008): 150.
Pieroni, Augusto. “Double Portraits. On Luisa Lambri’s Photographs”, HotShoe.Fresh perspectives on Contemporary Photography, no. 151 (Dec. 2007-Jan. 2008):20-31.
Webb, Michael. “Luisa Lambri.” Domus, no. 911 (February 2008): 54–69.
2007
Dykstra, Jean. “Breathing Light into Architecture.” Art on Paper, no. 5(May–June 2007): 32–33.
2006
Gioni, Massimiliano. “On the ground: Milan.” Artforum, no. 4 (December 2006): 259–61.
Robinson, Denise. “Luisa Lambri.” Contemporary, no. 87 (November–December2006): 54–57.
Sholis, Brian. “Luisa Lambri: Luhring Augustine Gallery.” Artforum, no. 10(summer 2006): 352–53.
Schwenderer, Martha. “Luisa Lambri: Luhring Augustine Gallery.” Time Out–NewYork, no. 552 (27 April–3 May 2006): 88.
Wrong Gallery, The, “Tarzan and Jane. Luisa Lambri & Jeppe Hein: Places”,Wrong Times (Oct. 2006): 8-9.
2005
Knight, Christopher. “It’s All in the Atmosphere.” Los Angeles Times, 20January 2005, 25.
2004
Fineman, Mia. “The Secret Lives of Buildings.” V28 (spring 2004).
French, Christopher. “Review: Luisa Lambri, The Menil Collection.” Flash ArtInternational, no. 236 (May–June 2004): 140–41.
Lookofsky, Sarah. “Glass Plane, White Wall, Steel Grid: Traces of ModernStructural Forms in Contemporary Art.” NY Arts, nos. 7–8 (July–August 2004).
2003
Drutt, Matthew. “First Take: Luisa Lambri.” Artforum, no. 5 (January 2003):124.
Herbert, Martin. “Liverpool Biennial 2008.” Frieze, no. 119 (November 2008):197–98.
Hoffmann, Jens. “On Relations, Appropriations and Other Worries.” Archis, no. 3(summer 2003): 23–28.
Lambri, Luisa, and Kim Zorn Caputo. “Untitled.” Blind Spot, no. 24 (summer2003).
2002
Gaines, Malik. “Recensioni: Luisa Lambri.” Tema Celeste, no. 94(November–December 2002): 87.
Noé, Paola. “Luisa Lambri, Studio Guenzani.” Modern Painters (March 2006): 124.
Obrist, Hans Ulrich. “SANAA on Kanazawa, Images by Luisa Lambri.” Make, no. 92(December 2002): 34–35.
2001
“The Luminous and the Numinous.” Camera Austria, no. 75 (September 2001):84.
Charlesworth. J. J. “Reviews: Reverberator.” Art Monthly, no. 258 (July–August2002): 33.
Pasini, Francesca. “Ritratti di facciate e camere chiare. Le case trasfigurateda Lambri". L’Unita’, no. 108 (July 15, 2001): 21
Psilibskis, Liutauras. “Luisa Lambri: No Sense of Place.” Flash ArtInternational, no. 221 (November–December 2001): 82–84.
Robecchi, Michele. "Recensloni: Lulsa Lambri, Fondazione Sandretto ReRebaudengo", Flash Art Italia, no. 230 (Oct.-Nov.2001): 116.
2000
Blom, Ina. “Reviews: Luisa Lambri.” Frieze, no. 53 (June–August 2000): 112.
“Into the Interior.” Portfolio: The Catalogue of Contemporary Photographyin Britain, no. 31 (June 2000): 4–11.
Smith, Emma. “Reviews: Luisa Lambri at Kettle’s Yard Cambridge.” Art Monthly,no. 239 (September 2000): 38–39.
1998
Exley, Roy. “Sites of Absence.” Contemporary Visual Arts, no. 20 (1998): 62–68.
1997
Verzotti, Giorgio. “Reviews: Luisa Lambri.” Artforum, no. 6 (February 1997):96.
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COLEÇÕES PÚBLICAS
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Albright-Knox Art Gallery, Buffalo
Armand Hammer Museum of Art, Los Angeles
Baltimore Museum of Art
Benesse Art Site Naoshima, Japan
Carnegie Museum of Arts, Pittsburgh
Cisneros Fontanals Art Foundation Miami
Colección Fundación Arco, Madrid
Contemporary Art Center Inhotim, Minas Gerais, Brazil
Fondazione Sandretto Re Rebaudengo per l’Arte, Turin
Galleria Nazionale d'Arte Moderna, Rome
Hara Museum of Contemporary Art, Tokyo
Henry Art Gallery, Seattle
Huis Marseille Foundation for Photography, Amsterdam
Inhotim, Minas Garais, Brazil
The Jumex Collection, Mexico City
The Israel Museum, Jerusalem
LaSalle Bank Photography Collection, Chicago
21st Century Museum of Contemporary Art, Kanazawa, Japan
Los Angeles County Museum of Art
The Menil Collection, Houston
Museo Nazionale delle Arti del XXI Secolo, Rome
Museum of Contemporary Art, Chicago
The Museum of Contemporary Art, Los Angeles
Museo Tamayo Arte Contemporaneo, Mexico City
Palm Springs Art Museum
Rose Art Museum, Brandeis University, Waltham, Massachusetts
San Francisco Museum of Modern Art
Solomon R. Guggenheim Museum, New York
Zabludowicz Collection, London
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