|
|
|
|
|
IMAGENS
|
|
CLIQUE PARA VER MAIS
|
|
Isla Flotante Project at Caletilla, Acapulco, 2010
estrutura de fibra de vidro |
|
|
|
|
|
|
|
|
Nascido em 1972 na Cidade do México, México, onde ele vive e trabalha atualmente.
|
|
|
|
|
|
|
|
|
|
|
2011
Babymarx. Walker Art Center, Mineápolis, EUA.
Sanatorium, Guggenheim Museum, Nova York, EUA.
OuScuPo (Ouvroir de Sculpture Potentielle), Musée de Art Contemporain MAC/VAL, Paris, France.
2010
Art Basel Projects, Miami Beach, EUA.
UGP: Urban Genome Project, UCLG, Congress Local and Regional Leaders Summit, Cidade do México, México.
UGP: Urban Genome Project, Artissima, Torino, Itália.
Plaza Bicentenario Monterrey.
Isla Flotante, Caletilla, Acapulco, México
Map Marathon, Serpentine Gallery, London, Inglaterra.
Babymarx, Labor, Cidade do México, México.
2009
Pedro Reyes, CCA Kitakyushu, Japão.
2008
47 undertakings, Bass Museum, Miami, EUA.
Caracteres Mobiles, Yvon Lambert, Paris, França.
Conflict Resolution, San Francisco Art Institute, EUA.
|
|
2007
Vehículo de Pasajeros a Propulsión Humana, Galería Heinrich Erhardt, Madri, Espanha.
Principles of Social Topology, Yvon Lambert Gallery, Nova Iorque, EUA.
2006
Ad usum: To be Used, Carpenter Center, Harvard University, Cambridge MA, EUA.
Reciclon, Aspen Art Museum, Colorado, EUA.
2005
Dream Digestor, Arnolfini, Bristol, Inglaterra.
2004
Nuevas Terapias Grupales, Galería Enrique Guerrero, Cidade do México, México.
2003
Statements, ArtBasel Miami Beach, EUA.
2002
Nomenclatura Arquímica, Sala de Arte Público Siqueiros, Cidade do México, México.
2000
Jardines Colgantes, La Torre de los Vientos, Cidade do México, México.
|
|
|
|
|
|
|
|
|
2011
Evento: L’art pour une re-évolution urbaine, Bordeaux Biennale, Frana.
Festival of Ideas for the New City, New Museum, Nova York.
We are all Astronauts. Universe Richard Buckminster Fuller reflected in contemporary art, MARTa Herford, Alemanha.
Art Basel Miami Beach, Stand K14, Galeria Luisa Strina, Miami, EUA.
En Obras, com curadoria de Adriano Pedrosa, Tenerife Espaço de las Artes, Ilhas Canárias, Espanha.
2010
Epílogo, Museo de Arte de Zapopan, México.
Primeira e última, Galería Luisa Strina, Sao Paulo, Brasil.
The Tree: From the Sublime to the Social, Kelowna Art Gallery, Canadá.
Nature en fête, town of Dinard, França.
Biennial of the Americas, Denver, EUA.
Modelos para armar. Pensar Latinoamérica desde la Colección MUSAC, MUSAC, León. Espanha.
In Lieu of Unity, Ballroom Marfa, Texas, EUA.
Diseño Regenerativo, Museo de Arte Moderno, Cidade do México, México.
2009
Los de arriba y los de abajo, Sala de Arte Público Siqueiros, Cidade do México, México.
Bienal do Mercosul, Porto Alegre, Brasil.
Mamoyguara opá mamo pupé, 31° Panorama da Arte Brasileira, Museu de Arte Moderna de Sao Paulo, Brasil.
Auto. Sueño y materia, LABoral / CA2M, Gijón/Madrid, Espanha.
1989 The end of the history or the beginning of the future? Kunsthalle Wien, Austria.
Lyon Biennale. Lyon, França.
México Expected/Unexpected, TEA Tenerife Espacio de las Artes, Espanha.
La invención de lo cotidiano, Museo Nacional de Arte, Cidade do México, México.
2008
Yokohama Triennale, Yokohama, Japão.
Expected/Unexpected, Maison Rouge, Paris, França.
MashUp, USF Contemporary Art Museum, Tampa , EUA.
Prospect 1 Biennial, New Orleans, EUA.
Art Basel Projects, Basel, Suíça.
Experiment Marathon II, Reykjiavik Art Museum, Finlândia.
The Tree: From the Sublime to the Social, Vancouver Art Gallery, Canadá.
Tlatelolco, The New Museum NY, EUA.
2007
Principio de Incertidumbre, Forum de las Culturas, Monterrey, México.
Viva Mexico, Zacheta Gallery, Warsow, Polônia.
Experiment Marathon I, Serpentine Gallery, London, Inglaterra.
Viva la Muerte!, Kunsthalle Wein, Austria.
Everstill/Siempretodavía, Fundación Federico García Lorca, Granada, Espanha.
Escultura Social, Museum of Contemporary Art, Chicago, EUA.
Elephant Cementery. Artists Space. Nova Iorque, EUA.
Olympic Sculpture Park, Seattle Art Museum. EUA.
Busan Biennale, Coréia do Sul.
Habitat / Variations Bâtiment d’art contemporain, Genève. - Casa Encendida, Madri, Espanha.
|
|
2006
Distor, Museo de Arte Carrillo Gil, México.
Downtime, constructing leisure. California Center for the Arts, EUA.
Queremos Rock!, Queen’s Nails Annex, San Francisco, EUA.
2005
Declaraciones, Centro de Arte Reina Sofia, Madri, Espanha.
FarSites: Urban crisis and domestic symptoms in recent contemporary art, InSite. San Diego.
Braunschweig Parcours. Braunschweig, Alemanha.
Morir de Amor, Museo Universitario de Ciencias y Artes, Cidade do México, México.
México 70, Casa del Lago, Cidade do México, México.
Come Closer, künstlerhaus bethanien, Dinamarca.
2004
PR04, Porto Rico.
Especimenes, Museum of Natural History, Cidade do México, México.
Seattle Sculpture Park Project, EUA.
2003
The Structure of Survival. 50a Bienal de Veneza, Itália.
Fisión/Fusión, MCI Institute, Washington, EUA.
Eshigo-Tsumari Trienalle. Japão.
To be political it has to look nice. Apex Art, Nova Iorque, EUA.
Modifications, Museum of Natural History, Cidade do México, México.
2002
Interplay, The Moore Space, Miami, EUA.
Shanghai Biennale, Shanghai, China.
Thisplay, La Colección Jumex, Cidade do México, México.
Mexico City: An exhibition about the Exchange Rates of Bodies and Values. PS1/MoMA | KW, Nova Iorque/Berlin, EUA/Alemanha.
The air is blue, Casa-Museo Luis Barragán, Cidade do México, México.
20 millions of Mexicans can’t be wrong, South London Gallery, Inglaterra.
Alibis/Coartadas, C. Culturel du Mexique / Witte de Witt, Paris/Rotterdam, França/Holanda.
2001
ABCDF, Museo del Palacio de Bellas Artes, Cidade do México, México.
Do It, Museo de Arte Carrillo Gil, Cidade do México, México.
21 Zonas, Uxmal, Yucatán, México.
4x.Photo Albums, Museo de las Artes, Guadalajara, México.
Rumors / Mutations.
2000
Metro Candelaria, Installation at Mexico City’s subway station, México.
Action videos by Latin American Artists, Artists Space, Nova Iorque, EUA.
Punto Ciego, Art & Idea Gallery, Cidade do México, México.
Infancias Botánicas, Japan Foundation - Viveros de Coyoacán, Cidade do México, México.
1999
Paradas continuas, Museo de Arte Carrillo Gil, Cidade do México, México.
1998
Doméstica, private spaces at colonia Condesa, Cidade do México, México.
1997
La resurrección de San Martín, Work in situ at Edificio San Martín, Cidade do México, México.
Sanar, Installations in Advento, Tecalli, Puebla, for an extramural project of Museo de Arte Carrillo Gil, México.
Bestias y Nahuales: Mascotas para un fin de siglo. Centro Cultural de la SHCP, Cidade do México, México.
|
|
|
|
|
|
BIBLIOGRAFIA
|
|
2010
Javier Téllez by Pedro Reyes, Conversation between Javier Téllez and Pedro Reyes, BOMB.
Theresa Bembnister, In Lieu of Unity at Ballroom Marfa, glasstire.com.
Sonya Ellingboe, Art from the Americas, Highlands Ranch Herald.
Alice Thorson, Art from all of America reaches new heights, The Kansas City Star.
José Marín-Medina, De Armas Tomar, El Cultural.
Nancy Zastudil, In Lieu of Unity Ballroom Marfa, Art Lies.
Velo. Bicycle culture and design (Editors: R. Klanten, S. Ehmann), Gestalten Books.
Hans-Ulrich Obrist, Interviews. Volume 2. Edizioni Charta.
2009
Le spectacle du quotidien / The spectacle of everyday. Xe. Biennale de Lyon. Published by Les presses du réel.
The Unthinkable Spring. Alejandro Jodorowsky interviewed by Pedro Reyes. Bidoun.
Mamoyguara Opá Mamo Pupé. 31° Panorama da Arte Brasileira, Museu de Arte Moderna de Sao Paulo, catálogo de exposição.
Experiment Marathon. Hans Ulrich Obrist & Olafur Eliasson, Reykjavik Art Museum and Koenig Books, catálogo de exposição.
Fietta Jarque, Motor y deseo, Babelia, cultural suplement of El Pais newspaper.
Rocío de la Villa, El sueño en el desguace. Auto, sueño y materia, El Cultural, suplement of El Mundo newspaper.
Mexico Expected/Unexpected, TEA(Tenerife Espacio de las Artes), catálogo de exposição.
1989. Ende der Geschichte oder Beginn der Zukunft?, Kunsthalle Wien, catálogo de exposição.
2008
Christian Rattlemayer, Pedro Reyes utopias, Atlantica Magazine.
Hans-Ulrich Obrist, Formulas for Now, Thames and Hudson.
Expert Eye, The Art Newspaper.
Julia Cooke, Baby, you can drive my..., Azure Magazine.
Lynn Mitges, Digging new beginnings, The Province.
Robin Laurence, A show of arboreal alchemy, The Georgia State.
Jeff Hodson, Using guns to grow life, Metro News.
Lloyd Dykk, VAG takes a dig at war by planting a tree, The Vancouver Sun.
Karolina Lagowska, Mesyk W Awangardzie, Gazeta Cojestgrane
Principio de incertidumbre, Forum Monterrey/Conarte, catálogo de exposição.
2007
Pedro Reyes, Escultura Social: A New Generation of Art from Mexico City.
Abel H. Pozuelo, ética y estética de Pedro Reyes, El Cultural.
Mariano Mayer, Pedro Reyes, Neo2.
Galería: Pedro Reyes, Revista Spot.
Ruth Lopez, Mexico’s Cutting Edge Slices Into The MCA, Time Out Chicago.
Principles of Social Topology, Celeste.
Mónica de la Torre, Ad Usum: To be used. Pedro Reyes, Codigo 06140.
Adriana Herrera, Pedro Reyes “El Conexionista”, Poder y Negocios.
Lisa Corrin, Creating ’Place’ in Seattle, Olympic Sculpture Park, Seattle Art Museum.
Larissa Harris, Pedro Reyes. Carpenter Center, Harvard University, review in ARTFORUM.
Clair Enlow, Design Perspectives: Sculpture park reflects and reveals the city, Daily Journal of Commerce.
Hilarie M. Sheets, Where Money’s No Object, Space Is No Problem, The New York Times.
Regina Hackett, “Capula XVI and XVII” and “Evolving City Wall Mural”, Pedro Reyes, Art history comes alive on the waterfront, Seattle Post-Intelligencer.
Everstill-Siempretodavía, Fundación Federico García Lorca, catálogo de exposição.
|
|
2006
A tale of Two Cities: Busan-Seoul / Seoul-Busan, BusanBiennale 2006. Published by Artbooks Publishing Corp.
Pedro Reyes by Tatiana Cuevas, conversation between these artists, BOMB.
Putting Art to Use, The Boston Globe.
Pedro Reyes, On Mexican Modernity, Culture and Travel.
Pedro Reyes, The New Group Therapies / Las nuevas terapias grupales, Ediciones Diamantina and CONACULTA.
Pedro Reyes, Postcards from Mexico, MARK Magazine.
Pedro Reyes, The New Group Therapies, LAB Mag 01.
The air is Blue Insights on Art & Architecture: Luis Barragan Revisited, Edited by Hans Ulrich Obrist and Pedro Reyes, Trilce Ediciones.
2005
Uta Grosenick (Ed.), Art Now, vol. 2, Taschen.
Farsites/Sitios distantes, InSite show catalogue.
Tanya Zimbardo, Structures of Attraction, California College for the Arts.
Parque vertical, Código 06140.
Algo se mueve en el mercado del arte, Expansión magazine.
2004
Rozana Montiel, Entre arte y arquitectura. Entrevista a Pedro Reyes, Arquine.
Zik Zak, Arquine.
Omar García, Crea formas arquitectónicas.
Isabel Kobus, Richtfest an der oker für ein Fachwerkhaus aus Mexiko, Lokales.
Ana Elena Mallet, Los jardines colgantes de Tlatelolco.
Cuauhtémoc Medina, El esparcimiento como arquitectura, Exhibition Guide.
Pedro Reyes, Pirámide flotante, Celeste.
Joanne Silver, Joanne, Visual Arts: ICA's ’Mexico’ reveals a land of contrasts, Boston Herald.
Edgar Alejandro Hernández, Crean en Alemania Ruta de la Amistad, Reforma.
Denise Rodríguez y Enrique González, Apoyan a la UdeG Alcaldes y la IP, Mural.
Inicia la construcción del Auditorio Metropolitano, El Informador.
Innesto d’Arte, Domus.
2003
Luis Barragán, The Colours of serenity, The Economist.
Klaus Bisenbach, An Exhibition about the Exchange rates of Bodies and Values Mexico City.
echigo-tsumari Art Triennial, catalogo.
Martin Jasper, Wenn die Sonne dopplet versinkt, Kultur.
Fisión/Fusión, exhibition catalogue, MCI Washington.
La Casa Barragan, X-Knowledge.
Cuautémoc Medina, Venecia: paradojas del pluralismo, Reforma.
Dominic Palfreyman, Basel on the Beach, Traveler.
2002
Süddeutsche Zeitung.
Shanghai Biennale Catalogue, Shanghai Biennale.
Verónica Macías / Carmen Serra. Pedro Reyes. Más allá del acumulador orgónico. El Huevo.
Do it - Hazlo, Museo de Arte Carrillo Gil / CONACULTA, exhibition catalogue.
2001
Revelado por... Interview in Codigo 06140.
1998
Nützliche Skulptur an der Ruta de la Amistad, Mexico City, Werk, Bauen+Wohnen.
|
|
|