Amaral, Aracy, EXPO 1973 PROJEÇÃO 2013, SESC Pinheiros, São Paulo, Brasil, 2014

 

Asbury, Michael, ‘Marvellous Perversions’, in Unbound: Installations by Seven Artists from Rio de Janeiro, Parasol Unit, London, UK, 2004

 

Asbury, Michael; Fer, Briony; Lambert, Maria de Fátima; Maiolino, Anna Maria. Anna Maria Maiolino: Order and Subjectivity. Pharos Publishers, Cyprus, 2009

 

Baum, Kelly, with Lucy Bradnock and Tina Rivers Ryan (eds.), Delirious: Art at the Limits of Reason, 1950 –1980, The Metropolitan Museum of Art, New York, USA, 2017

 

Brett Guy (ed.), Aberto Fechado, caixa e livro na arte brasileira, Pinacoteca do Estado de São Paulo, São Paulo, Brasil, 2012

 

Bousso, Vitoria Daniela (ed.), Forma e Imagem: Técnicas na Arte do Rio de Janeiro:1950 –1975, Paço das Artes, São Paulo, 2002

 

Butler Cornelia (ed.), WACK! Art and the Feminist Revolution, The Museum of

Contemporary Art, Los Angeles, 2007

 

Butler, Cornelia H.; de Zegher, Catherine (eds). On-Line: Drawing Through the Twenty Century. Published by The Museum of Modern Art, New York, 2010

 

Travelling exhibition (MOCA The Museum of Contemporary Art, The National Museum of Women in the Arts, P.S.1 Contemporary Art Center, Vancouver Art Gallery)

 

Carlos, Esther Emilio, IBEU 1991– 2001. Uma Década de Arte Contemporânea, Galeria de Arte IBEU, Rio de Janeiro, 2002

 

Carvajal, Rina, ‘Rutas - America Latina’, in Paulo Herkenhoff (ed.), Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros, XXIV Bienal de São Paulo, Fundação Bienal de São Paulo, São Paulo, 1998

 

Christov-Bakargiev, Carolyn (ed.), 16th Biennale of Sydney – Revolutions – Forms that Turn, Sydney, Australia, 2008

 

Christov-Bakargiev, Carolyn (ed.), The Book of Books, Documenta 13 (1), Das Begleitbuch / The Guidebook, and Anna Maria Maiolino, Eu sou Eu, Documenta 13, Kassel, 2012

 

Cisneros, Patricia Phelps, Correspondences: Contemporary Art from the Patricia Phelps Cisneros, Wheaton College, 2008

 

Cocchiarale, Fernando, Um século de arte brasileira na Coleção Gilberto Chateaubriand, São Paulo, 2006. Travelling exhibition (Pinacoteca do Estado de São Paulo, MAM-RJ, Museu Oscar Niemayer, MAM-BA)

 

Curtis, Penelope, The Object Sculpture, Henry Moore Institute, Leeds, 2002

 

Doctors, Marcio (ed.), ‘A arte da iminencia’, in A Forma da Floresta – Espaço de Instalações Permanentes: Anna Maria Maiolino, Museu do Açude, Rio de Janeiro, 1999

 

Dziewior, Yilmaz and Angelika Nollert (eds.), ‘Anna Maria Maiolino’, in Utopie Beginnt Im Kleinen - 12. Triennale Kleinplastik FellBach, Alten Kelter, Fellbach, 2013

 

Espinel, Monica, Then & Now: Abstraction in Latin American Art from 1950 to Present, 60 Wall Gallery, Deutsche Bank, New York, 2010

 

Fajardo-Hill, Cecilia, and Andrea Giunta (eds.), Radical Women: Latin American Art, 1960 –1985, Hammer Museum, Los Angeles, 2017

 

Farias, Agnaldo, and Moacir dos Anjor (eds.), 29ª Bienal de São Paulo: Há sempre um copo de mar para um homem navegar, Fundação Bienal de São Paulo, São Paulo, 2010

 

Ferreira, Gloria, Anos 70, arte como questão, Instituto Tomie Ohtake, São Paulo, 2007

 

Gabara, Esther, Pop América 1965 –1975, Nasher Museum of Art at Duke University, Durham, 2018

 

Galvao, Joao Candido (ed.), 21ª Bienal Internacional de São Paulo, Catálogo Geral,

Fundacao Bienal de São Paulo, 1991

 

Gibson, Edith A., ‘Anna Maria Maiolino’, in Re-Aligning Vision, Alternatives Currents in South America Drawings, Archer M. Huntington Art Gallery, The University of Texas at Austin, Austin, 1997. Travelling exhibition (El Museo del Barrio, NY; Arkansas Art Center, Little Rock; Archer M. Huntington Art Gallery; Museo de Bellas Artes, Caracas; Museo de Arte Contemporaneo, Monterrey; Miami Art Museum)

 

Gioni, Massimiliano, The Great Mother, Fondazione Nicola Trussardi, Milan, Italy, 2015

 

Herkenhoff, Paulo, ‘Maiolino, Between Pisa and Flanders’ in America Bride of the Sun: 500 Years of Latin America and the Low Countries, Royal Museum of Fine Arts, Antwerp, 1992

 

Herkenhoff, Paulo, ‘Zero and Difference: Excavating a conceptual architecture’ in Milena Kalinovska (ed.), Beyond the Preconceptions: The Sixties Experiment, Independent Curators International, New York, 2000

 

Herkenhoff, Paulo (ed.), Poética da percepção, questões da fenomenologia na arte brasileira, Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, 2008

 

Herkenhoff, Paulo, ‘O Brasil e Warhol e viceversa’, in Andy Warhol Mr. America, Pinacoteca do Estado de São Paulo, São Paulo, 2010

 

Herkenhoff, Paulo (ed.), Tarsila e mulheres modernas no Rio, Museu de Arte do Rio, Rio de Janeiro, 2015

 

Herkenhoff Paulo, Anna Maria Maiolino: o vídeo e a vespa. in Mulheres do Presente, a Clareza entre Sombra, Instituto Tomie Ohtake, São Paulo, 2016

 

Hess, Barbara. “Anna Maria Maiolino.” Utopie beginnt im kleinen – 12. triennale kleinplastik Fellbach.  Catologue of 12th Fellbach Triennial of Small Scale Sculpture. Germany, 2013

 

Zegher, Catherine de (ed.); Block, Holly; Carlos, Esther Emílio;  Doctors, Márcio; Herkenhoff, Paulo;  Maiolino, Anna Maria; Pollock, Griselda; Rolnik, Suely;  Salstein, Sônia; Venância Filho, Paulo. The Drawing Center, New York, 2001

 

Ledezma, Juan (ed.), The sites of Latin American Abstraction / Los Sítios de la Abstracción Latinoamericana, CIFO, Miami, 2006 – 2007

 

Lins, Daniel, A Pele de Anna [Anna’s Skin], Cosac Naify, Sao Paulo, 2016

 

Miebgang, Thomas (ed.), Tropicália Die 60s in Brasilien, Kunsthalle Wien, Vienna, 2010

 

Miyada, Paulo, ‘Os Desaparecidos’, 1984, in OSSO exposição-apelo ao direito de defesa de Rafael Braga, Instituto Tomie Ohtake, São Paulo, 2017

 

Moraes, Angelica de “Percurso Atual da arte no Brasil” in BRAZILIANART VI, Ed. Marcos Barbosa Lima, JC Editora, São Paulo, 2005

 

Morais, Frederico, and Paulo Herkenhoff (eds.), ‘Anna Maria Maiolino’, in Sete Décadas da presença italiana na arte brasileira, Paço Imperial, Rio de Janeiro, 1986

 

Molesworth, Helen and Bryan Barcena (eds.), Martins, Sergio R.; Fer, Briony; Wagner, Anne M., Anna Maria Maiolino, The Museum of Contemporary Art (MOCA), Los Angeles, 2017

 

Montegomery, Harper, ‘Nossos homens em Nova Iorque: Brazilian Women in New York’, in Open Work in Latin America, New York & Beyond, Conceptualism Reconsidered, 1967–1978, The Nertha and Karl Leubsdorf Art Gallery, New York, 2013

 

Morgan, Jessica (ed.), ‘Anna Maria Maiolino’, in Burning Down Gwangju Biennale 2014, Gwangju, 2014

 

Morgan, Jessica, and Flavia Frigeri (eds.), The World Goes Pop, Tate Modern, London, 2016

 

Morrill, Rebecca, and Louisa Elderton (eds.), Vitamin C: Clay and Ceramic in Contemporary Art, Phaidon, London, 2017

 

Munder, Heike (ed.), Resistance Performed, an anthology on aesthetic strategies under repressive regimes in Latin American, Migros Museum, Zurich, 2015 / 2016

 

Natalini Brunton, Arabella (texts), ‘Mothers’, in Autoritratti. Iscrizioni del Femminile Nell’arte Italiana Contemporanea, Museo d’Arte Moderna di Bologna (MAMBO), Bologna, Italia, 2013

 

Noorthoon, Victoria, and Camilo Yanez (eds.), 7ª Bienal do Mercosul. Grito e escuta, Fundação Bienal do Mercosul, Porto Alegre, Rio Grande do Sul, Brasil 2009

 

Obrist, Hans Ulrich (ed,). Entrevistas Brasileiras, vol. 1. Editora Cobogó, Rio de Janeiro, 2018

 

Oiticica, Helio, Nova Objetividade Brasileira, Museu de Arte Moderna, Rio de Janeiro, 1967

 

Osorio, Luiz Camillo, ‘Anna Maria Maiolino’, in Blanton Museum of Art: Latin American Collection, The University of Texas at Austin, Austin, 2006

 

Pedrosa, Adriano (ed.), artevida, Casa Franca-Brasil, Escola de Artes Visuais do Parque Lage e Cavalaricas, Biblioteca Parque Estadual and Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, 2015

 

Pedrosa, Adriano, et al. (ed.), Histórias da Infância, MASP, São Paulo, 2016

 

Pontual, Roberto, Entre Dois Séculos, arte brasileira do século XX na coleção Chateaubriand, Editora JB, Rio de Janeiro, 1987

 

Ramon Escriva, Joan, and Wilson Lazaro (eds.), ‘Pura cadencia brasilena’, in Gigante pela própria naturaliza, Institut Valencia d’Art Modern (IVAM), Valencia, 2011

 

Reis, Paulo. “Da importação ao canibalismo.” in Entre a Palavra e a Imagem. Fundación Luis Seoane de A Coruña, 2006, Museu da Cidade de Lisboa, Portugal, 2007

 

Sichel, Berta, ‘Anna Maria Maiolino: Rice and Beans’, in Susan Fisher Sterling et al. (eds.), Virgin Territory, National Museum of Women in the Arts, Washington D.C., 2001

 

Sileo, Diego (ed.), Asbury, Michael; Doctors, Marcio; Miyada, Paulo; Rivera, Tania; Zegher, Catherine de. Anna Maria Maiolino: O Amor Se Faz Revolucionário, PAC / Silvana Editoriale, Milan, 2019

 

Tatay, Helena (ed.), Doctors, Marcio; Fabricius, Jacob, Maiolino, Anna Maria; Margulies, Ivone; Pollock, Griselda; Rassel, Laurence; Von Hafe, Miguel. In Anna Maria Maiolino, Santiago de Compostela: Centro Galego Arte Contemporánea; Barcelona: Fundació Antoni Tàpies; Malmö: Malmö Konsthall; London Koenig Books, 2010

 

Tourino, Emilio Perez, A Batalha dos Xéneros, Centro Galego de Arte Contemporanea, Santiago de Compostela, 2007

 

Venancio Filho, Paulo and Rina Carvajal (eds.), Anna Maria Maiolino (exhibition ‘Anna Maria Maiolino: entre muitos’, São Paulo and ‘Anna Maria Maiolino: Territories of Immanence’, Miami), Pinacoteca do Estado de São Paulo, São Paulo, 2006

 

Wasserman, Krystyna, Book as art XI, The National Museum of Women in the Arts Library and Research Center, Washington D.C., 1999

 

Zegher, Catherine de, et al., ‘The Inside Is the Outside: The Relational as the (Feminine) Space of the Radical Women Artist at the Millennium’, in Women Artists at the Millennium, MIT Press, Cambridge, 2001

 

Zegher, Catherine de (ed.), ‘A Century under the sign of line, Drawing and its extension (1910 – 2010)’, in On Line, Drawing through the twentieth century, The Museum of Modern Art, New York, 2011

 

Zegher, Catherine de, ‘When “Imprevisibles” Interstices became Interstitches’, in Pierrete Bloch, Musee Jenisch Vevey, Vevey, 2013

 

Zegher, Catherine de, ‘Of thee + Me’, ‘Anna Maria Maiolino: Ciao Bella The Ins and Outs of a Migrant’ MIT Press, 2002

 

Zegher, Catherine de, An anthology. Women´s Work is Never Done, AsaMER, Ghent, 2014

 

Yee, Lydia and Fombella, Trinidad (eds.); Asbury, Michael; Miyada, Paulo; Rivera, Tania; Zegher, Catherine de. in Anna Maria Maiolino - Making Love Revolutionary, London, Whitechapel Gallery, 2019